[Dixielandjazz] More on Sopramno Sax
Larry Walton Entertainment - St. Louis
larrys.bands at charter.net
Tue Mar 11 17:42:30 PDT 2008
Yes, I think the other writer meant the C melody sometimes called a C tenor.
As far as I know there were never any C soprano's but I suppose there could
be.
Most if not all sopranos made before 1950 are pure junk. Virtually
impossible to play in tune and the tone is pretty bad. It takes a killer
sax player to get anything out of them. I have such a friend who plays a
very old curved soprano. It's cute and he is pretty good on it. The first
one I ever played had two octave keys on it much like an oboe but operated
with the thumb. It was awful. I played on a Selmer soprano about 1960's
vintage and didn't care for it much.
This experience was duplicated by Sidney Bechet who tried a soprano and got
rid of his first one. He tried again some time later and overcame a lot of
the problems some of which were solved by a very large open vibrato.
Manufacturers have gotten a lot of bugs worked out of them and even the very
cheap ones are sometimes OK. I own a Winston and I paid about $300 for it.
It's not bad at all and I rather like the sound but the metal is soft and in
the year I owned it I had it in the shop three times for adjustments. It
fell over on it's stand one time (ouch) which isn't good for any horn but
the whole instrument was knocked out of alignment including a warped body.
The high register A and above was also tentative, intonation wise.
I play a Yamaha Custom. Someone said something about a heavy horn. The YC
is heavy but it plays great and if my reed is in reasonable condition the
high notes are in tune and speak easily. I use the curved neck because with
the straight neck the neck strap hits my thumb and I don't care for that.
There is a little difference in sound between the necks but doesn't seem to
do anything about intonation.
The Yangasawa has one feature that is really nice in that the G# is forced
open when the key is pressed and not allowed to open with a spring. This
keeps this pad from sticking. One thing I do is put a silk handkerchief
corner under my C# key down on the bell. That keeps it from sticking shut
and prevents gunk build up on the pad. If anyone owns one be sure to pull a
swab through it after you play. You do not want to start having a sticking
G# pad. On my Yamaha it's almost impossible to get to with a cleaning cloth
or even stick your finger under it to unstick it. I highly recommend the
Yamaha Custom but they are pricey somewhere around $3500 now but they are a
lot cheaper than the Selmer which is around $6100 now. The Yamaha standard
models are also good, somewhat lighter and have a little different sound
that some may like. Again they are excellent horns too. They go for about
$1800 to $3200 Personal preference but if I didn't have the bucks for the
YC I would go for the standard model yss-475. But whatever you buy see if
you can try it first. Personally I don't think the Selmer is worth that
much. The Winston goes for $800. The Yangasawa is around $5200. I have
not played on one but I hear they are very nice horns.
The tone of a soprano is always dependent on the horn but the player is
really the most important. It goes from sounding like a duck in the low
range to the typical cut your head off, fish horn sound if the player is
poor. I haven't had a lot of these issues and one thing that a soprano can
do is project and a clarinet just can't match it especially in the low
range.
The soprano, should if it's played well, sound very much like an English
Horn.
Personally I think the Selmer pro model is vastly overpriced and over rated.
The guy that repairs horns here was showing off his new Selmer and I pulled
out my Winston and played it along side of his Selmer. Believe it or not
that $300 Winston sounded better than the Selmer and his playing didn't
improve anything at all. I don't think he was a happy camper after that.
I'm not recommending the Winston over the Selmer for many reasons but I
wasn't knocked out with its sound. Likewise if someone bought a Yamaha the
first thing they should do is throw away the mouthpiece that comes with it
and buy anything else. I'm not a big fan of their mouthpieces.
Since I had nerve damage and had to switch from clarinet to soprano it's
been interesting. For a long time I would try to use clarinet fingerings on
the soprano.
The soprano is definitely an acquired taste. It seems like either you love
it or hate it with most falling on the hate it side but I think that's
because there are very few good players on the horn. IMHO the soprano is
not for beginners or even the average sax player. I would only recommend
anyone play one if and only if their tone and intonation was rock solid on
one of the other saxes.
Prospective soprano players should have to apply to a committee to be given
a permit to buy one much like you have to undergo a background check to buy
a hand gun. The soprano is kind of like a Star Wars Light Saber. You play
a high note and wave it past an audience and watch their heads fall off.
Now that's raw power. The difference between a good player and a bad one is
the expression on the face of the heads as they tumble to the ground. They
don't call them lawn darts for nothin'.
Larry
StL
----- Original Message -----
From: "Don Ingle" <dingle at nomadinter.net>
To: "Larry Walton Entertainment - St. Louis" <larrys.bands at charter.net>
Cc: "Dixieland Jazz Mailing List" <dixielandjazz at ml.islandnet.com>
Sent: Monday, March 10, 2008 6:35 PM
Subject: Re: [Dixielandjazz] More on Sopramno Sax
> Confused here. Do youe mean a C-melody Sax" That would be a concert C
> overtone sax -- Trambauer or Rosy McHargue most noted for it.
> Of do you mean a Conn Bflat soprano sax -- curved or straight fish horn? I
> have my father's Bflat Conn curved Soprano Sax, which he recorded with
> Spike Jones (Pass the Bisquits Mirandy"), and which he got in Chicago in
> the mid-'30's from Peter Palmer III, scion of the Palmers of the Palmer
> House. The young lad had decided to play sax and bought the small soprano
> because he thought it would be easier to learn to play being smaller.
> When he awoke to reality, he basically said screw it and gave it my dad
> (Red Ingle). I have it, in playing condition and might part with it some
> day, but not today. (I also have two of his violins as used and recorded
> with the Natural Seven. Mom sold his tenor, baritone, clarinet, and bass
> clarinet when he passed.)
> The little soprano has the most shattering god-awful bark this side of a
> Mastiff on steroids.
> Don Ingle
>
> Larry Walton Entertainment - St. Louis wrote:
>>> You will easily find my old Conn C Soprano Sax -- current bid $700.
>> __________________________________________________________
>>
>> It's interesting how much C saxes bring today. A few years ago they were
>> pretty much worthless but they seem to bring pretty good prices on e-bay
>> in almost any condition. I completely restored a 1923 Buescher tenor a
>> few years ago and it cost about $650 and would have been more if there
>> were any dents.
>>
>> Considering most of these horns haven't seen a repair shop since the 30's
>> and are costing anywhere between $350 and $700+ then spending another
>> couple of hundred on restoration would seem to not make sense. One would
>> wonder what people are doing with them? There aren't that many authentic
>> 20-30's bands around that would require the rather unique sound of the C
>> to warrant what seems to be the increased interest in the instrument.
>>
>> At one time transposed sheet music wasn't readily available and the idea
>> was that people could play in their parlors without extra music or
>> transposition. I think that it was the "different" sound that they had
>> plus the instruments reflected the technology of the day (same for the
>> soprano) was the reason they didn't retain popularity. The biggest
>> reason for the C and the soprano to fall by the wayside was the
>> depression. People including professional musicians just didn't have the
>> money for them and they became a dead end more or less. The soprano
>> revived but the C just didn't.
>>
>> Either there is a revival of the C going on, people are buying them as
>> collectors items and speculating on them or people think they are buying
>> tenors. It's hard to believe that people are buying them to play on
>> unless they are playing music of the period and want to sound authentic.
>>
>> Some people call them C tenors and they are advertised that way. There
>> have been some listed just as tenors on E-bay but their fairly long
>> narrow bell makes me believe that they are C's. If someone bought a C
>> Melody thinking it was a Tenor might not be happy with his purchase. I
>> don't think this is dishonesty but rather people buying or inheriting
>> estates and not knowing what they have. A Conn tenor in playable
>> condition and depending on the year it was made and model, brings
>> somewhere between $500 and $1000 which is in the ballpark. I could see
>> people being confused but I don't really understand the demand, that
>> apparently is there, for the C. C's in just about any condition seem to
>> be bringing around $350.
>>
>> I have owned three of them over the years and not one cost over $35 and I
>> never sold one for much more and at least one became a wall hanger. Now
>> I wish I still had them. Save your Confederate money. It seems that
>> eventually everything rises again.
>> Larry
>> St.L
>> ----- Original Message ----- From: "Stan McDonald" <stanmm at comcast.net>
>> To: "Larry Walton" <larrys.bands at charter.net>
>> Cc: "Dixieland Jazz Mailing List" <dixielandjazz at ml.islandnet.com>
>> Sent: Sunday, March 09, 2008 12:46 AM
>> Subject: [Dixielandjazz] Stan McDonald -- recordings, artifacts,
>> memorabilia
>>
>>
>>> Dear fans and friends (old or new),
>>>
>>> I have not engaged in DJML until now, but wanted you to know that I have
>>> several of the above sorts of items posted on Ebay. Please check them
>>> out. I have consignonline doing this for me and they are just
>>> acclimating to dealing with my/our specialty, so you may have to hunt a
>>> bit for things like the tuxedo I wore in 1975 with Bobby Short and
>>> Claude Hopkins on PBS TV; one of the unique New Black Eagle Jazz Band
>>> t-shirts that I wore with them on festivals here and in Europe; or an
>>> original feature article on me in the MIssissippi Rag, Feb. 2003.
>>>
>>> You will easily find my old Conn C Soprano Sax -- current bid $700.
>>>
>>> I have of course continued active since my departure from the New Black
>>> Eagle Jazz Band in 1981, when I founded the Blue Horizon Jazz Band. You
>>> might check our name on Ebay for items; the Web under my name, and also
>>> our web site: www.bluehorizonjazzband -- and come and hear us live when
>>> in the Boston area.
>>>
>>> This is my first venture with Ebay, but I have a great deal more stuff
>>> to put up, depending upon how consignonline works out. I'd appreciate
>>> your advice on anything I have that you might think of interest. I have
>>> a remaining stock of the first BJHB Lp recording as listed on Ebay that
>>> I'll send you for $15.00 ppd. in the US. Original shrink wrap with
>>> extensive notes of trad jazz revival in New England, through the 50's
>>> and 60's.
>>>
>>> With fond regards and thanks for all the dear friendships -- faded or
>>> not -- and warm regards, always,
>>>
>>> Stan McDonald
>>> Leader, Blue Horizon Jazz Band
>>>
>>> _______________________________________________
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>>
>>
>>
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