<html><head><meta http-equiv="Content-Type" content="text/html charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class="">Viva Steve Voce! You wrote:<div class=""><div><blockquote type="cite" class=""><div class=""><div style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div class="">My idea of “Dixieland” is Eddie Condon, Freddy Randall, Muggsy, Bob Crosby and the great Jack Teagarden. All those people were inspired and very skilled musicians. I don’t think to-day’s banjo-driven stuff is Dixieland. It’s closer to what used to be called “Trad”. </div><div class="">When you say “Keep swinging” to such bands, it’s a false description. “Keep clanking” would perhaps be appropriate.</div><div class=""> I am aware that I’m very much in a minority here! </div></div></div></blockquote><div>I'm part of that minority,</div></div><div><br class=""></div><div>Charles</div><div><br class=""><blockquote type="cite" class=""><div class=""><div style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div class=""><div class=""><br class=""><blockquote type="cite" class=""><div class="">On 5 Jul 2019, at 21:55, Marek Boym <<a href="mailto:marekboym@gmail.com" class="">marekboym@gmail.com</a>> wrote:</div><br class="Apple-interchange-newline"><div class=""><div dir="ltr" class=""><div class="">Not stubborn, Steve, just experienced. And whatever your ears tell you, I'll still listen with mine. I could take what you have written, just not the music you've been recommending since times immemorial (to me; the earliest Jazz Journal I read was from 1964, but you had started writing there earlier.</div><div class="">Cheers<br class=""></div></div><br class=""><div class="gmail_quote"><div dir="ltr" class="gmail_attr">On Fri, 5 Jul 2019 at 19:02, Steve Voce <<a href="mailto:stevevoce@virginmedia.com" class="">stevevoce@virginmedia.com</a>> wrote:<br class=""></div><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex">
<div bgcolor="#FFFFFF" class=""><p class="">I'm sorry, Marek. I didn't mean to hurt your feelings, and I
thought you could take it. <br class="">
</p><p class="">You are very stubborn, you know!</p><p class="">Steve<br class="">
</p>
<div class="gmail-m_4049704025675017739moz-cite-prefix">On 05/07/2019 15:05, Marek Boym wrote:<br class="">
</div>
<blockquote type="cite" class="">
<div dir="ltr" class="">
<div class="">I don'[t understand how I allowed myself to be dragged
again into this futile dispute. <br class="">
</div>
<div class="">OK, I listen only to trad - "It ain't nobody's business if
I do." It is perfectly all right for you to listen to
so-called "modern" jazz and enjoy it - again, "It ain't
nobody's business if you do." We still live in free
countries, where everybody is entitled to an opinion. Trying
to foist your opinions on me smacks of bolshevism - I know, I
lived in a country where the powers that be dictated to us
what we should we should or should not like (jazz was on of
the things we were not supposed to like). Trying to make me a
masochist does not stand to reason. There is only one
reservation - listen to whatever you wish to your heart;s
content, but NOT within hearing distance from my ears, to
which it sounds offensive. <br class="">
</div>
<div class="">Comments on one's being limited (isn't the politically
correct expression "intellectually challenged?") makes very
little sense, and is hardly convincing.</div>
<div class="">Cheers<br class="">
</div>
</div>
<br class="">
<div class="gmail_quote">
<div dir="ltr" class="gmail_attr">On Fri, 5 Jul 2019 at 11:11,
Steve Voce <<a href="mailto:stevevoce@virginmedia.com" target="_blank" class="">stevevoce@virginmedia.com</a>>
wrote:<br class="">
</div>
<blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex">
<div class="">You must surely be
bored listening to the same thing all the time without any
stimulation. I suppose you learn it by rote, like a kid with
nursery rhythms?
<div class="">Steve<br class="">
<div class=""><br class="">
<blockquote type="cite" class="">
<div class="">On 4 Jul 2019, at 22:19, Marek Boym <<a href="mailto:marekboym@gmail.com" target="_blank" class="">marekboym@gmail.com</a>>
wrote:</div>
<br class="gmail-m_4049704025675017739gmail-m_-6530578060527563458Apple-interchange-newline">
<div class="">
<div dir="ltr" class="">
<div class="">Narrow minded? Perhaps. Who cares?</div>
<div class="">there is only one pair of ears I trust -
mine. And they tell me that the so-called
modern jazz is, with few exceptions, boring at
best, or just noise. Took me a long time to
separate wheat from chaff - there is no way I'm
going back!</div>
<div class="">Cheers<br class="">
</div>
<br class="">
<div class="gmail_quote">
<div dir="ltr" class="gmail_attr">On Thu, 4 Jul
2019 at 19:20, Steve Voce <<a href="mailto:stevevoce@virginmedia.com" target="_blank" class="">stevevoce@virginmedia.com</a>>
wrote:<br class="">
</div>
<blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex">
<div bgcolor="#FFFFFF" class=""><p class="">That's narrow-minded, Marek. If you ut
your prejudices aside, I'm sure that these
two guys will be able to play excellent
interpretations of Duke's music. They'll
know their audience, and have the
technical abilities to adapt so that
they'll remid you of Johnny Hodges and the
others! You might miss out on something
and regret it.</p><p class="">Steve<br class="">
</p>
<div class="gmail-m_4049704025675017739gmail-m_-6530578060527563458gmail-m_-8242765752596181909moz-cite-prefix">On
04/07/2019 16:47, Marek Boym wrote:<br class="">
</div>
<blockquote type="cite" class="">
<div dir="ltr" class="">
<div dir="ltr" class="">
<div class="">Thank you, Steve.</div>
<div class="">I did " clear between my ears
out" long ago, stopped listening to
modern mayhemand moved to jazz
instead.</div>
<div class="">The saxophonists background does
not bode well - no OKOM thereat
all. You have saved me money.</div>
<div class="">Take care,</div>
<div class="">Marek<br class="">
</div>
<div class=""><br class="">
</div>
<div class=""><br class="">
</div>
<div class=""><br class="">
</div>
</div>
<br class="">
<div class="gmail_quote">
<div dir="ltr" class="gmail_attr">On
Thu, 4 Jul 2019 at 18:04, Steve Voce
<<a href="mailto:stevevoce@virginmedia.com" target="_blank" class="">stevevoce@virginmedia.com</a>>
wrote:<br class="">
</div>
<blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex">
<div bgcolor="#FFFFFF" class=""><p class="">Do you the world of good,
Marek, if they can clear
between your ears out!</p><p class="">Here's some info.</p><p class="">Steve<br class="">
</p><p class="">Edgardo "Dado" Moroni (born
October 20, 1962) is an Italian
jazz pianist and composer.<br class="">
<br class="">
A self-taught musician, Dado,
who was born in Genoa, Italy,
started playing piano at age
four. By his mid-teens he was
playing professionally around
Italy and by age 17 had recorded
his first album.<br class="">
<br class="">
Throughout the 1980s Dado worked
mostly in Europe playing at
festivals and in clubs,
including a long stint as part
of former Duke Ellington bassist
Jimmy Woode's trio at Widder Bar
in Zurich. Dado moved to the
U.S. in 1991, becoming part of
the New York jazz scene, and
appearing regularly both as a
leader and sideman, in some of
the city's most prestigious
clubs, including Blue Note,
Birdland, Village Vanguard as
well as recording several CDs.<br class="">
<br class="">
During his 35-year career Dado
has played with legends
including Freddie Hubbard, Clark
Terry, Zoot Sims, Harry "Sweets"
Edison, Ray Brown, Ron Carter,
Oscar Peterson, Ahmad Jamal,
Hank Jones, Niels-Henning Ørsted
Pedersen and Alvin Queen. A
highly respected musician, at
age 25 he was granted the honor
of serving as a juror at the
prestigious Thelonious Monk
International Piano Competition
in 1987.[1]<br class="">
<br class="">
Based in Italy, Dado continues
to perform worldwide. In 2007 he
won the Italian Jazz Awards as
Best Jazz Act. In 2009 Dado was
named Best Italian Jazz Pianist
in the Top Jazz referendum
sponsored by Musica Jazz
magazine.[2] In 2010 he was
appointed Professor of Jazz
Piano at Giuseppe Verdi
Conservatory of Music in Turin,
a position he currently holds.<br class="">
<br class="">
Dado is married to Ada Tour.</p><p class="">As for Rosario, <br class="">
</p>
<div class="gmail-m_4049704025675017739gmail-m_-6530578060527563458gmail-m_-8242765752596181909gmail-m_1843651054685537170tlid-copy-target gmail-m_-6530578060527563458gmail-m_-8242765752596181909gmail-m_1843651054685537170text-wrap">
<div class="gmail-m_-6530578060527563458gmail-m_-8242765752596181909gmail-m_1843651054685537170result-shield-container gmail-m_4049704025675017739gmail-m_-6530578060527563458gmail-m_-8242765752596181909gmail-m_1843651054685537170tlid-copy-target"><span class="gmail-m_4049704025675017739gmail-m_-6530578060527563458gmail-m_-8242765752596181909gmail-m_1843651054685537170translation gmail-m_-6530578060527563458gmail-m_-8242765752596181909gmail-m_1843651054685537170tlid-translation" lang="en">He began studying
the alto saxophone in the
"Città di Terracina" band
and he graduated in 1987
from the Licinio Refice
Conservatory in Frosinone.
In 1989 he participated in
the Berklee College of Music
courses organized as part of
the Umbria Jazz festival. In
1990 he was inserted by Rai
in the orchestra of "Young
talents of European jazz"
organized for a concert held
in Rome, at the Auditorium
del Foro Italico, under the
direction of James Newton.
In the following years he
collaborated in the
recording of film
soundtracks with
internationally renowned
masters such as Ennio
Morricone, Luis Bacalov,
Armando Trovajoli, Nicola
Piovani, Riz Ortolani.<br class="">
<br class="">
In 1996 he won the "Massimo
Urbani" award, while the
following year he won the
"Europe Jazz Contest" award,
awarded in Belgium as the
best soloist and best group.
In 2000 he won the Top Jazz
in the new talent category,
for the annual referendum of
the specialized magazine
"Musica Jazz".<br class="">
<br class="">
In 2005 he participated in
the "Land of the sun"
project with Charlie Haden
and Gonzalo Rubalcaba.<br class="">
<br class="">
In 2006 he leaves for a tour
that touches the most
important cities of the
People's Republic of China.<br class="">
<br class="">
His collaborations are
innumerable. Among others we
remember those with Kenny
Wheeler, Randy Brecker, Bob
Mintzer, Cedar Walton, Phil
Woods, Cameron Brown, Joe
Locke, Donald Harrison and
in Italy with Enrico Rava,
Maurizio Giammarco, Tullio
de Piscopo, Franco D'Andrea,
Giovanni Tommaso , Enrico
Pieranunzi, Dado Moroni,
Javier Girotto and Flavio
Boltro.<br class="">
<br class="">
He has played in several
international festivals,
including the following:
Alatri Jazz (Italy), Jazz
& Image, Tuscia in Jazz,
Jazz in Liège, Gexto Jazz
Festival (Spain), Zagreb
Jazz Festival, Umbria Jazz,
Bergamo Jazz Festival, JVC
Jazz Festival (Paris), Town
Hall 2001 (New York), Nancy
Jazz Pulsation (France),
North Sea Jazz Festival
(Netherlands), London Jazz
Festival (Great Britain),
California, Mexico, Hong
Kong, Marciac Jazz Festival
(France) , Ankara Jazz
Festival, Smoke jazz Club
(New York), Jazz in Vienne
(France).<br class="">
<br class="">
In September 2000 Giuliani
signed a recording contract
with the French label
"Dreyfus Jazz" with which he
recorded his last 4 records,
namely: "Luggage", released
in April 2001, "Mr. Dodo",
published in October 2002,
"More Than Ever", released
in October 2004, and
"Anything Else", of January
2007.<br class="">
<br class="">
On March 22, 2010, "Lennie's
pennies" was released for
the "Dreyfus Jazz" label,
which featured him with Joe
La Barbera on drums, Pierre
de Bethmann on piano and
Darryl Hall on double bass.<br class="">
<br class="">
His latest work is "Images"
released in 2013 for the
Dreyfus / BMG label.<br class="">
<br class="">
His sound and technique are
influenced by artists such
as John Coltrane, Charlie
Parker, Julian "Cannonball"
Adderley and Art Pepper,
although the saxophonist,
inspired by these great
masters, has been able to
develop a very personal
style, and an absolutely
timbre. new. The great
Italian composer Gianni
Ferrio called him the
"millenote boy", writing the
liner notes of Rosario
Giuliani's "Tension" album,
recorded in 1998 for Schema
Records, all dedicated to
compositions for the cinema
of the maestro and others
musicians, reproposed in a
jazz key.</span><span class="gmail-m_-6530578060527563458gmail-m_1843651054685537170translation-gender-indicator gmail-m_4049704025675017739gmail-m_-6530578060527563458gmail-m_-8242765752596181909gmail-m_1843651054685537170tlid-translation-gender-indicator"></span></div>
</div>
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</p>
<div class="gmail-m_4049704025675017739gmail-m_-6530578060527563458gmail-m_-8242765752596181909gmail-m_1843651054685537170moz-cite-prefix">On
04/07/2019 15:53, Marek Boym
wrote:<br class="">
</div>
<blockquote type="cite" class="">
<div dir="ltr" class="">
<div class="">Does any of you know the
pianist Moroni and the
saxophonist Giuliani? They
are scheduled to play an
Ellington programme in
February as part of our "Hot
Jazz" series.</div>
<div class="">Right now I'm listening
to them playing "Lennie's
Pennies," and it seems that,
while the pianist sounds
fine, the saxophonist is far
from an OKOM'er.</div>
<div class="">Cheers<br class="">
</div>
</div>
<br class="">
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