[Dixielandjazz] Bored at the festival??
tcashwigg at aol.com
tcashwigg at aol.com
Fri Jun 2 09:40:52 PDT 2006
Good points Pat:
Even after many many years some bands still never get to a PROFESSIONAL
MUSICIAN level, no matter how good they play their instrument, and
unfortunately sometimes as you so accurately stated neither do the
STARS, who came from similar bands and apparently never learned about
stage presence and how to entertain an audience and keep their
attention focused.
Yes it takes all kinds of musicians and players to make a festival, but
they should be artistically presented in the proper circumstances of
the caliber and professionalism of their acts, and that is not the job
of the bands but of the Festival artistic director who should know the
difference and make those hard decisions about the integrity of the
event and keep an eye on the big picture for future success of the
festival. Not all acts will please all in attendance, nor will every
ticket buyer go to see or hear every act at the festival. Many will
only go see the same ones year after year and do not really care about
expanding their musical tastes and horizons beyond that circle. There
is and should be a place for them to do exactly that, and they should
not have to go too far to enjoy their particular kind of TRAD. Blues,
Zydeco or what ever they come to hear. That is why I favor
designated venues for designated types of music in a multi music genre
event, Then those that don't want to participate in the variety do not
have to they can see just what and who they want in the one venue that
is most comfortable for them. The whole idea of a festival is to
present a variety of styles and activities to combine a wider based
musical audience in the same event for the overall outcome of financial
success, a series of mini concerts if you will spread around in various
situations hopefully in such an artistic way that the style of the act
and or artists is best showcased to their audience.
That way those that like to be bored ( or in their way of thinking
perhaps low keyed or intimate setting) as opposed to the higher energy
entertaining acts that get an audience on their feet dancing and
hollering for more and having more fun than some folks wish to have.
You can please all of the people sometime but you have a hard time
pleasing all the people all the time. :))
Just my .02 worth.
Cheers,
Tom Wiggins
-----Original Message-----
From: patcooke77 at yahoo.com
To: billsharp <sharp-b at clearwire.net>; dixielandjazz at ml.islandnet.com
Sent: Fri, 2 Jun 2006 03:45:13 -0700 (PDT)
Subject: Re: [Dixielandjazz] Bored at the festival??
Bill, the "problems" you mention about the Sacto jubilee, are band
problems more
than jubilee problems. An almost univesal fault (at any festival) is
the
attitudes of the bands. When you are on stage with everyone sitting
(or
standing) there staring at you, it's a little different from a gig
where they
are eating, or dancing, ot otherwise occupied. You can't spend time
between
tunes discussing what you're going to play next. Make a list of tunes
and keys
before you get on the stand, and stick to it. If there's any talking
on the
mike do be done, know what you're going to say, say it quickly, and get
on with
the music. And it's a good idea to keep the rhythm section vampng
through the
talking in the key and tempo of the next tune. The blank stares may
turn into
smiles if you do it right. And don't talk to each other while someone
is
soloing....keep the audience's attention on the soloists. If you talk
during
somene else's solo, it looks like you too, are bored.
Talking during someone's solo is also impolite......ask any bass
player.
The "stars" are necessary.....they're the reason I go to
festivals. When
I read a festival ad, I look at the soloists' names first. A few
bands' names
will grab my attention, like Bill Allred and a few others, but it's the
big
stars that make me put up my money and make reservations. The big
stars are
even more guilty of talking between tunes. They too should take a few
minutes
to make a list before getting on the stand. The audience will wait
patiently
for you to get on the stand, but they get bored quickly if you're up
there and
not playing.
Pat Cooke
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