[Dixielandjazz] Double Bass in New Orleans Jazz
Stephen G Barbone
barbonestreet at earthlink.net
Wed Jan 19 07:12:29 PST 2011
In addition to banjo/tuba popularity in jazz bands prior to electric
recording technology, jazz recording history may have been altered in
other ways. ( As Ulf and others have said the double bass could not be
picked up via the early recording technology)
There is a story going around that Freddie Keppard's band (black)
would have been the first to record jazz, except that Keppard turned
down Victor's offer because he did not want people to copy his music.
However, here is what happened according to George Baquet, a
clarinetist who had joined Keppard's band after a stint with Buddy
Bolden.
In an interview, December 1941 "Down Beat", Baquet relates the story
of why Freddie Keppard was not the first band to record jazz. Victor
had asked Keppard several times, to record starting in 1915.
According to Baquet, Keppard began to get annoyed with the Victor
company when they expressed doubts as to whether Bill Johnson's string
bass playing could be recorded on the recording equipment of the time
(1916!). Victor's doubts were real considering that on those famous
King Oliver records of seven years later Johnson's string bass was
replaced by banjo and brass bass and the bass drum was not used, due
to the same technical problems, which were hard to overcome by the
acoustical recording process in use before 1925/26.
Victor wanted the band to go into the studio to make a test to
ascertain this point, but this "condition" was to take place without
payment. "Keppard couldn't understand playing a date and not being
paid for it", said Baquet. Keppard said "We've been kicked around so
much we don't want to record. We'll do if you give us money, right
away".
Victor declined the terms, and the course of jazz recording history
was altered. This may have been the opportunity for the first
generation of black jazz musicians from New Orleans to preserve the
sound of their music on record for posteriority and, in today's view,
may have led to document the intense jazz activity on the South Side
of Chicago before 1920.
Cheers,
Steve Barbone
www.myspace.com/barbonestreetjazzband
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