[Dixielandjazz] Ellington Teagarden Lyttelton
ROBERT R. CALDER
serapion at btinternet.com
Thu Jul 14 21:15:17 PDT 2011
I don't suppose anybody who takes any music seriously actually believes
de gustibus non disputandum
in the common reading of the phrase as meaning that no work of art can be
regarded as superior to any other.
The Latin phrase is just a cheap way of stopping people from fighting
People frequently think they are disagreeing about music because they don't
appreciate that the music anyone likes listening to is a matter of what he or
she is interested in musically, emotionally. There is very little to some music,
and nothing much to be interested in there. It's shallow and suits shallow
interests.
There is a great deal to some other music, but just because it's of considerable
worth and contains a lot, that's no reason why everybody would share an interest
in it.
Music is NOT THE INTERNATIONAL LANGUAGE of everybody
It can be an international language, but there are boundaries and limits.
such boundaries can be set up when something tawdry and shallow is fed to
people, even under the name Dixieland, and they don't know that some music
bearing that label has actually a content worth listening for
Humphrey Lyttelton observed in one of his excellent books recounting his
listening experience that some hreat jazzmen have been startlingly
unappreciative of some others. He calls this the research scientist mentality.
Thus Jack Teagarden just wasn't interested in Ellington -- and I suppose he
didn't really manage to say why.
Probably he was preoccupied with his own musical objectives, just as Coleman
Hawkins was when he came back from Europe and couldn't share a lot of people's
feelings about Lester Young,
It was actually Mahler, not Bruckner, who used Frere Jacques, incidentally.
And if you look back to the lifetimes of these two you can find other examples
of people not being interested in the feelings being expressed, and/or not
understanding the music, and mistaking their absence of a positive response for
a judgment of the music.
And this group is worth being a member of because its members take seriously
some music which is worth taking seriously. Rudi Blesh would have been a real
menace if he made people go, not blind, but deaf...
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