[Dixielandjazz] Bagpipes
TBW504 at aol.com
TBW504 at aol.com
Mon Aug 13 15:01:51 PDT 2007
After the disastrous failure in the 1740s of the Jacobite rebellion the
English ruled it became illegal for Scots to wear the tartan or carry weapons of
any sort. James Reid came before the courts in 1746 charged with being in
possession of a deadly weapon, a set of bagpipes. Not unnaturally he pleaded his
innocence only for the judge to rule that the skirl of pipes had inspired the
rebels and was therefore an instrument of war. The unfortunate Reid was
subsequently hanged. Seems a tad harsh. For slightly obscure relevance to jazz
see also the entry and footnote for James Rivers. He was born 1937, Apr 18 in
New Orleans. Played reeds, bagpipes, and did vocals. Mentioned by Tom Stagg in
Footnote volume 2-3 as one of the "young men of New Orleans" who are
continuing the traditions of jazz playing, but with no other details. I have heard
that not only did he play all the saxes, plus flute and harmonica, but also
bagpipes. Recently discovered he played tenor sax with Bill Sinigal's
Skyliners. In 1974 he played in Sylvia's, a small club on Freret Street. In 1996 he
recorded with Clint Eastwood, and Illinois Jacquet at Carnegie Hall. He earlier
played the title track for Eastwood's 1984 movie Tightrope made in New
Orleans. Bagpipe playing? Do not mock. A few years ago I was in Canterbury when a
parade band including Tuba Fats, Cuff Billett and Sammy Rimington met two
Scots pipers coming in he opposite direction. I said, "Give us a tune" and the
pipers struck up "Amazing Grace". Fats picked it up and gradually the others
came in to make a most moving performance. I have it on tape. Interestingly,
the now familiar and traditional melody of the hymn was not composed by
Newton, and the words were sung to a number of tunes before the now inseparable
melody was chanced upon. They first appear united in a shape note hymnal from
1831 called Virginia Harmony, where the tune is called "New Britain." Any
original words sung to the tune are now lost. The melody is believed to be
Scottish or Irish in origin; it is pentatonic and in the Dorian mode, and suggests a
bagpipe tune; the hymn is frequently performed on bagpipes and has become
associated with that instrument.
Amazing what you can find in "The Song for Me"
Brian Wood
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