[Dixielandjazz] San Diego FTF???

[Tom Bengtsson]

Hello Listmates:  I have watching the list carefully but have seen no
mention of a San Diego FTF.  Let us not miss this opportunity to meet
from across the country in San Diego.   Tom Bengtsson

Bob Romans wrote:
> 
> Has anyone heard Sam Pilofian's tuba solos? Not too shabby at all!!
> Bob Romans
> Cell Block 7
> Jazz Band
> 1617 Lakeshore Dr.,
> Lodi, California, 95242
> Phone.....209-368-3255
> Cell...209-747-1148
> Fax...209-368-3255
> WebPages..click below
> www.cellblockseven2002.net
> >=iii=<0
> -----Original Message-----
> From: Dan Augustine <ds.augustine@mail.utexas.edu>
> To: Dixieland Jazz Mailing List <dixielandjazz@ml.islandnet.com>
> Date: Monday, November 25, 2002 8:48 AM
> Subject: [Dixielandjazz] Re: Favorite Tuba-Solo
> 
> >>From: "paolo d'amore" <flicorno@tiscali.it>
> >>Subject: Re: [Dixielandjazz] FINAL. THE COMPLETE LIST OF BEST-FAVORITES of
> DJML
> >>Date: Fri, 22 Nov 2002 13:17:14 +0100
> >>
> >>sorry listmates,
> >>but i cannot find your tuba favourite solo.  :)
> >>
> >>paolo "boycott double bass" d'amore
> >**-----------------------------------------------------------------**
> >Paolo and others--
> >    I'm glad you asked this question, because i'm going to have to try to
> answer it.  Unfortunately, i get to mention only one solo.
> >    Off the top of my head (not sure how you would translate that to
> Italian, sorry), and away from my recordings (i'm ostensibly at work), i'd
> have to go with Rich Matteson's helicon-solo on "Avalon" with Louis
> Armstrong and the Dukes of Dixieland.  If you'd like to hear this song in
> its entirety on the web, go to http://user.icx.net/~bcassady/music.html#ld
> and click on "Avalon":
> >
> >"Selection Two: "Louis' trumpet playing on Avalon is superb. There is his
> perfectly organized solo (during which Frankie Assunto watched him, as if in
> a trance, with a dazed smile on his face)." The tuba (actually a helicon)
> solo by Rich Matteson is unbelievable! And Louis - belying his age - takes
> the final rideout up an octave - something he learned in Chicago while on a
> break from playing. It seems that everyone else was ignoring the second
> band, but Louis listened to their trumpet player, who rode the final chorus
> up an octave. Louis started doing it, and it became one of his trademarks.
> >Listen to Avalon (Real Audio)"
> >
> >    Dan
> >
> >P. S. I'm not going to mention the other fine solos by Dave Gannett, Dan
> Marcus, Westy Westenhoffer, Lowell Miller, Country Washburne, and numerous
> others.  (This is an example of using the word 'apophasis' ("mentioning
> something by saying it won't be mentioned:  We won't mention his filthy
> habits.", cf. _Mrs. Byrne's Dictionary_.)
> >
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