SPAM-LOW: [Dixielandjazz] Presidential Music

[Mike Marois]

Mornin' All Again;

Maybe I needed to be a bit clearer in my comment to Steve's original post.
I was referring to the artist performing the tunes turning over in their
graves, not the actual tunes themselves or the composers of these songs.

As far as the slam on my email address, have you even visited my site
http://www.HireLIVEMusic.com ???  HireLIVEMusic is a global musicians'
database that puts the consumer in touch with the performers directly, no
need for any type of middlemen.  I don't pigeon hole myself to just
Dixieland, but when I'm on this board, Dixieland and the commonly known
acronym of OKOM is what I discuss.  If it would make you feel better, I can
use my MainMan at TheDukesofDixieland.com address when I correspond on this
list...

See ya,
Mike Marois
tuba/computer guru
http://www.HireLIVEMusic.com
http://www.TheDukesofDixieland.com
http://www.TheREALDukes.com


-----Original Message-----
From: Steve barbone [mailto:barbonestreet at earthlink.net] 
Sent: Saturday, August 13, 2005 9:48 PM
To: Mike.Marois at HireLIVEMusic.com; 'DJML'
Subject: Re: SPAM-LOW: [Dixielandjazz] Presidential Music

on 8/13/05 12:50 PM, Mike Marois at Mike.Marois at HireLIVEMusic.com wrote:

> Mornin' All;
> 
> What's that rumbling I hear coming from the ground?  It seems to be some
of
> the heavy weights of "Modern Jazz" being classified as "Dixieland Jazz
> Musicians".  Since this is the Dixieland Jazz Mailing List, one can make
the
> correlation that when "OKOM" is referred to that implies Dixieland Jazz.
> 
> Have fun with this one,
> Mike 

Dear Mike & Listmates:

Let's see, the last time I looked, with the exception perhaps of "My One &
Only Love -1953 by Mellin & Wood, the rest are Great American Songbook Tunes
or Gospel which surely qualify as OKOM even for the most square of us.

My Funny Valentine - 1937 Rodgers & Hart
Summertime - 1935 Gershwin & Gershwin
There Will Never Be Another You - 1942 Gordon & Warren
Take My Hand Precious Lord - (not sure but circa 1930s) Thomas A. Dorsey

Barbone Street plays all four above frequently in swinging Dixieland style.

Not only that but OKOM is OKOM, not just Dixieland. If one searches back
through the years and postings OKOM includes Dixieland, Pseudo Dixieland,
Early American Pop Music, Gospel, Jug Bands, Washboard Bands, Blues, Great
American Songbook, Swing, Spike Jones, Duke Ellington who is not capable of
being classified, The Boondockers who are also not capable of being
classified and many other musical styles.

Perhaps you might check those earlier "definitions" of OKOM on the DJML to
see what the letters imply before being so one-eyed about YOUR personal
definition. 

As to  your stated view that "it seems be some of the heavy weights of
Modern Jazz" being classified as Dixieland Jazz Musicians" . . . that is a
huge leap of logic.

Other than that, 

Cheers,
Steve Barbone 

PS. How come your address doesn't say "Hire live Dixieland?" :-) VBG.