[Dixielandjazz] A Funny Bit and a comment on Jazz societies
Randy Fendrick
jfendrick at bak.rr.com
Mon Apr 7 09:11:00 PDT 2008
At our monthly dance (gig) yesterday, a dancer asked us to play a cha
cha, our leader was looking through the book, when I saw "Hey, Look Me
Over" which had been placed in the book as a special request for one
reason or another. Anyway, we played it as a cha cha. Later, I was
chatting with a regular member who commented that we had rehearsed some
new material since our last gig. I assured him that we hadn't, but made
up the arrangement on the spot. Which leads to a comment on the
plight of jazz societies. Our society was started as a jazz society,
but as the cliental began to die off, the jazz members are being
replaced by dancers. Dancers are o.k., but they bring requests, that
really don't mix with the Chicago style jazz that we play, or for that
matter, dixieland. Yesterday, for example a man came up and asked for
a tune that had a western swing beat, at 120 mm. Which is much too
fast for that type of beat, the leader told him to "get lost" in a
rather sarcastic way which passed over his head. We later played
"Caledonia" at the agreed upon 100 mm beats per minute. Our singer
quickly got the tempo up to his correct tempo. The point being
listeners understand that jazz is an improvised music, where performers
dictate the tempo. There is really no correct tempo, only how the
performer chooses to take it. An example is St Louis Blues, many
folks recall the Miller band playing St Louis Blues in the Glenn Miller
Story as being used as a march at about 120 beats per minute, or march
tempo, whereas the Count Basic Band played it on one recording at about
80 beats per minute. We do it ala Basie! at the 80 beats per minute.
My point is as in economics there is no such thing as a free lunch, or
there is a cost to everything, and if you choose to make your jazz
society a dance society then get ready for less jazz music.
later,
rf
Randy Fendrick
Southside Chicago Seven
Bakersfield Symphony Orchestra, ret
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