[Dixielandjazz] The Gift of Music For a Clarinetist

[rahberry at comcast.net]

She knows Bria, shared a bunk with her at jazz camp, and has heard Mighty Aphrodite.  Philly won't be easy, since she's in Kansas and I'm in SF.  But thanks for your suggestions.
BTW, with help from DJML I've wrapped up my Christmas shopping.
  -- Rae Ann



 -------------- Original message ----------------------
From: Steve Barbone <barbonestreet at earthlink.net>
> rahberry at comcast.net
>  
> > I do give her music, Bill, but thought I'd do something different this time.
> > She's been to Sacramento Jazz Camp and to some festivals on the West Coast.
> > Your suggestions are excellent and I'm going to look into them.  She's got a
> > birthday coming up soon.
> 
> Hey Rae Ann:
> 
> Why not give her some music by Downbeat Poll Winner clarinetist/saxophonist
> Anat Cohen? or take her to see Ms. Cohen if touring anywhere nearby. Or take
> her to see/hear DIVA, or Mighty Aphrodite?
> 
> Or bring her to Philadelphia for a January 24 2008 concert by Anat at the
> World Cafe Live here. (Neat Venue) Concert is titled an "Israeli Jazz Fest"
> and sponsored by the Israeli General Cousulate.
> 
> Below is the skinny on Anat Cohen. Google <Anat Cohen> for more information.
> 
> Cheers,
> Steve Barbone
> 
> Anat Cohen, for All the World a Jazz Innovator
> >From Dixieland to Klezmer, Her Scope Knows No Bounds
> 
> By Matt Schudel - Washington Post Staff Writer -May 6, 2007
> 
> When Anat Cohen was growing up in Tel Aviv, she traveled around the city
> listening to Louis Armstrong and Ella Fitzgerald on her Walkman. She began
> to play the clarinet at 12, then joined a Dixieland band and embarked on
> what has become a lifelong cross-cultural journey.
> 
> In the years since, Cohen has emerged as one of the brightest, most original
> young instrumentalists in jazz, playing saxophone and clarinet in no fewer
> than seven working bands and almost as many styles, from Brazilian music to
> Dixieland to modern jazz. Last month, she released two outstanding albums,
> each showing a different side of her musical personality. Anat Cohen, who
> plays saxophone and clarinet, is part of this year's Mary Lou Williams Women
> in Jazz Festival at the Kennedy Center.
> 
> "I don't know what is the music I enjoy most because I enjoy all of them,"
> says Cohen, speaking from her home in New York. "I like variety. It keeps
> things interesting."
> 
> For six years, Cohen (whose first name is pronounced a-NOT) has played tenor
> saxophone with Diva, the stellar all-female big band that performed last
> year at the Mary Lou Williams Women in Jazz Festival at the Kennedy Center.
> This week, she brings her own quartet to the Kennedy Center's Terrace
> Theater as the Friday night headliner at the 12th annual festival, which
> runs Thursday through Saturday. A week later, she'll be back in town,
> appearing at the Smithsonian Jazz Cafe at the National Museum of Natural
> History with guitarist Howard Alden.
> 
> The 32-year-old Cohen represents a growing international jazz movement that
> is reflected in this year's festival lineup, which features Brazilian singer
> Flora Purim and Japanese pianists Hiromi and Mayuko Katakura. U.S.-born
> performers include pianist Lynne Arriale, violinist Karen Briggs, Ann
> Patterson's Maiden Voyage big band and singers Stephanie Jordan and Jeannie
> Cheatham.
> 
> Cohen's early interest in jazz came about largely through the influence of
> her family. "My father lived in the United States for 10 years, and he has a
> great passion for the American songbook," she says. "He had a big record
> collection and liked to play jazz and Frank Sinatra."
> 
> When she was about 9, her older brother, Yuval, took up the saxophone "and
> he immediately started to play jazz and the music of Charlie Parker."
> 
> It wasn't so unusual, then, that the teenaged Anat would be playing
> Dixieland in Tel Aviv, followed by other enriching musical detours. At an
> arts high school in Tel Aviv, she intended to play classical clarinet, but
> it happened to be the same year the school introduced a jazz program. She
> picked up the tenor saxophone at 16 and chose Sonny Rollins and Dexter
> Gordon as her stylistic models.
> 
> "As I grew up," she says, "I wanted to go further back and check out the
> fathers of the saxophone. I listened to Illinois Jacquet, Jimmy Forrest,
> Lester Young, Ben Webster."
> 
> She learned her lessons well. Today, Cohen plays tenor with a huge,
> broad-shouldered tone that you hardly hear these days from anyone, male or
> female. Critic Nat Hentoff, who has been chronicling jazz since the 1940s,
> has written, "I hear the soul of Ben Webster in her tenor playing."
> 
> Cohen spent two years in an Israeli Air Force band, then came to Boston to
> attend the Berklee College of Music, generally considered the leading jazz
> academy in the world. Yuval was already at Berklee, and a younger brother,
> trumpeter Avishai, came later. After Anat's Smithsonian appearance on May
> 18, she'll fly to Israel for a pair of reunion concerts with her brothers.
> The "3 Cohens," as they bill themselves, will put out their second joint
> album in September.
> 
> Meanwhile, Cohen and a business partner have launched a record label, Anzic,
> on which she has just released two remarkably accomplished recordings,
> "Noir" and "Poetica." On "Noir," she has assembled a crackerjack orchestra
> that includes eight horns, three cellos, guitar, drums and percussion. The
> adaptable group segues from Cuban and Brazilian music to ballads and
> straight-ahead jazz -- sometimes in the same tune, as when the sinuous
> "Samba de Orfeu" dances right into the arms of Louis Armstrong's "Struttin'
> With Some Barbecue" without missing a step.
> 
> 
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