<div dir="ltr"><div>Since I have replied to Steve, reiterating it would be pointless. Suffice it to say that I knew all Brubeck LPs almost by heart before I had even heard the name of Wild Bill Davison. And Miles Davis, too - I heard much too much of him. I've had the misfortune of hearing Coltrane, Shepp, Courtney Pine, And Ornette Coleman. Enough is enough. So "something new" is the stuff bulls spread around. I've heard it all before developing the taste for the real thing. And since I grew up in a Communist country, where "jazz" included any western music with rhythm, you may add various rock and roll, calypso and other Ltin music performers.</div><div>Cheers<br></div></div><br><div class="gmail_quote"><div dir="ltr" class="gmail_attr">On Thu, 4 Jul 2019 at 23:12, Paul Kurtz Jr <<a href="mailto:phktrumpet@gmail.com">phktrumpet@gmail.com</a>> wrote:<br></div><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex"><br>
<br>
Steve, Marek is a dedicated officianado but a very, very hard nut to crack when it comes to listening to something new. I, like you, think they’ll do a great job because they’re professionals and have had a lifetime of studying jazz and surviving in the field. <br>
Paul Kurtz Jacksonville, FL <br>
<br>
On Jul 4, 2019, at 12:20 PM, Steve Voce <<a href="mailto:stevevoce@virginmedia.com" target="_blank">stevevoce@virginmedia.com</a>> wrote:<br>
<br>
That's narrow-minded, Marek. If you ut your prejudices aside, I'm sure that these two guys will be able to play excellent interpretations of Duke's music. They'll know their audience, and have the technical abilities to adapt so that they'll remid you of Johnny Hodges and the others! You might miss out on something and regret it.<br>
<br>
Steve<br>
On 04/07/2019 16:47, Marek Boym wrote:<br>
> Thank you, Steve.<br>
> I did " clear between my ears out" long ago, stopped listening to modern mayhemand moved to jazz instead.<br>
> The saxophonists background does not bode well - no OKOM thereat all. You have saved me money.<br>
> Take care,<br>
> Marek<br>
> <br>
> <br>
> <br>
> <br>
> On Thu, 4 Jul 2019 at 18:04, Steve Voce <<a href="mailto:stevevoce@virginmedia.com" target="_blank">stevevoce@virginmedia.com</a>> wrote:<br>
> Do you the world of good, Marek, if they can clear between your ears out!<br>
> <br>
> Here's some info.<br>
> <br>
> Steve<br>
> Edgardo "Dado" Moroni (born October 20, 1962) is an Italian jazz pianist and composer.<br>
> <br>
> A self-taught musician, Dado, who was born in Genoa, Italy, started playing piano at age four. By his mid-teens he was playing professionally around Italy and by age 17 had recorded his first album.<br>
> <br>
> Throughout the 1980s Dado worked mostly in Europe playing at festivals and in clubs, including a long stint as part of former Duke Ellington bassist Jimmy Woode's trio at Widder Bar in Zurich. Dado moved to the U.S. in 1991, becoming part of the New York jazz scene, and appearing regularly both as a leader and sideman, in some of the city's most prestigious clubs, including Blue Note, Birdland, Village Vanguard as well as recording several CDs.<br>
> <br>
> During his 35-year career Dado has played with legends including Freddie Hubbard, Clark Terry, Zoot Sims, Harry "Sweets" Edison, Ray Brown, Ron Carter, Oscar Peterson, Ahmad Jamal, Hank Jones, Niels-Henning Ørsted Pedersen and Alvin Queen. A highly respected musician, at age 25 he was granted the honor of serving as a juror at the prestigious Thelonious Monk International Piano Competition in 1987.[1]<br>
> <br>
> Based in Italy, Dado continues to perform worldwide. In 2007 he won the Italian Jazz Awards as Best Jazz Act. In 2009 Dado was named Best Italian Jazz Pianist in the Top Jazz referendum sponsored by Musica Jazz magazine.[2] In 2010 he was appointed Professor of Jazz Piano at Giuseppe Verdi Conservatory of Music in Turin, a position he currently holds.<br>
> <br>
> Dado is married to Ada Tour.<br>
> <br>
> As for Rosario, <br>
> He began studying the alto saxophone in the "Città di Terracina" band and he graduated in 1987 from the Licinio Refice Conservatory in Frosinone. In 1989 he participated in the Berklee College of Music courses organized as part of the Umbria Jazz festival. In 1990 he was inserted by Rai in the orchestra of "Young talents of European jazz" organized for a concert held in Rome, at the Auditorium del Foro Italico, under the direction of James Newton. In the following years he collaborated in the recording of film soundtracks with internationally renowned masters such as Ennio Morricone, Luis Bacalov, Armando Trovajoli, Nicola Piovani, Riz Ortolani.<br>
> <br>
> In 1996 he won the "Massimo Urbani" award, while the following year he won the "Europe Jazz Contest" award, awarded in Belgium as the best soloist and best group. In 2000 he won the Top Jazz in the new talent category, for the annual referendum of the specialized magazine "Musica Jazz".<br>
> <br>
> In 2005 he participated in the "Land of the sun" project with Charlie Haden and Gonzalo Rubalcaba.<br>
> <br>
> In 2006 he leaves for a tour that touches the most important cities of the People's Republic of China.<br>
> <br>
> His collaborations are innumerable. Among others we remember those with Kenny Wheeler, Randy Brecker, Bob Mintzer, Cedar Walton, Phil Woods, Cameron Brown, Joe Locke, Donald Harrison and in Italy with Enrico Rava, Maurizio Giammarco, Tullio de Piscopo, Franco D'Andrea, Giovanni Tommaso , Enrico Pieranunzi, Dado Moroni, Javier Girotto and Flavio Boltro.<br>
> <br>
> He has played in several international festivals, including the following: Alatri Jazz (Italy), Jazz & Image, Tuscia in Jazz, Jazz in Liège, Gexto Jazz Festival (Spain), Zagreb Jazz Festival, Umbria Jazz, Bergamo Jazz Festival, JVC Jazz Festival (Paris), Town Hall 2001 (New York), Nancy Jazz Pulsation (France), North Sea Jazz Festival (Netherlands), London Jazz Festival (Great Britain), California, Mexico, Hong Kong, Marciac Jazz Festival (France) , Ankara Jazz Festival, Smoke jazz Club (New York), Jazz in Vienne (France).<br>
> <br>
> In September 2000 Giuliani signed a recording contract with the French label "Dreyfus Jazz" with which he recorded his last 4 records, namely: "Luggage", released in April 2001, "Mr. Dodo", published in October 2002, "More Than Ever", released in October 2004, and "Anything Else", of January 2007.<br>
> <br>
> On March 22, 2010, "Lennie's pennies" was released for the "Dreyfus Jazz" label, which featured him with Joe La Barbera on drums, Pierre de Bethmann on piano and Darryl Hall on double bass.<br>
> <br>
> His latest work is "Images" released in 2013 for the Dreyfus / BMG label.<br>
> <br>
> His sound and technique are influenced by artists such as John Coltrane, Charlie Parker, Julian "Cannonball" Adderley and Art Pepper, although the saxophonist, inspired by these great masters, has been able to develop a very personal style, and an absolutely timbre. new. The great Italian composer Gianni Ferrio called him the "millenote boy", writing the liner notes of Rosario Giuliani's "Tension" album, recorded in 1998 for Schema Records, all dedicated to compositions for the cinema of the maestro and others musicians, reproposed in a jazz key.<br>
> Send feedback<br>
> History<br>
> Saved<br>
> <br>
> On 04/07/2019 15:53, Marek Boym wrote:<br>
>> Does any of you know the pianist Moroni and the saxophonist Giuliani? They are scheduled to play an Ellington programme in February as part of our "Hot Jazz" series.<br>
>> Right now I'm listening to them playing "Lennie's Pennies," and it seems that, while the pianist sounds fine, the saxophonist is far from an OKOM'er.<br>
>> Cheers<br>
>> <br>
>> <br>
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