[Dixielandjazz] Young Music Fans, Vol 52, Issue 57
Gluetje1 at aol.com
Gluetje1 at aol.com
Sun Apr 29 15:40:51 PDT 2007
Not responding to one individual in particular, just back on soapbox.
I do not see the interest in history of someone ages of 16 - 35 relevant to
where they, or once me, want to go with friends to hear music and dance.
During those ages I wanted to go the same places others my age wanted to go.
I paid very limited attention to the numbers, or ages, of, those who may
have been older. I don't remember any occasions where the majority was
significantly older. I don't have recall of being in a club, lounge, concert, etc.
where whatever group I was with made a choice to hear music birthed 70 & 80
years before me. That would have been music of the 1880's to 1900.
Exceptions: I went to the symphony if I could come up with tickets. I heard limited
ragtime, mostly via Gaslight Square venues. But I heard Dixie in joints that
were jumpin' with age mates. Musicians playing it were almost without
exception 15 - 50 years older than me. In 2007 I can find, for the most part,
peers and upward playing it.
To do nothing different than the way it was in my day, means that I
anticipate that those born between 1962 and 1991 would have a distinct preference to
hear musicians of retirement age and beyond play music that was birthed 70
years ago. Facts are they do not. If you are drawing young crowds you are
doing something different. If you are drawing young crowds and don't know how
you are different, pay my way there and I will tell all how you are different
from say, a Sunday afternoon concert at the St. Louis Jazz Club. LOL It's
cheaper just to read how some list-mates are explaining what's different--both
list-mates who are doing such and those taking part as audience.
As I see it this only matters to maybe a couple of categories of readers:
1. Those who want to make more of an imprint on the world they will be
departing than they feel that they have thus far. Power to you! Do your action
plan and measure your results. Change your action plan or give up if you
don't get results you were after.
2. Those who want to sell music they enjoy to the young for decent
compensation. Power to you! Do your action plan and measure your results. Change
your action plan or choose to give up.
No reason to fix what works. But crying that I'm a victim of a world going
to the dogs gets too boring for me to want to do it indefinitely. I don't
have a commitment to #2 above. My commitment to #1 is weak. Will it weaken or
strengthen? I'm conscious and waiting to discover that.
Ginny
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