[Dixielandjazz] That elusive definition of jazz
Gluetje1 at aol.com
Gluetje1 at aol.com
Tue Aug 17 19:02:21 PDT 2010
Mart, I'm with you. It was a band director who brought the love of music
to me. He sent us home with assignments of "listening homework". He
organized a jazz band for those who wanted to try it, albeit, it was swing and
forward in 1954 -- but that's to be forgiven since he opened up my ears far
wider than they were.
He was a percussionist and my recall is that at that time he took some
risks by jazzing up the cadences for our marching band also. And I know he
produced some music educators as a result along with at least one professional
who was in band same years as me.
Ginny
In a message dated 8/17/2010 4:06:14 P.M. Central Daylight Time,
macjazz at comcast.net writes:
In all due respect and while there may actually have been some directors
somewhere that fit this description, I was highly active in the field for
some 15 years and won state championship in jazz/stage band etc. and am
not
aware of a single director who even began to fit what you are saying here.
I will agree that there were not many high school programs that addressed
OKOM (jazz) in that the number of students able to improvise COOPERATIVELY
were few and far between. There were however, many many individuals and
groups who played outstanding, swinging jazz and who had band directors
who
were able to make it happen. I had (and have) the alumni who played and
are
playing professionally, to prove it.
I would be interested to know how many on this list (even based on OKOM)
got
their start with a school music program and were in a program where the
director had jazz sense, as opposed to those who fall into the opposite
category.
Sorry troops, but I'll argue this one till hell freezes over!
Mart
Martin D. McKay (Professional Listener)(Retired one time band director)
St. Augustine, Florida (Come on down, and bring money)
More information about the Dixielandjazz
mailing list