[Dixielandjazz] Dixielandjazz Digest, Vol 93, Issue 37
Jazz Classic
jazzclassic at aol.com
Sun Sep 26 13:09:30 PDT 2010
do you have a reliable email address for Loose Marbles..............I sent a message a week or so ago but have heard nothing from them.
Joan Dragon, Director
Suncoast Dixieland Jazz Classic
P.O. Box 1945
Largo FL 33779-1945
-----Original Message-----
From: dixielandjazz-request at ml.islandnet.com
To: jazzclassic at aol.com
Sent: Sun, Sep 26, 2010 3:00 pm
Subject: Dixielandjazz Digest, Vol 93, Issue 37
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han "Re: Contents of Dixielandjazz digest..."
oday's Topics:
1. Re: Loose Marbles (Allan Brown)
2. Fulton Street Jazz Band in Pismo Beach (Robert Ringwald)
3. Re: St Gabriel's Celestial Brass Band (Bob Smith)
4. Re: Loose Marbles (Marek Boym)
5. For The Drummers on the list (Stephen G Barbone)
6. Goodman/Miranda Paducah (eupher dude)
---------------------------------------------------------------------
Message: 1
ate: Sat, 25 Sep 2010 20:49:42 +0100
rom: Allan Brown <allanbrown at dsl.pipex.com>
o: rahberry at comcast.net
c: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
ubject: Re: [Dixielandjazz] Loose Marbles
essage-ID: <B2B8378D-3659-4624-83E7-4E23BB75A108 at dsl.pipex.com>
ontent-Type: text/plain; charset=us-ascii
Thanks for posting those Rae - I really enjoyed them.
All the best,
Allan Brown
n 25 Sep 2010, at 19:45, rahberry at comcast.net wrote:
> To the Loose Marbles fans on the List:
My friend Ari Munkres asked me for more Loose Marbles
videos, so here are six more from the Sacramento Festival
and Jubilee in May 2010.
http://www.youtube.com/user/SFRaeAnn?feature=mhum#p/search/0/KcNhDHeyT24
http://www.youtube.com/user/SFRaeAnn?feature=mhum#p/search/1/NfU7QGE8YRI
http://www.youtube.com/user/SFRaeAnn?feature=mhum#p/search/3/-UkfY4XTVhc
http://www.youtube.com/user/SFRaeAnn?feature=mhum#p/search/7/e453jy94V1A
http://www.youtube.com/user/SFRaeAnn?feature=mhum#p/search/8/wjDj9-le13E
http://www.youtube.com/user/SFRaeAnn?feature=mhum#p/search/8/wjDj9-le13E
If you have trouble opening these links, just go to www.youtube.com/sfraeann.
You should be able to find them from there.
I hope you enjoy these videos.
-- Rae Ann
http://www.sfraeann.com
http://www.youtube.com/sfraeann
http://www.craigventresco.com
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-----------------------------
Message: 2
ate: Sat, 25 Sep 2010 13:04:07 -0700
rom: "Robert Ringwald" <rsr at ringwald.com>
o: "DJML" <dixielandjazz at ml.islandnet.com>
c: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
ubject: [Dixielandjazz] Fulton Street Jazz Band in Pismo Beach
essage-ID: <B3B3E1571DA24CC19B35ECE7481D3782 at hplap>
ontent-Type: text/plain; charset="iso-8859-1"
Listmates, We'll be playing the monthly concert of the Basin Street Regulars
ismo Beach Jazz Club tomorrow Sunday Sept 26. We play at 1:00 PM and again at
:15 PM at the Veteran's Memorial Building in the middle of town.
This from my web site:
www.ringwald.com/schedule.php
Sep 26
ulton Street Jazz Band
asin Street Regulars, Central Coast Hot Jazz Society
ismo Beach CA
ismo Beach Veteran's Memorial Building
1:00 AM - 4:30 PM.
1:00 am 'till 12:50 jam sets for all comers
:00 - 2:15 Fulton Street
:15 - 3:15 local band + drawing and club announcements
:15 - 4:30 Fulton Street
dmission: Members $5.00, non-members $10.00.
nfo: Murray Schmidt, 805/ 550-4865,
urschmidt at aol.com
6kdp at aol.com
ttp://www.pismojazz.com/index.html
Hope to see some of you there.
-Bob Ringwald
ww.ringwald.com
ulton Street Jazz Band
16/806-9551
mateur (Ham) Radio K6YBV
"Last night my wife met me at the front door. She was wearing a sexy negligee.
he only trouble was, she was coming home." --Rodney Dangerfield
------------------------------
Message: 3
ate: Sat, 25 Sep 2010 21:04:46 +0200
rom: Bob Smith <robert.smith at tele2.no>
o: Bill Haesler <bhaesler at bigpond.net.au>
c: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
ubject: Re: [Dixielandjazz] St Gabriel's Celestial Brass Band
essage-ID: <92162AD5471642A8BE6A656FA0F4F8DC at RobertSPC>
ontent-Type: text/plain; CHARSET=US-ASCII; format=flowed;
reply-type=original
Dear Bill,
Thanks for the link to the St. Gabriel's Celstial Brass Band. I enjoyed the
usic, but it set me wondering.
've enjoyed the records of The Original Zenith Brass Band for many years,
lways regarding them as the epitome of New Orleans Brass Band jazz. However
heir sound is quite a bit different to that of St. Gabriel's. I'm wondering
re the two styles from different parts of New Orleans or have St. Gabriel's
olished the rougher sound that I've previously regarded as authentic?
Kind Regards
Bob Smith
-----------------------------
Message: 4
ate: Sun, 26 Sep 2010 00:12:50 +0200
rom: Marek Boym <marekboym at gmail.com>
o: rahberry at comcast.net, Dixielandjazz at ml.islandnet.com
c: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
ubject: Re: [Dixielandjazz] Loose Marbles
essage-ID:
<AANLkTik8TK9MMt8aLi_k2b5MYhge=Df1BmQyKS2TQKFA at mail.gmail.com>
ontent-Type: text/plain; charset=ISO-8859-1
Hello Rae Ann,
can only join Allan.
t [present I'm in the middle of Yaaka Hula..., but it sounds so good
hat I have forwarded it to my jazz friends.
You're doing great work!
heers,
arek
On 25 September 2010 20:45, <rahberry at comcast.net> wrote:
To the Loose Marbles fans on the List:
My friend Ari Munkres asked me for more Loose Marbles
videos, so here are six more from the Sacramento Festival
and Jubilee in May 2010.
http://www.youtube.com/user/SFRaeAnn?feature=mhum#p/search/0/KcNhDHeyT24
http://www.youtube.com/user/SFRaeAnn?feature=mhum#p/search/1/NfU7QGE8YRI
http://www.youtube.com/user/SFRaeAnn?feature=mhum#p/search/3/-UkfY4XTVhc
http://www.youtube.com/user/SFRaeAnn?feature=mhum#p/search/7/e453jy94V1A
http://www.youtube.com/user/SFRaeAnn?feature=mhum#p/search/8/wjDj9-le13E
http://www.youtube.com/user/SFRaeAnn?feature=mhum#p/search/8/wjDj9-le13E
If you have trouble opening these links, just go to www.youtube.com/sfraeann.
You should be able to find them from there.
I hope you enjoy these videos.
-- Rae Ann
http://www.sfraeann.com
http://www.youtube.com/sfraeann
http://www.craigventresco.com
_______________________________________________
To unsubscribe or change your e-mail preferences for the Dixieland Jazz
ailing list, or to find the online archives, please visit:
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------------------------------
Message: 5
ate: Sun, 26 Sep 2010 11:48:49 -0400
rom: Stephen G Barbone <barbonestreet at earthlink.net>
o: DJML <dixielandjazz at ml.islandnet.com>
c: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
ubject: [Dixielandjazz] For The Drummers on the list
essage-ID: <B6735C3D-36AE-436F-9E91-79FC04FC1B6B at earthlink.net>
ontent-Type: text/plain; charset=WINDOWS-1252; format=flowed;
delsp=yes
Caveat: May not be OKOM. However John Petters and the other drummers
n the list may find this interesting. Roy Haynes the drummer profiled
ere, is 85 and still swinging. I first saw/heard Haynes with
helonious Monk and John Coltrane at the Five Spot in NYC, circa 1957
ive or take a year. It was an unforgettable experience.
Cheers,
teve Barbone
ww.myspace.com/barbonestreetjazzband
At Lincoln Center, Using Both Sound and Silence
NY TIMES - SETP 25 - By BEN RATLIFF
ne of the most accurate ways to understand jazz these days is through
oy Haynes?s cymbal beat. On Saturday night at Rose Theater, for about
hree-quarters of his stage time, he tilted his head toward his ride
ymbal and drove a changing stream of swing through it, using every
ther sound ? from the snare drum, kick drum and the rest of his kit ?
s circulating accents around that primary force. It was mesmerizing,
ffirmative, flexible and incredibly artful. It made internal sense.
?An Evening With Roy Haynes? opened Jazz at Lincoln Center?s new
eason, and marked a birthday: Mr. Haynes turned 85 last March, which
oesn?t make much sense at all. He played in the first half with his
orking quartet, the Roy Haynes Fountain of Youth Band, and in the
econd half with a heavy ad-hoc group: Wynton Marsalis on trumpet,
enny Garrett on alto saxophone, Danilo P?rez on piano and Dave
olland on bass. Mr. Haynes makes ordinary gigs feel special ? it can
eem as if he never learned how to be glib ? but here, in the second
alf especially, he was especially fine. He got all the way in.
He filled the dimensions of the theater, making you hear his bass drum
ccents in the back rows. But he never numbed you by doing everything
oudly all the time. The first important bebop drummers, of which he
as one, used silences and moderation and self-imposed restrictions to
ake their sneaked upbeats pop more vividly.
Instead of making his sound a static thing, Mr. Haynes was flickering:
orking for the benefit of the music as well as the benefit of the
how, even when laying back or making no sound at all. Several times
e got up from his stool, prowled around the kit, shaking his
houlders and legs, and clicked his sticks together, or whacked a
loor tom, or hit the edge of the cymbal at the start of a new chorus.
nce he made the band sink into a period of silence and reanimated it
ith something like a kick-drum heartbeat. Once he got up in Mr.
arrett?s face and twirled a stick. Once, absorbing the feeling of a
une at his own speed after the rest of the band had started it, Mr.
aynes waggled the stick in his right hand, playing the air for a
inute, like a draughtsman preparing to sketch. And then he leaned
nto his ride cymbal and started again.
The Fountain of Youth Band ? it has gone through several iterations
ver the last decade ? now has the saxophonist Jaleel Shaw as well as
he bassist David Wong and its mainstay pianist, Martin Bejerano.
ithout a strong arrangement, it can get Coltrane-y in a hurry, which
s not a philosophical or a historical problem: Mr. Haynes was a
egular substitute in Coltrane?s quartet in the mid-60s, and he
earned lessons from Coltrane just as Elvin Jones, that band?s regular
rummer, had learned lessons from him. It sounded strong, particularly
n the band?s diabolical version of ?My Heart Belongs to Daddy,? tied
ogether by a roughed-up, highly changeable six-eight pattern, which
r. Haynes ultimately took with him to center-stage and rapped it out
ith a palm on a microphone.
?Wow,? said Mr. Haynes, reacting to the total audience response. ?And
hey said you didn?t have rhythm.?
The other group was ready from the start, charged and loose. In Sonny
ollins? ?Grand Street,? Mr. Marsalis and Mr. Garrett got into a
trident back-and-forth, narrowing down until their improvisations
ashed together. In Thelonious Monk?s ?Monk?s Dream,? Mr. Marsalis
ought back hard and gesturally against Mr. Haynes, but Mr. P?rez
eased him, drawling and leaving gaps in the sound. (Here, and for the
est of the set, Mr. Marsalis leaned in close to the piano, keeping
is head about a foot away from Mr. P?rez?s, invading his space and
taring, following closely, laughing at the sly parts: something
nteresting was going on there.)
In ?Stardust,? Mr. Marsalis brought off his best stuff: a solo of
reat dynamic range, of orderly melodic and rhythmic space. In ?Bright
ississippi,? with the horns laying out, Mr. Haynes stayed focused on
he clenched high-hat cymbal ? a la his idol, the Basie-band drummer
o Jones ? and mixed up Cuban clave with swing rhythm in a performance
hat was all conviction: nothing clinical about it. And through Bud
owell?s ?Bouncing With Bud? ? Mr. Haynes played on the original
ecording, in 1949 ? Mr. Holland, with a big tone and a gathering
nsistence around drone notes, played like an earth mover, wincing and
tomping his foot in the home stretch.
?You?re making me feel like this is my last time,? said Mr. Haynes, at
he finish, almost scolding the audience for its standing ovation.
Damn!?
-----------------------------
Message: 6
ate: Sun, 26 Sep 2010 12:40:15 -0500
rom: eupher dude <eupher61 at hotmail.com>
o: djml <dixielandjazz at ml.islandnet.com>
c: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
ubject: [Dixielandjazz] Goodman/Miranda Paducah
essage-ID: <BLU147-W31C171E78BA9B1F5E729CCD7640 at phx.gbl>
ontent-Type: text/plain; charset="iso-8859-1"
ttp://www.youtube.com/watch?v=tjfpvUOVTQU&feature=player_embedded#!
who can name all of this band? It's strange to see a bass sax played behind a
ront, but I guess it
appened more than just this.
What about the sidemen in these situations--were they well paid; was it an
njoyable experience for them? Were they playing live, or syncing with a
ecording?
enjoy!
steve
------------------------------
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nd of Dixielandjazz Digest, Vol 93, Issue 37
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