[Dixielandjazz] Hampton's New Orleans Send-off

Vilcad (Ron Gable) Vilcad \(Ron Gable\)" <vilcad@earthlink.net
Sun, 8 Sep 2002 21:29:25 -0400


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I don't know if this helps or not, I've posted this article along with =
some previous jazz related articles on our PDF pages on our website at: =
http://www.jazzadvocate.com/PDF_files/

It's my understanding that anyone with any type of computer can display =
and very easily print out items in Adobe PDF format.  You must have the =
Adobe Acrobat Reader.  This is a free program which may be downloaded =
from my page or most anywhere else on the Web.

I am registered with the New York Times and set-up to receive jazz =
related items daily.  It is my intention to post some of the more =
important items.  Of course this is subjective, so if you know of some =
news that I should have posted and don't, please let me know.

I hope this will be of some help to those who can't or don't want to =
register with the Times.

Ron & Rosemary Gable
Jazz Advocates & Jazz=20
Writer for Impact Weekly
10790 W. National Road
Brookville, Ohio 45309
(937) 833-4053
rongable@jazzadvocate.com
Join the Advocate Movement
at www.jazzadvocate.com

############################



  ----- Original Message -----=20
  From: Stephen Barbone=20
  To: Dixieland Jazz Mailing List=20
  Sent: Sunday, September 08, 2002 5:15 PM
  Subject: [Dixielandjazz] Hampton's New Orleans Send-off


  September 8, 2002 - New York Times

  With a New Orleans-Style Send-Off, a Joyful Noise for a Cat Named =
Lionel
  Hampton

  By ALAN FEUER

        They say that Psalm 100 was Lionel Hampton's favorite. The psalm
  begins: "Make a joyful noise unto the Lord."A joyful noise was made
  yesterday, though it was not made unto the Lord alone. It was made =
unto
  jazz men, holy rollers and Washington politicians. It was made unto an
  entire stretch of upper Broadway as a New Orleans band led Mr. =
Hampton's
  coffin from the Cotton Club in Harlem
  to a memorial service at the Riverside Church.

  Mr. Hampton, who died at the age of 94 a week ago, was the swing era
  master who revolutionized the art of playing the vibraphone. He played
  with Louis Armstrong, Benny Carter and Benny Goodman in the 1920's and
  30's. Later he campaigned for Republican presidents like Richard M.
  Nixon, Ronald Reagan and the elder George Bush.

  The dirges had the stumbling rhythms of a drunk, but Mr. Hampton's
  coffin was carried in stately fashion by a horse-drawn carriage. The
  carriage was white, and it was driven by a horseman dressed in a =
morning
  suit with top hat. It progressed from West 125th Street, turned south
  beneath the elevated train, then wound its way up the hills of
  Morningside Heights to the vaulted doors of the church.

  The Gully Low Jazz Band, trailed playing standards like "St. James
  Infirmary Blues." The nine-man band consisted of a clarinet, a drum, a
  washboard and various horns. A crowd of the curious and mournful fell =
in
  behind it and formed a loping musical cortege. There were straw hats =
and
  seersucker suits, Kangols and Armanis. There were Frenchmen holding
  cellphones in the air so Hampton fans in Paris could listen.

  David Ostwald, the jazz band's leader, played on the same bill as Mr.
  Hampton at Queens College years ago. He said Mr. Hampton supported the
  younger generation of jazz musicians every chance he got.

  "Hamp always had his arm around you - he was an all-around beautiful
  cat," Mr. Ostwald said. "Far as I'm concerned, he's transitioned to
  another place."

  The sanctuary of Riverside Church is cavernous, and when Mr. Ostwald =
led
  his band inside, the brassy dirges echoed off the marble walls. Mr.
  Hampton's coffin was laid near the altar, where it rested throughout =
the
  two-hour service. There was a lot of music at the service, which at
  times became so joyous that one could forget it was meant to =
memorialize
  the dead.

  Lil Howell sang a spiritual called "Holding On" and brought the house
  down. Roy Hargrove, Jon Faddis and Wynton Marsalis traded off on =
trumpet
  riffs. There were old-time greats like Clark Terry and Cyrus Chestnut
  and Hank Jones.

  Illinois Jacquet, a saxophonist who used to play in Mr. Hampton's =
band,
  got a little carried away with stories of Mr. Hampton. The Rev. Dr.
  James A. Forbes Jr., the church's minister, had to prod him gently to
  put his microphone away and pick up his famous horn.

  There were plenty of speakers, too. The Rev. Calvin O. Butts 3rd, =
pastor
  of the Abyssinian Baptist Church in Harlem, told the congregation that
  Mr. Hampton's spirit was finally flying home. (In 1942, Mr. Hampton =
made
  one of the more influential recordings in the history of American =
music:
  "Flying Home.")

  Representative Charles B. Rangel recalled sneaking into the Apollo
  Theater to see Mr. Hampton play. Mr. Rangel said that although the
  Hampton sound would be sorely missed, it could still be heard at =
certain
  divine engagements.

  "There's a great party going on up in Heaven," he said. "They are
  jamming, I'm sure."

  George H. W. Bush, the former president, showed up to eulogize Mr.
  Hampton with memories of the old days. Describing himself as a
  "laid-back Episcopalian," Mr. Bush said he loved Mr. Hampton's tunes.

  Mr. Bush was director of central intelligence in 1976, and he told the
  story of an nasty afternoon when the agency took a beating during
  Congressional hearings. Somehow, Mr. Hampton heard that morale was =
low.
  He brought his band to Washington at once.

  "They performed for a crowd in our little bubble at headquarters," Mr.
  Bush recalled. "They sure did enchant the Central Intelligence Agency =
of
  the United States of America."





  _______________________________________________
  Dixielandjazz mailing list
  Dixielandjazz@ml.islandnet.com
  http://ml.islandnet.com/mailman/listinfo/dixielandjazz

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<DIV><FONT face=3DArial>I don't know if this helps or not, I've posted =
this=20
article along with some previous jazz related articles on our PDF pages =
on our=20
website at: <A=20
href=3D"http://www.jazzadvocate.com/PDF_files/">http://www.jazzadvocate.c=
om/PDF_files/</A></FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>It's my understanding that anyone with any type =
of=20
computer can display and very easily print out items in Adobe PDF =
format.&nbsp;=20
You must have the Adobe Acrobat Reader.&nbsp; This is a free program =
which may=20
be downloaded from my page or most anywhere else on the =
Web.</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>I am registered with the New York Times and =
set-up to=20
receive jazz related items daily.&nbsp; It is my intention to post some =
of the=20
more important items.&nbsp; Of course this is subjective, so if you know =
of some=20
news that I should have posted and don't, please let me =
know.</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>I hope this will be of some help to those who =
can't or=20
don't want to register with the Times.</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>Ron &amp; Rosemary Gable<BR>Jazz Advocates &amp; =
Jazz=20
<BR>Writer for Impact Weekly<BR>10790 W. National Road<BR>Brookville, =
Ohio=20
45309<BR>(937) 833-4053<BR><A=20
href=3D"mailto:rongable@jazzadvocate.com">rongable@jazzadvocate.com</A><B=
R>Join=20
the Advocate Movement<BR>at <A=20
href=3D"http://www.jazzadvocate.com">www.jazzadvocate.com</A></FONT></DIV=
>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>############################<BR></FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dbarbonestreet@earthlink.net=20
  href=3D"mailto:barbonestreet@earthlink.net">Stephen Barbone</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Ddixielandjazz@ml.islandnet.com=20
  href=3D"mailto:dixielandjazz@ml.islandnet.com">Dixieland Jazz Mailing =
List</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, September 08, =
2002 5:15=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> [Dixielandjazz] =
Hampton's New=20
  Orleans Send-off</DIV>
  <DIV><BR></DIV>September 8, 2002 - New York Times<BR><BR>With a New=20
  Orleans-Style Send-Off, a Joyful Noise for a Cat Named=20
  Lionel<BR>Hampton<BR><BR>By ALAN =
FEUER<BR><BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  They say that Psalm 100 was Lionel Hampton's favorite. The =
psalm<BR>begins:=20
  "Make a joyful noise unto the Lord."A joyful noise was =
made<BR>yesterday,=20
  though it was not made unto the Lord alone. It was made unto<BR>jazz =
men, holy=20
  rollers and Washington politicians. It was made unto an<BR>entire =
stretch of=20
  upper Broadway as a New Orleans band led Mr. Hampton's<BR>coffin from =
the=20
  Cotton Club in Harlem<BR>to a memorial service at the Riverside=20
  Church.<BR><BR>Mr. Hampton, who died at the age of 94 a week ago, was =
the=20
  swing era<BR>master who revolutionized the art of playing the =
vibraphone. He=20
  played<BR>with Louis Armstrong, Benny Carter and Benny Goodman in the =
1920's=20
  and<BR>30's. Later he campaigned for Republican presidents like =
Richard=20
  M.<BR>Nixon, Ronald Reagan and the elder George Bush.<BR><BR>The =
dirges had=20
  the stumbling rhythms of a drunk, but Mr. Hampton's<BR>coffin was =
carried in=20
  stately fashion by a horse-drawn carriage. The<BR>carriage was white, =
and it=20
  was driven by a horseman dressed in a morning<BR>suit with top hat. It =

  progressed from West 125th Street, turned south<BR>beneath the =
elevated train,=20
  then wound its way up the hills of<BR>Morningside Heights to the =
vaulted doors=20
  of the church.<BR><BR>The Gully Low Jazz Band, trailed playing =
standards like=20
  "St. James<BR>Infirmary Blues." The nine-man band consisted of a =
clarinet, a=20
  drum, a<BR>washboard and various horns. A crowd of the curious and =
mournful=20
  fell in<BR>behind it and formed a loping musical cortege. There were =
straw=20
  hats and<BR>seersucker suits, Kangols and Armanis. There were =
Frenchmen=20
  holding<BR>cellphones in the air so Hampton fans in Paris could=20
  listen.<BR><BR>David Ostwald, the jazz band's leader, played on the =
same bill=20
  as Mr.<BR>Hampton at Queens College years ago. He said Mr. Hampton =
supported=20
  the<BR>younger generation of jazz musicians every chance he =
got.<BR><BR>"Hamp=20
  always had his arm around you - he was an all-around =
beautiful<BR>cat," Mr.=20
  Ostwald said. "Far as I'm concerned, he's transitioned to<BR>another=20
  place."<BR><BR>The sanctuary of Riverside Church is cavernous, and =
when Mr.=20
  Ostwald led<BR>his band inside, the brassy dirges echoed off the =
marble walls.=20
  Mr.<BR>Hampton's coffin was laid near the altar, where it rested =
throughout=20
  the<BR>two-hour service. There was a lot of music at the service, =
which=20
  at<BR>times became so joyous that one could forget it was meant to=20
  memorialize<BR>the dead.<BR><BR>Lil Howell sang a spiritual called =
"Holding=20
  On" and brought the house<BR>down. Roy Hargrove, Jon Faddis and Wynton =

  Marsalis traded off on trumpet<BR>riffs. There were old-time greats =
like Clark=20
  Terry and Cyrus Chestnut<BR>and Hank Jones.<BR><BR>Illinois Jacquet, a =

  saxophonist who used to play in Mr. Hampton's band,<BR>got a little =
carried=20
  away with stories of Mr. Hampton. The Rev. Dr.<BR>James A. Forbes Jr., =
the=20
  church's minister, had to prod him gently to<BR>put his microphone =
away and=20
  pick up his famous horn.<BR><BR>There were plenty of speakers, too. =
The Rev.=20
  Calvin O. Butts 3rd, pastor<BR>of the Abyssinian Baptist Church in =
Harlem,=20
  told the congregation that<BR>Mr. Hampton's spirit was finally flying =
home.=20
  (In 1942, Mr. Hampton made<BR>one of the more influential recordings =
in the=20
  history of American music:<BR>"Flying Home.")<BR><BR>Representative =
Charles B.=20
  Rangel recalled sneaking into the Apollo<BR>Theater to see Mr. Hampton =
play.=20
  Mr. Rangel said that although the<BR>Hampton sound would be sorely =
missed, it=20
  could still be heard at certain<BR>divine engagements.<BR><BR>"There's =
a great=20
  party going on up in Heaven," he said. "They are<BR>jamming, I'm=20
  sure."<BR><BR>George H. W. Bush, the former president, showed up to =
eulogize=20
  Mr.<BR>Hampton with memories of the old days. Describing himself as=20
  a<BR>"laid-back Episcopalian," Mr. Bush said he loved Mr. Hampton's=20
  tunes.<BR><BR>Mr. Bush was director of central intelligence in 1976, =
and he=20
  told the<BR>story of an nasty afternoon when the agency took a beating =

  during<BR>Congressional hearings. Somehow, Mr. Hampton heard that =
morale was=20
  low.<BR>He brought his band to Washington at once.<BR><BR>"They =
performed for=20
  a crowd in our little bubble at headquarters," Mr.<BR>Bush recalled. =
"They=20
  sure did enchant the Central Intelligence Agency of<BR>the United =
States of=20
  =
America."<BR><BR><BR><BR><BR><BR>________________________________________=
_______<BR>Dixielandjazz=20
  mailing list<BR><A=20
  =
href=3D"mailto:Dixielandjazz@ml.islandnet.com">Dixielandjazz@ml.islandnet=
.com</A><BR><A=20
  =
href=3D"http://ml.islandnet.com/mailman/listinfo/dixielandjazz">http://ml=
.islandnet.com/mailman/listinfo/dixielandjazz</A></BLOCKQUOTE></BODY></HT=
ML>

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