[Dixielandjazz] Same solos
Stephen G Barbone
barbonestreet at earthlink.net
Sat May 28 12:10:53 PDT 2011
I think any jazz musician who works 6 nights a week for long periods
of time, and/or like Louis, does 300 dates a year, is entitled to
repeat solos or phrases he likes.
One of the most difficult jobs in the world was that of a jazz
musician who works 6 hours a night week in and week out, and then
records in the early morning hours. To expect fresh creativity all the
time in the case of musicians who did that when gigs were plentiful,
is simply not realistic.
I forget who said it, but it was a "working jazz musician" that said
something like: "It is easier to find a new audience for jazz then to
continually create something new musically for the existing fans"
Having worked 6 hours a night, 6 nights a week for only a 4 month
stretch in my youth, I can attest to the fact that you become a jazz
zombie by doing so. C,osest I came to that in my dotage was 4 nights a
week for 15 months at the Showboat Casino in Atlantic City a few years
ago. It was difficult to be continually creative even for a hack like
me who almost never plays a solo the same way twice.
And having seen Omer Simeon, a jazz GIANT, at Ryan's in NYC over the
course of several years, I can also attest to the fact that he was
often on automatic pilot. Especially when the fans demanded the same
tunes night after night. Like if he plays the same tunes 250 nights a
year how can we expect him to "create" each time?
And then, of course, there are the fans who always expect to hear the
clarinet solo on "High Society" played the exact same way Picou did
and you can rest assured that Simeon did just that, looking bored out
of his head all the while..
Not mention that Dixieland itself is a repetitive form of jazz. There
are certain conventions that fans demand and if you do 't play it that
way, they disrespect the player or band.
Cheers,
Steve Barbone
www.myspace.com/barbonestreetjazzband
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