Fwd: [Dixielandjazz] A New Orleans story, circa 1950s
Charlie Hooks
charliehooks2 at earthlink.net
Tue Jun 28 12:13:44 PDT 2005
> Beautiful, Charlie! Thanks so much!
Charlie Hooks
>
> This short memory piece appears in edited form in the current (July)
> issue of The Sun. I tried to get into how it felt at the time to
> worship at the altars of jazz and Our Lady Star of the Sea Church .
>
> Charlie Suhor
>
>
> FISHERMEN’S MASS
>
> My teenage years in a strict Catholic home in New Orleans in the
> 1950s would have been pretty sheltered if it hadn’t been for music
> gigs on Saturday nights. Sitting behind the drums at sleazy bars,
> country club dances, wedding receptions, neighborhood dance halls,
> debutante parties, and what-not else, I got a wide view of the
> social spectrum, unguarded and at play, that wouldn’t have been
> accessible otherwise.
>
> After those unchained evenings, many young musicians congregated at
> what was called the “Fishermen’s Mass” at 3 a.m. at Our Lady Star of
> the Sea Church on St. Roch Avenue. It started out as a service for
> early rising fishermen and hunters, but it became fashionable for
> Catholics who were out late to “make Mass” at the ungodly hour. So
> the sportsmen were totally outnumbered by musicians, partygoers, and
> night-clubbers.
>
> It was great fun after a Saturday night gig to go for a sandwich at
> L’Enfant's, or Martin Brothers, then meet other musicians on the
> steps of the church before Mass.
>
> “Where’d you play tonight, man?”
>
> “Buzzards Hall on Annunciation Street. Angelo played guitar. Played
> his ass off.”
>
> “Yeah, we played a dance at the Roosevelt. Mostly stocks, no
> jamming.”
>
> We had a gently patronizing scorn for the nightclubbers and
> promgoers. Many showed up in tuxes and gowns, bleary-eyed and
> foot-dragging, unaccustomed to the wee hours but intent on being
> seen at the hippest Mass outside of St. Louis Cathedral.
>
> Our Lady Star of the Sea was a cavernously large church, so the odd
> assemblage of attendees looked like lonesome pilgrims scattered
> among the pews. The priest’s Latin mumblings took on an eerie sound,
> echoing solemnly in the sepulchral silence of morning. Sermons were
> short and dull, in line with the borderline comatose atmosphere. Few
> went to communion. In those days, abstaining after midnight from all
> food and drink, even water, was required. Those who took communion
> were seen as heroically devoted by those aware enough to take notice.
>
> Almost every week, though, there was a shock of awakening that broke
> the mood and evoked irrepressible giggles. To understand this, you
> have to get the picture. The proper kneeling position in a pew is
> knees on the raised wooden platform, spine straight, forearms
> resting on the back of the pew in front of you, hands together in
> prayer. Every Catholic, though, knew the improper fallback posture.
> When you’re tired, your back hunches and your butt slips back to the
> seat, taking pressure off of your knees. It’s an ungraceful slump,
> and not really comfortable, but at 3 a.m. it’s a real option.
>
> And a real problem, if you’ve been drinking since 8 p.m. A
> thundering WHACK!would break the silence as someone in the halfway
> position nodded off, his head hitting the pew in front of him, smack
> between his forearms.
>
> We joked a lot about the comic relief, but the Fisherman’s Mass
> appealed to me deeply. The after-image of jazz, dancing, and po-boys
> merged pleasantly with the deep-night tranquility of the 3 a.m.
> service. It was confusing yet invigorating to be part jazz musician
> and part Trappist. My grab-bag of heroes as a teenager included
> Louis Armstrong, Thomas Merton, Jacques Maritain, and Max Roach. I
> couldn’t put it all together then, but by the time I left the
> Catholic Church I knew that the Saturday night music, camaraderie,
> and Mass were spiritual celebrations, different faces of what had
> been misidentified as the uptight God of my Catechism book.
>
>
>
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