[Dixielandjazz] CD- Wild Bill "Live At The Chester Inn"
Edmetzsr at aol.com
Edmetzsr at aol.com
Fri Oct 13 12:28:08 PDT 2006
In a message dated 10/12/2006 10:31:04 PM Eastern Daylight Time,
marnichols at yahoo.com writes:
If anyone is informed about those guys in Slates group, please inform me. My
guess
is that all of them had been playing as "subs" or even regulars at Condon's
at one time or another. So many instances of doing it just as the Condon gang
would have- breaks, riffs,
tags, etc. Personnel:
Davison-cornet
Chuck Slate -drums
Marv Ross-clarinet
Marty Bergen-trombone
Lou Levi-piano
Warren Vache Sr.-bass
Mart, perhaps you didn't expect so much info on Chuck Slate and company, but
here's a little more.
I arrived in NJ from Michigan in 1976, about the time the Chester Inn was
shutting down its Dixieland format. Sometime that year, Chuck began a long stand
at Rod's Ranch House in Convent Station, NJ, near Morristown where I began
working with him for several years on Thursday nights. During that period, he had
Marv Ross (Rosenthal) on clarinet, a variety of trombone players including
Alex Watkins, a variety of trumpet players including Benny Ventura and Randy
Reinhart (just before he left NJ for San Antonio to join Jim Cullum).
Chuck, Marv and I also played in a trio format for several years at the Ride
and Hunt Club in Bernardsville, NJ and the Public House in Chester, NJ. We
also played for the first ever Penna. Jazz Society mini festival in 1978 with
Chuck, Marv, Marty Bergen, Randy Reinhart and myself. This is where I met Parke
Frankenfield, Bobby Levine and Paul Hubbell for the first time. As you may
know, that's a relationship that continues on to this day with Paul.
Marv and I continued to work in trio and quartet formats after Chuck had
to cut back after suffering some wrist problems. My sons Eddie Jr. on drums
and Tim on bass joined us frequently, along with guitarist Wayne Wright.
Coincidently, Marty Bergen was my college room mate in Philadelphia and
one of my closest friends. Many a night we'd lie in our bunks after lights out,
and I'd drill him on chords - "G minor"........."G, B - no Bb, D". "Next, F#
minor"........."what are you trying to do? Ask me and easy one". This went on
for four years while we were members of the City Line Five which also become
the St. Joseph's Basketball pep band... originators of "When the Hawks Come
Flying In" - still used today, 50 years later.
Chuck has bounced around in northern NJ for all of these years, always
finding work somewhere, despite his ailing wrists and many bouts with the
medical folks. He is truly a jazz legend in that part of the country, and surely
would have become known on the festival circuit, had it started a bit sooner. He
almost single handedly kept jazz alive in NJ during the doldrums of the 1960s
and early 1970s, and was very instrumental in the founding of the NJJS.
Regards, Ed Metz
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