[Dixielandjazz] Prettiest melody contest
tubaman at tubatoast.com
Mon Mar 2 14:25:25 PST 2009
Having played the "traditional" bass line a few hundred times (maybe
even more than a few hundred) I agree that the chord progression leads
to a wonderful walking bass line I don't really mind playing. No need
to get really creative on this one - just play pretty for the people!
On Mar 2, 2009, at 1:03 PM, Jim Kashishian wrote:
> Ken Gates said:
>> Did we ever have nominations for prettiest melody in OKOM?
> If anyone is interested, here are my three nominations---
> ......and, one of his nominations was "New Orleans"
> I agree that it is a great melody...one of the best, but I have also
> from those that go ape over chord progressions, that New Orleans is
> exceptional. So, is it tops in melody & chord progressions, thereby
> covering both sides of the coin?
> And, was the melody or chord progression written first? Was the
> the chords with the melody laid over the top, or was it the melody
> with the chords accompanying it?
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