[Dixielandjazz] Trad Jazz -- no argument
Rick
rickz at usermail.com
Sat Jan 15 12:01:23 PST 2011
I'm not arguing for or against anything. I just
shared my viewpoint.
1952. I'm going to Little Rock High School and
playing with "The Fourche Bottom Boys." Two
ukulele's, a Washboard and a Jug.
Dan Adams, the Jug Player, was a virtuoso -- he
could play the melody of 12th Street Rag on the
jug! I bought a banjo for $40 in a pawn shop.
Dan bought the first GTJ record -- The FireHouse
Five plus 2. We thought it was "dixieland."
Whatever it was, we loved it, and as the years
rolled on, I bought all of the FH5, Turk, & Bob
Scobey. I also bought lots and lots of other
jazz. None of it really sounded like this first
stuff. I liked it OK, but I didn't get that
thrill I got out at Disneyland until I moved to
Denver and discovered the Queen City Jazz Band,
playing at the Montvu about three miles from my
house!!
Eventually, I moved to Colorado Springs, and
started studying this phenomenon -- the West
Coast jazz revival, they called it. Ultimately,
they started calling it "Trad;" I went to the
first Adult Trad Jazz band camp in San Diego; Bob
Schultz, John Gill, Vince Giordano... taught me
about Trad Jazz. About the very structured
choruses from the front line, and the "dog fight"
at the end. I was already a Bix fan ... bought
just about every record he ever made; it was "gee
whiz" stuff, but didn't really thrill me like Trad.
Just now, I carefully read the liner notes of the
Lu Watters reissue CD. Lu obviously had a
vision, and he passed on to Turk and Bob Scobey,
because you can hear that same vision in their
music. The notes say that Lu took tunes from
recordings of Oliver, The NO Rhythm Kings,
Morton's Red Hot Peppers and Armstrong's small
groups of the middle 20's. I just listened to a
bunch of those recordings, and to Lu. Lu's
arrangements are clean and clear -- partially
recording quality, but he had a very clear idea of
what he wanted. He passed that idea on to the
Firehouse Five.
The music -- like the music that fueled the
Roaring 20's -- is compelling you to dance! The
Firehouse Five started out playing downtown in LA,
and movie stars were showing up to dance!! The
Charleston was back!! The Black Bottom. the One
Step. And I still hear that difference in what I
call Trad.
Lot's of people want to call their music
"Traditional." But if you listen to Jim Cullum's
band play "Dr. Jazz" you won't get the same
feeling you get from the FireHouse Five version.
To each his/her own.
Rick
Having said all of that, I wonder what they're
teaching at the New Orleans Trad Jazz Camp???
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