[Dixielandjazz] Tram [WARNING: SPF validation unavailable]
Marek Boym
marekboym at gmail.com
Mon Apr 27 05:02:46 PDT 2015
Bechet - may be. Django came later, and Monk - much later.
Even Morton, great as he was, was not Armstrong's equal.
Cheers
On 27 April 2015 at 14:47, Shaw, Tim <Tim.Shaw at mh.org.au> wrote:
> Django? Monk? Bechet - who was the only one equal to Louis in 1923 judging
> from Blue5 records
> ________________________________________
> From: Marek Boym [marekboym at gmail.com]
> Sent: 27 April 2015 19:32
> To: Shaw, Tim
> Cc: Dixieland Jazz Mailing List
> Subject: Re: [Dixielandjazz] Tram [WARNING: SPF validation unavailable]
>
> The only musician I can think of who was "as fertile or adventurous an
> improvisor as Bix" was Louis. None other came within that bracket. Any
> comparisons should be made with others, and that is another story
> altogether.
> Cheers
>
> On 27 April 2015 at 02:44, Shaw, Tim <Tim.Shaw at mh.org.au<mailto:
> Tim.Shaw at mh.org.au>> wrote:
> - and a band composed entirely of "leading edge" creators would probably
> be too anarchic to organize (think of eg when Ellington hired Mingus ..
> became one too many)
>
> -----Original Message-----
> From: Dixielandjazz [mailto:dixielandjazz-bounces at ml.islandnet.com<mailto:
> dixielandjazz-bounces at ml.islandnet.com>] On Behalf Of Charles Suhor
> Sent: Monday, 27 April, 2015 9:09 AM
> To: Shaw, Tim
> Cc: Dixieland Jazz Mailing List
> Subject: Re: [Dixielandjazz] Tram [WARNING: SPF validation unavailable]
>
>
> On Apr 26, 2015, at 4:52 PM, ROBERT R. CALDER wrote:
>
> > To complain that Tram showed little evidence of that kind of invention
> is to forget the limits of opportunity, just as a lot of musicians who
> played solos that were long and not too long, tended to simplify in some
> aspects earlier conceptions of the instruments.
> >
>
> To state that Tram wasn't as fertile or adventurous an improvisor as Bix
> is not to "complain" about him or suggest that he wasn't an important
> figure in jazz history or to deny his (and others') expanding the roles of
> their instruments. I repeat (and it's only an opinion, of course): Tram
> wasn't as fertile or adventurous an improvisor as Bix. If every player had
> to be a Giant of Jazz, my record collection would be pared down to a few
> artists, if I could indeed identify the Giants. There's good stuff all
> around, but it's also useful to exchange ideas about the contributions of
> many jazz artists.
>
> Charlie
>
>
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