[Dixielandjazz] Re: No Rhythm Front Line
Dan Augustine
ds.augustine at mail.utexas.edu
Tue Jul 27 14:51:43 PDT 2004
Steve's comment reminds me of a wonderful
duet between low-register clarinet and
high-register tuba on "Cushion Foot Stomp" by
Phil Kirk's band, Professor Plum's Jazz,
_Greatest Hits Vol. II_.
Accompanied only by minimal banjo, the
clarinet player (either Bob Schroeder, Gary
Milliken, or Cal Abbott) plays the melody while
the tuba player (Mike Swanson) plays a harmony
part which at times seems to go into the clarinet
range and is the sweetest thing you've (well,
i've) ever heard. Mike Swanson is one of the
best tuba-pickers who ever played, up there with
Eli Newberger and Dave Gannett. Pity he doesn't
play any more.
Dan
P. S. Thanks again to Phil Kirk for sending me
this CD. I eat my liver with envy every time i
listen to it.
-------------------------------------------------------------------------------
>Date: Tue, 27 Jul 2004 17:14:53 -0400
>From: Steve Barbone <barbonestreet at earthlink.net>
>Subject: [Dixielandjazz] No Rhythm Front Line
>
>Dan Augustine asked about the "front line only" chorus.
>
>Add Barbone Street to the bands that do this, or
>variations of it. Sometimes all 3 horns,
>sometimes only two horns. Very effective device
>to add listener interest. Tiger Rag, Struttin
>With Some Barbecue, most minor tunes etc. all
>adapt well to it.
>
>We also pair a horn with the bass, or clarinet
>and drums, etc., to vary the sounds, while the
>rest of the band rests. And sometimes, just a
>"rhythm section" chorus with guitar, bass and
>drums concentrating on a pulsing rhythm like
>Basie's.
>
>Cheers,
>Steve Barbone
--
**--------------------------------------------------------------------**
** Dan Augustine Austin, Texas ds.augustine at mail.utexas.edu **
** "All I know is, for every note, there is another note that **
** melts it. I just hear a sound coming into my head and hope **
** to catch it with my hands." -- Erroll Garner (1921-1977) **
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