[Dixielandjazz] Early recordings, time, tempos, etc
dingle at baldwin-net.com
dingle at baldwin-net.com
Wed Sep 28 14:26:34 PDT 2005
Vaxtrpts at aol.com wrote:
>
>In reply to my question regarding tempos and length of recordings for 78s,
>Zeke wrote the following:
>----- Original Message -----
>From: "Rubin Zarchy"
>To: "Robert S. Ringwald" <robert at ringwald.com>
>Sent: Tuesday, September 27, 2005 8:17 AM
>Subject: Re: Tempos
>
>
>
>>Hi Bob
>> It is possible that there might have
>>been cuts made in tunes due to time limitations but in
>>my experience this has never happened. Between the
>>arranger and the leader the time was worked out well
>>before the session . I have never heard of the tempo
>>being changed to accomodate the time of a recording.
>>
>>Cheers
>>
>>Zeke
>>
>>
>(snip)
>
>
>
>
>
>
>Ah, Bob, but I think we are talking "apples and oranges" here. As I
>remember, the posts from before were talking about early jazz groups, not big bands.
> The jazz groups, in many cases just like today, had head arrangements that
>they had played before the recording, that had improvisation in them.
>Therefore, they could have had different lengths, depending on solos,
>etc.......................
>Zeke is talking about big band arrangements that would have to be "scripted
>out" before the recording session, so that the length of the tune and the
>tempo were predetermined before they went in to record them. No need to speed up
> or change anything.
>Mike Vax
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>
>
>
>
Ted Weems used Heartaches as a "stretcher." The band could play it for
long or for short needs. All Orm Downes needed to do was canbge some of
the traps he used on drums to make it a whole new sounds, and the
reddeds would swtich from clar to sax, or the brass would play a
staccoto muted and then play full note sound open. Idicently, because
the tune, actually recored twice befroe WW2 is often thought of as Ted's
theme song,
there theme song was a rather haunting "Out of the Night," and usually
had a little Elmo Tanner whistling in it. Becasue soem DJ played it
innthe 50's, people thought it was a great "new" tune, and record sales
put Ted Back into the full time bandleader business. Unfortunately he
never got any oryalties for that '30's re-issue because there were no
royalty agreements like those that had been since it was first recorded.
I was on the Weems band in '54 and '55, and Jack Hanna was on drums for
part of that span. Fine drummer, real character, nice guy.
Don Ingle
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