[Dixielandjazz] Dixielandjazz Digest, Vol 55, Issue 8

Wed Jul 4 12:14:17 PDT 2007

----- Original Message ----- 
From: <dixielandjazz-request at ml.islandnet.com>
To: <rldillon47 at earthlink.net>
Sent: Wednesday, July 04, 2007 3:00 PM
Subject: Dixielandjazz Digest, Vol 55, Issue 8


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> Today's Topics:
>
>    1. But Tommy (Robert Smith)
>    2. Familiar 8 bars (or 7 or 6 or 12) (Steve Barbone)
>    3. Re: Bob Cats (Diann Franks)
>    4. chord progressons and etc. (was Bill Bailey & etc.)
>       (Charlie Coleman)
>    5. FW:  I Wanna Be Like You (was Aba Daba) (Rob & Carla Henneveld)
>    6. Sal Pace (Dave Stoddard)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Wed, 4 Jul 2007 13:57:14 +0200
> From: "Robert Smith" <robert.smith at tele2.no>
> Subject: [Dixielandjazz] But Tommy
> To: "Cliff Harper" <cliffh at tcp.co.uk>
> Cc: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
> Message-ID: <007101c7be32$764b0a20$838cd9c1 at RobertSPC>
> Content-Type: text/plain; format=flowed; charset="iso-8859-1";
> reply-type=response
>
> To see Tommy Cooper trying so hard on stage that his fez wobbled was
really
> something.
>
> Regards
>
> Bob Smith
>
>
>
>
> ------------------------------
>
> Message: 2
> Date: Wed, 04 Jul 2007 10:10:41 -0400
> From: Steve Barbone <barbonestreet at earthlink.net>
> Subject: [Dixielandjazz] Familiar 8 bars (or 7 or 6 or 12)
> To: DJML <dixielandjazz at ml.islandnet.com>
> Cc: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
> Message-ID: <C2B122A1.99D7%barbonestreet at earthlink.net>
> Content-Type: text/plain; charset="US-ASCII"
>
> For my money the most familiar chord progressions in jazz are the old
bridge
> chords used by so many tunes. What we New Yorkers referred to as the
"Sears
> & Roebuck" bridge. I don't know the exact statistics, but that bridge is
> very commonly used.
>
> Kind of like the "I got Rhythm" changes used in modern jazz.
>
> So Bill Bailey, whether you want 7 or 11 or 8 or 12 or 16 or 32 bar
strains
> is not the only set of changes to consider.
>
> Jamey Aebersold has play along sets devoted to the turnaround cycles using
> the II and V7 chords, as well as the II / V7 / I progression which he
claims
> are "the most important building blocks of jazz and popular music."
>
> Or consider the cycle of 5ths (or 4ths if you prefer) Very commonly used.
>
> Cheers,
> Steve Barbone
>
>
>
>
> ------------------------------
>
> Message: 3
> Date: Wed, 4 Jul 2007 07:24:55 -0700 (PDT)
> From: Diann Franks <swingbanjo at yahoo.com>
> Subject: Re: [Dixielandjazz] Bob Cats
> To: Steve Barbone <barbonestreet at earthlink.net>
> Cc: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
> Message-ID: <997769.78377.qm at web38605.mail.mud.yahoo.com>
> Content-Type: text/plain; charset=iso-8859-1
>
> Did you know that one of the early players of Crosby's Bobcats lives here
in St. Petersburg,Fl.and is still playing every Wed. @ The Bilmar Resort on
Treasure Island,Fl.
>
> Steve Barbone <barbonestreet at earthlink.net> wrote:  Speaking about the Bob
Cats, if any of the festival movers and shakers on
> listening, Ed Metz and the current Bob Cats do one hell of a job with the
> Bob Cat repertoire and the same instrumentation. Metz does, however, redo
> the arrangements, updating them and allowing more solo space. In effect
his
> band does indeed bring something "NEW" to the party, yet will be
recognized
> by Bob Cat fans as playing in their style.
>
> Superb 8 piece band. But don't plead budget and try to cut it back to 6
> because then you don't have the Bob Cats anymore do you?
>
> Cheers,
> Steve Barbone
>
>
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> ------------------------------
>
> Message: 4
> Date: Wed, 04 Jul 2007 11:24:42 -0500 (CDT)
> From: Charlie Coleman <charliew8fim at verizon.net>
> Subject: [Dixielandjazz] chord progressons and etc. (was Bill Bailey &
> etc.)
> To: dixielandjazz at ml.islandnet.com
> Cc: charliew8fim at verizon.net, Dixieland Jazz Mailing List
> <dixielandjazz at ml.islandnet.com>
> Message-ID:
> <31157.5372051183566282912.JavaMail.root at vms172.mailsrvcs.net>
> Content-Type: text/plain; charset=UTF-8
>
> Hi Listees,  Interesting thread, this.  I may be preaching to the choir,
but I have a lot of fun working the progressions in Walter Stewart's "Modern
Harmony".   It states 'with these progressions it is possible to harmonize
almost any song.'
> / I-IV-V7-I / I-Idim-V7-I / I-Vdim-V7-I / I-vi-ii-V7 / I-I#dim-ii-V7 /
I-VI7-II7-V7-I / I-vi-II7-V7-I / I-II7-V7-I / I7-IV-II7-V7 / I-IV-I-V7-I /
I-Vm-V7-II7-V7-I / I-I7-IV-IVm-I / I-IVm-V7-I / I-vi-VIb7-V7-I /
III7-VI7-II7-V7-I / III7-vi-II7-V7 / iii7-IIIbm-ii7-V7-I / iii7-VI7-II7-V7-I
/ iii-vi-ii-Vaug-I / I-ii-iii-ii-I / I-IIIb7-ii7-V7 / I-VIb7-V7-I /
Vm-VI7-IVm-V7-I / I-I7-IV7-I-VIb-V7-I / ii7-V7-vi7-VIb7-V7-I /
I-ii-III7-VI7-Im-II7-V7-I / I-I7-VII7-VIIb7-VI7-II7-V7-I / I-VIIb7-I /
I-IV7-I / I-IIIbm-ii-IIb9-I / I-IIIb9-II9-I / vi-III7-Fm-VI7-IVm-V7-I
/vi-V#aug-I-II7 / Im-IVm-V7-Im /VIb-V7-iii-vi / VII7-iii-II7-V7
/IV7-IIIb7-II7-V7-I /
> I bought this book over 50 years ago, so you won't find much 'modern'
progressions, but I like to use it as a memory jogger.    Have fun, Happy
4th of July and God Bless America.
>     Charlie Coleman
>
>
>
> ------------------------------
>
> Message: 5
> Date: Wed, 4 Jul 2007 19:33:10 +0200
> From: "Rob & Carla Henneveld" <info at jazzconnection.nl>
> Subject: [Dixielandjazz] FW:  I Wanna Be Like You (was Aba Daba)
> To: <dixielandjazz at ml.islandnet.com>
> Cc: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
> Message-ID: <002b01c7be61$64c3b0c0$4001a8c0 at jazzconndsjwib>
> Content-Type: text/plain; charset="us-ascii"
>
> Try this one:
>
>
http://www.jazzconnection.nl/Media/Audio/Is%20you%20is%20or%20is%20you%20ain
> 't%20my%20baby.mp3
>
> Regards,
> Rob.
>
> -----Oorspronkelijk bericht-----
> Van: David Richoux [mailto:tubaman at tubatoast.com]
> Onderwerp: Re: [Dixielandjazz] I Wanna Be Like You (was Aba Daba)
>
> Is it posted to your site? I am really liking their version of "Is
> You Is or Is You Ain't My baby"
> http://www.jazzconnection.nl/Media/Audio/Is%20you%20is%20or%20is%20you
> %20ain't%20my%20baby.mp3
> http://tinyurl.com/2ay23o
>
>
> ------------------------------
>
> Message: 6
> Date: Wed, 4 Jul 2007 13:27:50 -0500
> From: "Dave Stoddard" <dhs2 at peoplepc.com>
> Subject: [Dixielandjazz] Sal Pace
> To: <dixielandjazz at ml.islandnet.com>
> Cc: Dixieland Jazz Mailing List <dixielandjazz at ml.islandnet.com>
> Message-ID: <002c01c7be69$08bcc160$e32c63d0 at davep4intel>
> Content-Type: text/plain; format=flowed; charset="iso-8859-1";
> reply-type=original
>
> Dear Listers:
>
> Sal Pace was a clarinet player in New York City.  He played at Nick's, and
> with Phil Napoleon.  I have him playing on a Uranus LP (UJ 1202) called
> Accent on Dixieland.  The band is led by Pee Wee Erwin on trumpet, and has
> Pace on clarinet, Andy Russo on trombone, Billy Maxted on piano, Charles
> Traeger on bass and Tony Spargo whistling and playing drums and kazoo.
It's
> quite a nice album.  Sal Pace was a fine jazz player.
>
> Regards,
> Dave Stoddard
> Round Rock, TX
>
>
>
>
> ------------------------------
>
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> End of Dixielandjazz Digest, Vol 55, Issue 8
> ********************************************
>