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<DIV>Come on guys. Ease up. Marek is right about his right to like what he
enjoys. Some of the comments pointed at Marek have been a little rude,
especially comments about <BR>“Cleaning out your ears.” </DIV>
<DIV> </DIV>
<DIV>I too have been through the full range of jazz. At the age of 78 1/2, I’ve
been listening to all forms of jazz since 1945 when I was 5 years old. While I
love the original Brubeck Quartet and the Rob McConnell Boss Brass, most of the
modern jazz leaves me cold. As a musician, I can appreciate the technical
prowess and ideas of most of the modern players, but their music does not turn
me on. It does not excite me such as the YBJB, Turk Murphy, original Dukes,
Condon, WGJB, etc does. And I do despise the music of Ornet Colman. I almost
think it is a giant put on. </DIV>
<DIV> </DIV>
<DIV>Let’s discuss our jazz likes and dislikes without the insults. </DIV>
<DIV> </DIV>
<DIV>-Bob Ringwald</DIV>
<DIV> </DIV>
<DIV>
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<DIV style="BACKGROUND: #f5f5f5">
<DIV style="font-color: black"><B>From:</B> <A title=marekboym@gmail.com>Marek
Boym</A> </DIV>
<DIV><B>Sent:</B> Friday, July 5, 2019 7:05 AM</DIV>
<DIV><B>To:</B> <A title=rsr@ringwald.com>Bob Ringwald</A> </DIV>
<DIV><B>Cc:</B> <A title=dixielandjazz@ml.islandnet.com>Dixieland Jazz Mailing
List</A> </DIV>
<DIV><B>Subject:</B> Re: [Dixielandjazz] Dado Moroni and Rosario
Giuliani</DIV></DIV></DIV>
<DIV> </DIV></DIV>
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<DIV>I don'[t understand how I allowed myself to be dragged again into this
futile dispute. <BR></DIV>
<DIV>OK, I listen only to trad - "It ain't nobody's business if I do." It
is perfectly all right for you to listen to so-called "modern" jazz and enjoy it
- again, "It ain't nobody's business if you do." We still live in free
countries, where everybody is entitled to an opinion. Trying to foist your
opinions on me smacks of bolshevism - I know, I lived in a country where the
powers that be dictated to us what we should we should or should not like (jazz
was on of the things we were not supposed to like). Trying to make me a
masochist does not stand to reason. There is only one reservation - listen to
whatever you wish to your heart;s content, but NOT within hearing distance from
my ears, to which it sounds offensive. <BR></DIV>
<DIV>Comments on one's being limited (isn't the politically correct expression
"intellectually challenged?") makes very little sense, and is hardly
convincing.</DIV>
<DIV>Cheers<BR></DIV></DIV>
<DIV> </DIV>
<DIV class=gmail_quote>
<DIV class=gmail_attr dir=ltr>On Fri, 5 Jul 2019 at 11:11, Steve Voce
<<A>stevevoce@virginmedia.com</A>> wrote:<BR></DIV>
<BLOCKQUOTE class=gmail_quote
style="PADDING-LEFT: 1ex; BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0px 0px 0px 0.8ex">
<DIV style="overflow-wrap: break-word">You must surely be bored listening to
the same thing all the time without any stimulation. I suppose you learn it by
rote, like a kid with nursery rhythms?
<DIV>Steve<BR>
<DIV><BR>
<BLOCKQUOTE type="cite">
<DIV>On 4 Jul 2019, at 22:19, Marek Boym <<A
target=_blank>marekboym@gmail.com</A>> wrote:</DIV>
<DIV> </DIV>
<DIV>
<DIV dir=ltr>
<DIV>Narrow minded? Perhaps. Who cares?</DIV>
<DIV>there is only one pair of ears I trust - mine. And they tell me
that the so-called modern jazz is, with few exceptions, boring at best, or
just noise. Took me a long time to separate wheat from chaff - there
is no way I'm going back!</DIV>
<DIV>Cheers<BR></DIV>
<DIV> </DIV>
<DIV class=gmail_quote>
<DIV class=gmail_attr dir=ltr>On Thu, 4 Jul 2019 at 19:20, Steve Voce <<A
target=_blank>stevevoce@virginmedia.com</A>> wrote:<BR></DIV>
<BLOCKQUOTE class=gmail_quote
style="PADDING-LEFT: 1ex; BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0px 0px 0px 0.8ex">
<DIV bgcolor="#FFFFFF">
<P>That's narrow-minded, Marek. If you ut your prejudices aside, I'm sure
that these two guys will be able to play excellent interpretations of
Duke's music. They'll know their audience, and have the technical
abilities to adapt so that they'll remid you of Johnny Hodges and the
others! You might miss out on something and regret it.</P>
<P>Steve<BR></P>
<DIV
class=gmail-m_-6530578060527563458gmail-m_-8242765752596181909moz-cite-prefix>On
04/07/2019 16:47, Marek Boym wrote:<BR></DIV>
<BLOCKQUOTE type="cite">
<DIV dir=ltr>
<DIV dir=ltr>
<DIV>Thank you, Steve.</DIV>
<DIV>I did " clear between my ears out" long ago, stopped
listening to modern mayhemand moved to jazz instead.</DIV>
<DIV>The saxophonists background does not bode well - no OKOM thereat
all. You have saved me money.</DIV>
<DIV>Take care,</DIV>
<DIV>Marek<BR></DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV> </DIV></DIV>
<DIV> </DIV>
<DIV class=gmail_quote>
<DIV class=gmail_attr dir=ltr>On Thu, 4 Jul 2019 at 18:04, Steve Voce
<<A target=_blank>stevevoce@virginmedia.com</A>> wrote:<BR></DIV>
<BLOCKQUOTE class=gmail_quote
style="PADDING-LEFT: 1ex; BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0px 0px 0px 0.8ex">
<DIV bgcolor="#FFFFFF">
<P>Do you the world of good, Marek, if they can clear between
your ears out!</P>
<P>Here's some info.</P>
<P>Steve<BR></P>
<P>Edgardo "Dado" Moroni (born October 20, 1962) is an Italian jazz
pianist and composer.<BR><BR>A self-taught musician, Dado, who was
born in Genoa, Italy, started playing piano at age four. By his
mid-teens he was playing professionally around Italy and by age 17 had
recorded his first album.<BR><BR>Throughout the 1980s Dado worked
mostly in Europe playing at festivals and in clubs, including a long
stint as part of former Duke Ellington bassist Jimmy Woode's trio at
Widder Bar in Zurich. Dado moved to the U.S. in 1991, becoming part of
the New York jazz scene, and appearing regularly both as a leader and
sideman, in some of the city's most prestigious clubs, including Blue
Note, Birdland, Village Vanguard as well as recording several
CDs.<BR><BR>During his 35-year career Dado has played with legends
including Freddie Hubbard, Clark Terry, Zoot Sims, Harry "Sweets"
Edison, Ray Brown, Ron Carter, Oscar Peterson, Ahmad Jamal, Hank
Jones, Niels-Henning Ørsted Pedersen and Alvin Queen. A highly
respected musician, at age 25 he was granted the honor of serving as a
juror at the prestigious Thelonious Monk International Piano
Competition in 1987.[1]<BR><BR>Based in Italy, Dado continues to
perform worldwide. In 2007 he won the Italian Jazz Awards as Best Jazz
Act. In 2009 Dado was named Best Italian Jazz Pianist in the Top Jazz
referendum sponsored by Musica Jazz magazine.[2] In 2010 he was
appointed Professor of Jazz Piano at Giuseppe Verdi Conservatory of
Music in Turin, a position he currently holds.<BR><BR>Dado is married
to Ada Tour.</P>
<P>As for Rosario, <BR></P>
<DIV
class="gmail-m_-6530578060527563458gmail-m_-8242765752596181909gmail-m_1843651054685537170tlid-copy-target gmail-m_-6530578060527563458gmail-m_-8242765752596181909gmail-m_1843651054685537170text-wrap">
<DIV
class="gmail-m_-6530578060527563458gmail-m_-8242765752596181909gmail-m_1843651054685537170tlid-copy-target gmail-m_-6530578060527563458gmail-m_-8242765752596181909gmail-m_1843651054685537170result-shield-container"><SPAN
lang=en
class="gmail-m_-6530578060527563458gmail-m_-8242765752596181909gmail-m_1843651054685537170translation gmail-m_-6530578060527563458gmail-m_-8242765752596181909gmail-m_1843651054685537170tlid-translation">He
began studying the alto saxophone in the "Città di Terracina" band and
he graduated in 1987 from the Licinio Refice Conservatory in
Frosinone. In 1989 he participated in the Berklee College of Music
courses organized as part of the Umbria Jazz festival. In 1990 he was
inserted by Rai in the orchestra of "Young talents of European jazz"
organized for a concert held in Rome, at the Auditorium del Foro
Italico, under the direction of James Newton. In the following years
he collaborated in the recording of film soundtracks with
internationally renowned masters such as Ennio Morricone, Luis
Bacalov, Armando Trovajoli, Nicola Piovani, Riz Ortolani.<BR><BR>In
1996 he won the "Massimo Urbani" award, while the following year he
won the "Europe Jazz Contest" award, awarded in Belgium as the best
soloist and best group. In 2000 he won the Top Jazz in the new talent
category, for the annual referendum of the specialized magazine
"Musica Jazz".<BR><BR>In 2005 he participated in the "Land of the sun"
project with Charlie Haden and Gonzalo Rubalcaba.<BR><BR>In 2006 he
leaves for a tour that touches the most important cities of the
People's Republic of China.<BR><BR>His collaborations are innumerable.
Among others we remember those with Kenny Wheeler, Randy Brecker, Bob
Mintzer, Cedar Walton, Phil Woods, Cameron Brown, Joe Locke, Donald
Harrison and in Italy with Enrico Rava, Maurizio Giammarco, Tullio de
Piscopo, Franco D'Andrea, Giovanni Tommaso , Enrico Pieranunzi, Dado
Moroni, Javier Girotto and Flavio Boltro.<BR><BR>He has played in
several international festivals, including the following: Alatri Jazz
(Italy), Jazz & Image, Tuscia in Jazz, Jazz in Liège, Gexto Jazz
Festival (Spain), Zagreb Jazz Festival, Umbria Jazz, Bergamo Jazz
Festival, JVC Jazz Festival (Paris), Town Hall 2001 (New York), Nancy
Jazz Pulsation (France), North Sea Jazz Festival (Netherlands), London
Jazz Festival (Great Britain), California, Mexico, Hong Kong, Marciac
Jazz Festival (France) , Ankara Jazz Festival, Smoke jazz Club (New
York), Jazz in Vienne (France).<BR><BR>In September 2000 Giuliani
signed a recording contract with the French label "Dreyfus Jazz" with
which he recorded his last 4 records, namely: "Luggage", released in
April 2001, "Mr. Dodo", published in October 2002, "More Than Ever",
released in October 2004, and "Anything Else", of January
2007.<BR><BR>On March 22, 2010, "Lennie's pennies" was released for
the "Dreyfus Jazz" label, which featured him with Joe La Barbera on
drums, Pierre de Bethmann on piano and Darryl Hall on double
bass.<BR><BR>His latest work is "Images" released in 2013 for the
Dreyfus / BMG label.<BR><BR>His sound and technique are influenced by
artists such as John Coltrane, Charlie Parker, Julian "Cannonball"
Adderley and Art Pepper, although the saxophonist, inspired by these
great masters, has been able to develop a very personal style, and an
absolutely timbre. new. The great Italian composer Gianni Ferrio
called him the "millenote boy", writing the liner notes of Rosario
Giuliani's "Tension" album, recorded in 1998 for Schema Records, all
dedicated to compositions for the cinema of the maestro and others
musicians, reproposed in a jazz key.</SPAN><SPAN
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<DIV
class=gmail-m_-6530578060527563458gmail-m_-8242765752596181909gmail-m_1843651054685537170moz-cite-prefix>On
04/07/2019 15:53, Marek Boym wrote:<BR></DIV>
<BLOCKQUOTE type="cite">
<DIV dir=ltr>
<DIV>Does any of you know the pianist Moroni and the saxophonist
Giuliani? They are scheduled to play an Ellington programme in
February as part of our "Hot Jazz" series.</DIV>
<DIV>Right now I'm listening to them playing "Lennie's Pennies," and
it seems that, while the pianist sounds fine, the saxophonist is far
from an OKOM'er.</DIV>
<DIV>Cheers<BR></DIV></DIV><BR>
<FIELDSET
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