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<p>This piece is from the current Jazz Journal on lne.</p>
<p>Steve <br>
</p>
<p>Steve Voce writes:<br>
</p>
<div class="moz-cite-prefix">
<p class="MsoNormal"
style="margin-bottom:0cm;margin-bottom:.0001pt;line-height:
normal"><span
style="font-size:10.0pt;font-family:"Tahoma","sans-serif"">Unlike
Kid Ory or Jim Robinson, Chris Barber studied music at the
Guildhall, which
gave him an advantage. He bought his first trombone
second-hand for six pounds
ten shillings from a hard-up Harry Brown.</span></p>
<p class="MsoNormal"
style="margin-bottom:0cm;margin-bottom:.0001pt;line-height:
normal"><span
style="font-size:10.0pt;font-family:"Tahoma","sans-serif"">My
memory of first hearing a Barber band would be that it was in
1949, but the
reference books suggest it must have been 1950.<span
style="mso-spacerun:yes">
</span>Whenever it was, there were two trumpets – were they
Dickie Hawden and
Ben Cohen? And Alex Revell was on clarinet. The music was far
more wide-ranging
than it later became, and I remember particularly a wonderful
version of Makin’
Friends with the Teagarden speciality featuring Chris’s
trombone. That band
played with a unique spirit and fervour, and was particularly
notable for its
musicality. I always missed the spirit of the free-sounding
first band. </span></p>
<p class="MsoNormal"
style="margin-bottom:0cm;margin-bottom:.0001pt;line-height:
normal"><span
style="font-size:10.0pt;font-family:"Tahoma","sans-serif"">In
between that band and the Halcox/Sunshine group, of course,
came the Ken Colyer
band. Ken’s taciturn lack of an ability to communicate was
compensated for by
his immensely voluble brother, also in the band and who, in
the manner of a
ventriloquist, did Ken’s talking and rivalled Beryl Bryden if
not in size then
in bad washboard playing. </span></p>
<p class="MsoNormal"
style="margin-bottom:0cm;margin-bottom:.0001pt;line-height:
normal"><span
style="font-size:10.0pt;font-family:"Tahoma","sans-serif"">As
a
merchant seaman Colyer jumped ship at New Orleans in 1952, and
played with
George Lewis and other local black musicians. Since such black
and white
fraternisation was illegal in the Crescent City, all the
musicians were in
danger of trouble with the law. When the law decided to deport
Colyer back to
England, Chris Barber magnanimously agreed to hand his band
(with Monty
Sunshine and Lonnie Donegan) over to appear under Colyer’s
apparent leadership,
with Chris holding the reins behind the scene. </span></p>
<p class="MsoNormal"
style="margin-bottom:0cm;margin-bottom:.0001pt;line-height:
normal"><span
style="font-size:10.0pt;font-family:"Tahoma","sans-serif"">Colyer,
who had a huge opinion of his own talent, decided to sack
bassist Jim Bray
because he didn’t swing, Lonnie Donegan because he couldn’t
stand him (“Nobody
can stand Lonnie Donegan,” Chris pointed out), and drummer Ron
Bowden because
he was “too modern.”</span></p>
<p class="MsoNormal"
style="margin-bottom:0cm;margin-bottom:.0001pt;line-height:
normal"><span
style="font-size:10.0pt;font-family:"Tahoma","sans-serif"">Chris
reminded Colyer that the band, which was a co-operative, had
trouble putting up
with Ken’s drinking and fired him instead. The band became the
Chris Barber
Band, Pat Halcox joined and Chris vowed never to hire drunks
and to always pay
his sidemen well. The formula established the band for the
next 70 years, and, unusually,
he experimented at length with electric instruments within the
boundaries of
the music that he loved and saxophones gained a regular
presence in the line-up.
Despite this liberal thought, he nearly always used a banjo. I
was prejudiced in
this regard, because the banjo worked on me like a crucifix
does on a vampire,
and its constant presence held back forever my full
appreciation of this
otherwise excellent band.</span></p>
<p class="MsoNormal"
style="margin-bottom:0cm;margin-bottom:.0001pt;line-height:
normal"><span
style="font-size:10.0pt;font-family:"Tahoma","sans-serif"">Barber
bands were always very musical, and Chris was an outstanding
player who was
never called on to work at the limits of his formidable
technique. </span></p>
<p class="MsoNormal"
style="margin-bottom:0cm;margin-bottom:.0001pt;line-height:
normal"><span
style="font-size:10.0pt;font-family:"Tahoma","sans-serif"">Now
the time has come for Chris to hang up his horn. A bad fall at
the beginning of
the year in which he broke his hip and needed a replacement,
really signalled
the end of his career – he’s spent the intervening time in
hospital, and Kate,
his wife, says that he has now fully retired.</span></p>
<p class="MsoNormal"
style="margin-bottom:0cm;margin-bottom:.0001pt;line-height:
normal"><span
style="font-size:10.0pt;font-family:"Tahoma","sans-serif"">Fully
trained as a classical player, Chris had all the attributes
and his fervour and
intelligence coupled to a remarkable and pretty original
instinct for jazz, led
him through a colourful career. He earned enough money to be
able to choose to
bring over from the States great musicians like altoist Louis
Jordan and a host
of singers. His band’s popularity is apparently even greater
across Europe than
it is here.</span></p>
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<td style="width: 55px; padding-top: 13px;"><a href="https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=emailclient" target="_blank"><img src="https://ipmcdn.avast.com/images/icons/icon-envelope-tick-round-orange-animated-no-repeat-v1.gif" alt="" width="46" height="29" style="width: 46px; height: 29px;" /></a></td>
<td style="width: 470px; padding-top: 12px; color: #41424e; font-size: 13px; font-family: Arial, Helvetica, sans-serif; line-height: 18px;">Virus-free. <a href="https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=emailclient" target="_blank" style="color: #4453ea;">www.avast.com</a>
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