[Dixielandjazz] Fwd: ASCAP And Licencing

rorel at aol.com rorel at aol.com
Wed Feb 28 07:06:32 PST 2007


  Thanks Robert, but I did include $2500 for recording costs (see below). I thought that would be enough for a self-produced record by a regional band. Even if it was $5,000 (which seems a little excessive to me) you are still pocketing $7,500 at the end of the day.
 
 By the way - ASCAP does not collect mechanical roylties on recordings. That would be the Harry Fox Agency.
 
 Ray
 
 
 
    
 -----Original Message-----
 From: robert at ringwald.com
 To: dixielandjazz at ml.islandnet.com
 Sent: Wed, 28 Feb 2007 8:11 AM
 Subject: [Dixielandjazz] ASCAP And Licencing
 
  Ray Osnato wrote regarding ASCAP and the licensing of tunes on a CD:

(snip)
We do this daily at my little record company, where we issue about 75
records a year.  I don't handle this part of the business but let's look at
Steve's
numbers since I have no reason to doubt them.  You've pressed  1000 CDs that
you are going to sell for $15 a pop at your gigs.  $15,000 in  my book.  A
quick check of the Internet shows you can get a short run of  1000 CDs for
$1,200.  With Steve's figure of $1,200 for licensing that  leaves you with
over
$12,000 profit.  Even if it cost you $2500 to record  it, you've still made
$10,000 on the venture.  Not a bad return on your  investment.
(snip)

Ray, one flaw in your figures is not figuring in the cost of recording, 
mixing, mastering, art work, type setting.  Also, payment to your musicians.

This can run into thousands of dollars.


--Bob Ringwald K6YBV
916/806-9551
www.ringwald.com
--
Leader, The Fulton Street Jazz Band
www.fultonstreetjazz.com
--
The Boondockers (jazz and Comedy)
www.theboondockers.com

 In the 60's, people took LSD to make the world weird. Now the world is
weird
and people take Prozac to make it normal.



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