[Dixielandjazz] Critics and Stage Presence
pj.ladd
pj.ladd at btinternet.com
Thu Jan 7 12:01:33 PST 2010
As was the instrument waving of the swing bands in the 1930s. <grin>>>
Yeah! a line of trombones was particularly spectacular.
I have no quarrel with that. Thats showmanship, but all the stuff the girl
was doing was so obviously the result of a `Rock school` style of tutoring
with nothing left of her own personality and I felt that it intruded into,
not enhanced, the performance.
I seem to be in the minority here although one or two have crept out of the
woodwork to support me.
Incidentally many, many years ago I took my (then) young daughter to see the
Monkees and they milked the audience with every trick in the book. Before
the curtains opened, a hand holding a pair of drumsticks came slowly out
from between the curtains, picked out by a spot. The audience, mainly young
girls went wild. Screaming, squealing, fainting all over the place as the
hand slowly withdrew. It was obviously supposed to be Mickey Dolenz but was
probably a stage hand. During the performance Naismith sat on the edge of
the stage and sang directly to one girl in the front row.. There was uproar.
Girls in a dead faint being passed overhead to the First Aid staff and taken
outside. They Monkees were rehearsed to the last degree with all these
gimmicks yet the performance seemd absolutely spontaneous. Marvellous. This
girls performance did not, to me, seem spontaneous, and that is my beef. She
did everything except throw beads!
Closing now as Daniel Barrenboen (cant be bothered to look up the spelling)
is playing a Beethoven Concerto on TV. Will he throw beads?
Cheers
Pat
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