[Dixielandjazz] Individuality With Solos
Robert S. Ringwald
robert at ringwald.com
Sat Dec 29 09:24:47 PST 2007
Larry Walton wrote:
>A friend of mine who was the principal clarinet player with the St. Louis
> Symphony had a band that played a lot of Goodman stuff. The solos were
> all transcriptions and the musicians were wonderful. They played the
> tunes exactly like the originals. I thought it was great as a listener
> but I never stood in line to be in that band.
>
> I speak for myself. I haven't heard anyone improve on the Miller solos
> and I prefer them well played to the musings of other people. Have I
> played jazz through the solos. Yes but when I am the listener I prefer
> the Miller solos. Do I improve on them? No not any more than I could
> improve on Mozart.
(snip)
Larry,
I understand that you like to hear certain solos played as written,
especially when they are the classics. I agree.
This brings up something to ponder.
We only hear the classic solos and actually, let's include the classic
arrangements, on recordings. No matter how good a recording is, or the
playback system is, it still is not the same as hearing it live.
Thus, I thrill when I hear certain classic arrangements and solos played
live. Needless to say, when they are done well.
On this list, I must qualify this statement so no one misunderstands what I
am saying.
I don't mean this for all old arrangements nor for all old solos. Just
certain ones.
For instance, I love to hear the opening cadenza on West End Blues. Why
should I only hear it on a recording? I personally can't see playing that
tune without the cadenza. Without it, it is not West End Blues.
Same thing for the ending on Goodman's Avalon.
By the same token, I love the GRP's take on "Sing Sing Sing," which is
certainly not a recreation. I wonder if you have heard it? On the same
recording is a version of Cherokee with 5-trumpets, including Arturo
Sandoval, trading chorus's, 8s and 4s, which is
not to be believed.
Best,
--Bob Ringwald
Fulton Street Jazz Band
See our new CD at www.ringwald.com/recordings.htm
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