[Dixielandjazz] 2-beat vs. 4
Loerchen2 at aol.com
Loerchen2 at aol.com
Mon Dec 25 16:22:55 PST 2006
Charlie and listmates,
The point that Jack Stewart was trying to make in his article is that the
rhythm was driven more by the dancers than by the musicians. I tend to agree
with this (at least in theory), having studied 1910s dance for the past 20
years, but here's the basic argument:
The predominant dance step from c.1890 until c.1910 was the two-step
(basically, a polka without the hop), which works great with both ragtime and march
music. From c.1910-c.1917, the predominant step was the one-step, which is
just walking, also done to march or ragtime music. Popular variations on the
one step were the so-called "animal dances" which included the turkey trot,
snake dip, and ..... fox trot. The original fox trot consisted of two walking
steps on beats 1-2 and 3-4, and four quick steps on four beats of the
following measure (still in 2/4 time).
Jack Stewart quotes from Nick LaRocca and says that the ODJB saw the dancers
trying to do the one-step (often using the fox-trot step) to the 2/4 music
and it didn't look right, so the band changed to a driving 4/4 beat, which
worked better with the dance. The first recordings of the ODJB sounds frenetic
because they were geared to the normal tempo of the one-step, which was quite
fast. Within a year or two, the fox trot step had smoothed out and became
more of a jog or loping step -- two slow steps on 1 and 2, and four quick or
shuffle steps on 3 and 4 -- and the music followed suit.
Naturally, this is a simplification and it did not hold true in every case,
but if you see the proper period dances performed to both 2/4 and 4/4 music,
it makes a lot of sense. And if any of you are planning to come to New
Orleans for French Quarter Fest (April 13-15), I will be presenting a
demonstration of popular dances from 1910-1920 at the New Orleans International Music
Colloquium on Saturday morning. (shameless plug)
Merry Christmas, if that's not being politicially incorrect these days....
Sue
On Monday, December 25, 2006, at 09:40 AM, Charles Suhor wrote:
> Pages 259-263 of listmate Dan Hardie's excellent book EXPLORING EARLY
> JAZZ give as well documented and thorough discussion of the 2 beat vs.
> fl;at four question as I've seen, and he comes down lightly on the side
> of earliest jazz being the former. A new article by Jack Stewart in the
> current issue of The Jazz Archivist is interesting but to me, unclear
> on the matter.
>
> Charlie
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