[Dixielandjazz] Re: The value of Theory / The value of Ears & Energy

Steve barbone barbonestreet at earthlink.net
Thu Mar 16 09:47:49 PST 2006


Right on Al. But isn't knowledge of chords a part of theory too? (structure
of the tune and harmony and tonal colors)

A good example of one reason it is nice to know lots of  theory, as you list
below, is the Ed Metz CD just released. This masterpiece could not have been
arranged and/or played by a person(s) with no, or limited knowledge of
theory. (except perhaps by rare exception). A listen to it confirms that.
The musos on it also have "ears" and use them well too.

No, you do not have to go to school to learn theory. It can be self taught.
But it takes a lot of discipline either way and it is still "learned"
somewhere/somehow by the cream of the crop jazz musicians these days.

Cheers,
Steve

on 3/16/06 10:59 AM, AL LEVY at jazz_man at ix.netcom.com wrote:

It seems to me that many members are confining "Theory" with a knowledge of
chords.
 
Theory includes:
Structure (Form)
Phrasing
Style(s)
Harmony
Tonal Colors
Rhythmic possibilities
Meter
Tempo
and much, much more.
 
Q. Do you need schooling do learn these?
A. No
Q. Do you need to know these?
A. No
Q. Does knowledge of theory make you a GREAT player?
A. No
Q. In your lifetime, have you experienced all there is?
A. Probably not. Consider Asian scales, Gregorian
   Chant, John Cage, etc..
Q. So why bother? I know what to do on the gig!
A. Sorry, you'll have to figure that one out by yourself.
 





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