[Dixielandjazz] Daryl Sherman: Johnny Mercer: A Centennial Tribute
Robert Ringwald
rsr at ringwald.com
Wed Jan 6 08:54:31 PST 2010
Daryl Sherman: Johnny Mercer: A Centennial Tribute (Arbors Records)
by Harvey Siders
Jazz Times, January 5, 2010
Six years ago, Arbors Records released Daryl Sherman's centennial tribute to Richard
Rodgers, "A Hundred Million Miracles," with the focus, naturally, on the music. Ms.
Sherman is back with another loving tribute, this one concentrating on the witty,
sophisticated words of Johnny Mercer. That says volumes about Daryl in matters of
taste, curiosity and the willingness to explore the archives of the Great American
Songbook -- hallmarks of a dedicated cabaret singer. What makes Daryl Sherman unique
is her jazz heritage: musical DNA that can be traced back to Blossom Dearie, Mabel
Mercer and Mildred Bailey. Of course when you bring up DNA you can't overlook her
very early exposure to her dad, trombonist Sammy Sherman, who fronted a big band
during that golden era, nor can you ignore the fact that Artie Shaw, when he unveiled
his post-retirement orchestra in '83, hired Daryl to be his band vocalist.
With this latest release, Sherman has strengthened her jazz credentials and widened
her cabaret purview with 14 diverse tracks and outstanding jazz players: trombonist-singer
Wycliffe Gordon; altoist Jerry Dodgion; guitarist-banjoist-arranger Howard Alden;
bassist-singer Jay Leonhart; vibist-drummer Chuck Redd; and special piano guests
Marian McPartland and Barbara Carroll.
Aside from the cool, straightahead, laid-back, plaintive, little-girl phrasing of
Ms. Sherman and her full-bodied, sparse, occasional stride of her self-accompaniment,
there are plenty of high points. "Midnight Sun" underscores Sherman's ability to
handle wordy lyrics and tricky chromatic lines without sacrificing enunciation or
pitch. Redd's backing on vibes is a respectful "tip of the mallets" to its composer,
Lionel Hampton. "Dream," the only tune on the session that features Mercer's words
AND music, also features a tender backing by trombonist Gordon. Check his sly portamento
on the final note. The bluesy "Lazy Bones," by Mercer and Hoagy Carmichael, is greatly
enhanced by the Desmond-sounding Dodgion. Gordon's sense of musical humor does as
much for "Jeepers Creepers" as Daryl's gentle stride. Wycliffe's humor is also present
on "The Bathtub Ran Over Again" as he reveals Satchmo's guttural vocal sound and
phrasing. Alden's guitar frees Sherman from her keyboard for "Come Rain or Come Shine,"
and the result is intimate and gorgeous, for both. The same can be said as Ms. Carroll
provides the backing for "I Thought About You" and the indestructible Ms. McPartland,
who accompanies Sherman on the Mercer-McPartland collaboration, "Twilight World."
The most memorable track is a partnership between Mercer and Jimmy Rowles called
"Little Ingenue," a heart-tugging interpretation by Sherman that should make you
treasure the many rare nuggets from the mine and mind of Mercer.
-30
--Bob Ringwald K6YBV
rsr at ringwald.com
Fulton Street Jazz Band
916/806-9551
Check out our latest recording at www.ringwald.com/recordings.htm
My reading of history convinces me that most bad government results from too much
government. -Thomas Jefferson
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