[Dixielandjazz] Re: Marsalis was Another NY TIMES Jazz Review
TCASHWIGG at aol.com
TCASHWIGG at aol.com
Sun Oct 31 13:50:54 PST 2004
In a message dated 10/31/04 12:09:03 PM Pacific Standard Time,
jazz_trombone at axint.net writes:
>
> He actually believes first and foremost that it parallels the "black"
> experience. Jazz was not really universally considered "American" until
> more and more white musicians became involved. Those are Wynton's words
> not mine that he made on a documentary.
>
No question about it. And if Wynton said it why do we keep bringing up the B&
W issue on this list every time Wynton gets some Press or media coverage The
old Jazz Jealousy button gets pushed once more. It would probably not make
any difference if he was Jewish, or Polish, or German, or ALL French he would be
despised and ridiculed by someone who could not or would not go out and do
what he has done. He must be a musical sell out because he went commercial and
sold out the music and made a fortune instead of staying in New Orleans
playing till his teeth fall out at Preservation Hall.
It is simply unthinkable that he would dare to mention or play New Orleans
Traditional Jazz in Lincoln Center he is unqualified, at least in the eyes of
some. Perhaps he should be replaced by Kenny G. who would certainly open up
the avenues for Traditional Jazz by releasing a new CD entitled "Kenny & Louis
together Again". :))
At that time Black Americans were less than 10% of the American Population,
and had little or no radio airplay of their RACE music. So naturally when
White musicians in far greater numbers and establishments in which to play it
embraced it, it took off as a popular music genre and has grown and branched out
into many off shoot styles ever since.
So I suppose one could surmise that if it had not been for a few brave White
musicians going into the Black juke joints and getting exposed to the sounds
we might never have seen Jazz grow.
The same could be said for Country and Western and Rock and Roll, thanks to
guys like Hank Williams Sr., Elvis Presley who dared to cross the color lines
and listen and embrace the new rhythms and sounds which came from the Black
neighborhoods.
This information is readily available in History books why is it so hard to
understand and believe by so many Dixieland Musicians and aficionados, it
happened that way, it's time to accept the facts and get over it. ODJB & Bix
Simply DID NOT INVENT JAZZ and no matter how much some want it to be true it ain't.
But most important is Who really Cares, just be grateful that somebody did
and others chose to play it and expand it and make it popular to the masses.
If more of us did the same we might not have so much time to bitch and moan
about nothing much happening with OKOM.
The Union sold the old Big Yellow Gig Bus years ago, so it ain't gonna stop
out in front of your house to take you to a gig. I would love to click on my
mail just once and read a 100 posts announcing that 100 bands got a Monday
night gig, then a Tuesday Night gig and Wednesday and so on. Go out and make
them, but you have to sell the place on the idea that if you work together you can
benefit their business and justify the money you want to make for doing it.
Don't just go get permission to play, once you have it go get a newspaper
article about it, get your band name posted on every entertainment listing website
within at least fifty miles of where you live. Blues bands do this and many
are playing every night of the week promoting themselves and getting bigger
and better bookings and higher and higher cover charges to hear them.
Whether we like it or not folks Running a band and playing music is Work and
a Hard Job, more of us should simply not be so lazy and go make it happen and
enjoy the success that comes with it.
We have a crisis of leadership in this country. Where are the Washingtons,
the Jeffersons, and the Jacksons? I'll tell you where they are--they are
playing professional football and basketball and Rhythm & Blues Music. :))
Cheers,
Tom Wiggins
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