<html><head><meta http-equiv="Content-Type" content="text/html; charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class="">Maybe I deserve to be cast as the villain, Marek, and I mustn’t provoke you just because I think you’re impervious to what I regard as good music.<div class="">My idea of “Dixieland” is Eddie Condon, Freddy Randall, Muggsy, Bob Crosby and the great Jack Teagarden. All those people were inspired and very skilled musicians. I don’t think to-day’s banjo-driven stuff is Dixieland. It’s closer to what used to be &nbsp;called “Trad”.&nbsp;</div><div class="">When you say “Keep swinging” to such bands, it’s a false description. “Keep clanking” would perhaps be appropriate.</div><div class="">&nbsp;I am aware that I’m very much in a minority here!&nbsp;</div><div class="">Steve<br class=""><div><br class=""><blockquote type="cite" class=""><div class="">On 5 Jul 2019, at 21:55, Marek Boym &lt;<a href="mailto:marekboym@gmail.com" class="">marekboym@gmail.com</a>&gt; wrote:</div><br class="Apple-interchange-newline"><div class=""><div dir="ltr" class=""><div class="">Not stubborn, Steve, just experienced.&nbsp; And whatever your ears tell you, I'll still listen with mine.&nbsp; I could take what you have written, just not the music you've been recommending since times immemorial (to me; the earliest Jazz Journal I read was from 1964, but you had started writing there earlier.</div><div class="">Cheers<br class=""></div></div><br class=""><div class="gmail_quote"><div dir="ltr" class="gmail_attr">On Fri, 5 Jul 2019 at 19:02, Steve Voce &lt;<a href="mailto:stevevoce@virginmedia.com" class="">stevevoce@virginmedia.com</a>&gt; wrote:<br class=""></div><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex">
  
    
  
  <div bgcolor="#FFFFFF" class=""><p class="">I'm sorry, Marek. I didn't mean to hurt your feelings, and I
      thought you could take it. <br class="">
    </p><p class="">You are very stubborn, you know!</p><p class="">Steve<br class="">
    </p>
    <div class="gmail-m_4049704025675017739moz-cite-prefix">On 05/07/2019 15:05, Marek Boym wrote:<br class="">
    </div>
    <blockquote type="cite" class="">
      
      <div dir="ltr" class="">
        <div class="">I don'[t understand how I allowed myself to be dragged
          again into this futile dispute.&nbsp; <br class="">
        </div>
        <div class="">OK, I listen only to trad - "It ain't nobody's business if
          I do."&nbsp; It is perfectly all right for you to listen to
          so-called "modern" jazz and enjoy it - again, "It ain't
          nobody's business if you do."&nbsp; We still live in free
          countries, where everybody is entitled to an opinion.&nbsp; Trying
          to foist your opinions on me smacks of bolshevism - I know, I
          lived in a country where the powers that be dictated to us
          what we should we should or should not like (jazz was on of
          the things we were not supposed to like).&nbsp; Trying to make me a
          masochist does not stand to reason. There is only one
          reservation - listen to whatever you wish to your heart;s
          content, but NOT within hearing distance from my ears, to
          which it sounds offensive.&nbsp; <br class="">
        </div>
        <div class="">Comments on one's being limited (isn't the politically
          correct expression "intellectually challenged?") makes very
          little sense, and is hardly convincing.</div>
        <div class="">Cheers<br class="">
        </div>
      </div>
      <br class="">
      <div class="gmail_quote">
        <div dir="ltr" class="gmail_attr">On Fri, 5 Jul 2019 at 11:11,
          Steve Voce &lt;<a href="mailto:stevevoce@virginmedia.com" target="_blank" class="">stevevoce@virginmedia.com</a>&gt;
          wrote:<br class="">
        </div>
        <blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex">
          <div class="">You must surely be
            bored listening to the same thing all the time without any
            stimulation. I suppose you learn it by rote, like a kid with
            nursery rhythms?
            <div class="">Steve<br class="">
              <div class=""><br class="">
                <blockquote type="cite" class="">
                  <div class="">On 4 Jul 2019, at 22:19, Marek Boym &lt;<a href="mailto:marekboym@gmail.com" target="_blank" class="">marekboym@gmail.com</a>&gt;
                    wrote:</div>
                  <br class="gmail-m_4049704025675017739gmail-m_-6530578060527563458Apple-interchange-newline">
                  <div class="">
                    <div dir="ltr" class="">
                      <div class="">Narrow minded?&nbsp; Perhaps.&nbsp; Who cares?</div>
                      <div class="">there is only one pair of ears I trust -
                        mine.&nbsp; And they tell me that the so-called
                        modern jazz is, with few exceptions, boring at
                        best, or just noise.&nbsp; Took me a long time to
                        separate wheat from chaff - there is no way I'm
                        going back!</div>
                      <div class="">Cheers<br class="">
                      </div>
                      <br class="">
                      <div class="gmail_quote">
                        <div dir="ltr" class="gmail_attr">On Thu, 4 Jul
                          2019 at 19:20, Steve Voce &lt;<a href="mailto:stevevoce@virginmedia.com" target="_blank" class="">stevevoce@virginmedia.com</a>&gt;
                          wrote:<br class="">
                        </div>
                        <blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex">
                          <div bgcolor="#FFFFFF" class=""><p class="">That's narrow-minded, Marek. If you ut
                              your prejudices aside, I'm sure that these
                              two guys will be able to play excellent
                              interpretations of Duke's music. They'll
                              know their audience, and have the
                              technical abilities to adapt so that
                              they'll remid you of Johnny Hodges and the
                              others! You might miss out on something
                              and regret it.</p><p class="">Steve<br class="">
                            </p>
                            <div class="gmail-m_4049704025675017739gmail-m_-6530578060527563458gmail-m_-8242765752596181909moz-cite-prefix">On
                              04/07/2019 16:47, Marek Boym wrote:<br class="">
                            </div>
                            <blockquote type="cite" class="">
                              <div dir="ltr" class="">
                                <div dir="ltr" class="">
                                  <div class="">Thank you, Steve.</div>
                                  <div class="">I did " clear between&nbsp; my ears
                                    out" long ago, stopped listening to
                                    modern mayhemand moved to jazz
                                    instead.</div>
                                  <div class="">The saxophonists background does
                                    not bode well - no OKOM thereat
                                    all.&nbsp; You have saved me money.</div>
                                  <div class="">Take care,</div>
                                  <div class="">Marek<br class="">
                                  </div>
                                  <div class=""><br class="">
                                  </div>
                                  <div class=""><br class="">
                                  </div>
                                  <div class=""><br class="">
                                  </div>
                                </div>
                                <br class="">
                                <div class="gmail_quote">
                                  <div dir="ltr" class="gmail_attr">On
                                    Thu, 4 Jul 2019 at 18:04, Steve Voce
                                    &lt;<a href="mailto:stevevoce@virginmedia.com" target="_blank" class="">stevevoce@virginmedia.com</a>&gt;
                                    wrote:<br class="">
                                  </div>
                                  <blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex">
                                    <div bgcolor="#FFFFFF" class=""><p class="">Do you the world of good,
                                        Marek, if they can clear
                                        between&nbsp; your ears out!</p><p class="">Here's some info.</p><p class="">Steve<br class="">
                                      </p><p class="">Edgardo "Dado" Moroni (born
                                        October 20, 1962) is an Italian
                                        jazz pianist and composer.<br class="">
                                        <br class="">
                                        A self-taught musician, Dado,
                                        who was born in Genoa, Italy,
                                        started playing piano at age
                                        four. By his mid-teens he was
                                        playing professionally around
                                        Italy and by age 17 had recorded
                                        his first album.<br class="">
                                        <br class="">
                                        Throughout the 1980s Dado worked
                                        mostly in Europe playing at
                                        festivals and in clubs,
                                        including a long stint as part
                                        of former Duke Ellington bassist
                                        Jimmy Woode's trio at Widder Bar
                                        in Zurich. Dado moved to the
                                        U.S. in 1991, becoming part of
                                        the New York jazz scene, and
                                        appearing regularly both as a
                                        leader and sideman, in some of
                                        the city's most prestigious
                                        clubs, including Blue Note,
                                        Birdland, Village Vanguard as
                                        well as recording several CDs.<br class="">
                                        <br class="">
                                        During his 35-year career Dado
                                        has played with legends
                                        including Freddie Hubbard, Clark
                                        Terry, Zoot Sims, Harry "Sweets"
                                        Edison, Ray Brown, Ron Carter,
                                        Oscar Peterson, Ahmad Jamal,
                                        Hank Jones, Niels-Henning Ørsted
                                        Pedersen and Alvin Queen. A
                                        highly respected musician, at
                                        age 25 he was granted the honor
                                        of serving as a juror at the
                                        prestigious Thelonious Monk
                                        International Piano Competition
                                        in 1987.[1]<br class="">
                                        <br class="">
                                        Based in Italy, Dado continues
                                        to perform worldwide. In 2007 he
                                        won the Italian Jazz Awards as
                                        Best Jazz Act. In 2009 Dado was
                                        named Best Italian Jazz Pianist
                                        in the Top Jazz referendum
                                        sponsored by Musica Jazz
                                        magazine.[2] In 2010 he was
                                        appointed Professor of Jazz
                                        Piano at Giuseppe Verdi
                                        Conservatory of Music in Turin,
                                        a position he currently holds.<br class="">
                                        <br class="">
                                        Dado is married to Ada Tour.</p><p class="">As for Rosario, <br class="">
                                      </p>
                                      <div class="gmail-m_4049704025675017739gmail-m_-6530578060527563458gmail-m_-8242765752596181909gmail-m_1843651054685537170tlid-copy-target gmail-m_-6530578060527563458gmail-m_-8242765752596181909gmail-m_1843651054685537170text-wrap">
                                        <div class="gmail-m_-6530578060527563458gmail-m_-8242765752596181909gmail-m_1843651054685537170result-shield-container gmail-m_4049704025675017739gmail-m_-6530578060527563458gmail-m_-8242765752596181909gmail-m_1843651054685537170tlid-copy-target"><span class="gmail-m_4049704025675017739gmail-m_-6530578060527563458gmail-m_-8242765752596181909gmail-m_1843651054685537170translation gmail-m_-6530578060527563458gmail-m_-8242765752596181909gmail-m_1843651054685537170tlid-translation" lang="en">He began studying
                                            the alto saxophone in the
                                            "Città di Terracina" band
                                            and he graduated in 1987
                                            from the Licinio Refice
                                            Conservatory in Frosinone.
                                            In 1989 he participated in
                                            the Berklee College of Music
                                            courses organized as part of
                                            the Umbria Jazz festival. In
                                            1990 he was inserted by Rai
                                            in the orchestra of "Young
                                            talents of European jazz"
                                            organized for a concert held
                                            in Rome, at the Auditorium
                                            del Foro Italico, under the
                                            direction of James Newton.
                                            In the following years he
                                            collaborated in the
                                            recording of film
                                            soundtracks with
                                            internationally renowned
                                            masters such as Ennio
                                            Morricone, Luis Bacalov,
                                            Armando Trovajoli, Nicola
                                            Piovani, Riz Ortolani.<br class="">
                                            <br class="">
                                            In 1996 he won the "Massimo
                                            Urbani" award, while the
                                            following year he won the
                                            "Europe Jazz Contest" award,
                                            awarded in Belgium as the
                                            best soloist and best group.
                                            In 2000 he won the Top Jazz
                                            in the new talent category,
                                            for the annual referendum of
                                            the specialized magazine
                                            "Musica Jazz".<br class="">
                                            <br class="">
                                            In 2005 he participated in
                                            the "Land of the sun"
                                            project with Charlie Haden
                                            and Gonzalo Rubalcaba.<br class="">
                                            <br class="">
                                            In 2006 he leaves for a tour
                                            that touches the most
                                            important cities of the
                                            People's Republic of China.<br class="">
                                            <br class="">
                                            His collaborations are
                                            innumerable. Among others we
                                            remember those with Kenny
                                            Wheeler, Randy Brecker, Bob
                                            Mintzer, Cedar Walton, Phil
                                            Woods, Cameron Brown, Joe
                                            Locke, Donald Harrison and
                                            in Italy with Enrico Rava,
                                            Maurizio Giammarco, Tullio
                                            de Piscopo, Franco D'Andrea,
                                            Giovanni Tommaso , Enrico
                                            Pieranunzi, Dado Moroni,
                                            Javier Girotto and Flavio
                                            Boltro.<br class="">
                                            <br class="">
                                            He has played in several
                                            international festivals,
                                            including the following:
                                            Alatri Jazz (Italy), Jazz
                                            &amp; Image, Tuscia in Jazz,
                                            Jazz in Liège, Gexto Jazz
                                            Festival (Spain), Zagreb
                                            Jazz Festival, Umbria Jazz,
                                            Bergamo Jazz Festival, JVC
                                            Jazz Festival (Paris), Town
                                            Hall 2001 (New York), Nancy
                                            Jazz Pulsation (France),
                                            North Sea Jazz Festival
                                            (Netherlands), London Jazz
                                            Festival (Great Britain),
                                            California, Mexico, Hong
                                            Kong, Marciac Jazz Festival
                                            (France) , Ankara Jazz
                                            Festival, Smoke jazz Club
                                            (New York), Jazz in Vienne
                                            (France).<br class="">
                                            <br class="">
                                            In September 2000 Giuliani
                                            signed a recording contract
                                            with the French label
                                            "Dreyfus Jazz" with which he
                                            recorded his last 4 records,
                                            namely: "Luggage", released
                                            in April 2001, "Mr. Dodo",
                                            published in October 2002,
                                            "More Than Ever", released
                                            in October 2004, and
                                            "Anything Else", of January
                                            2007.<br class="">
                                            <br class="">
                                            On March 22, 2010, "Lennie's
                                            pennies" was released for
                                            the "Dreyfus Jazz" label,
                                            which featured him with Joe
                                            La Barbera on drums, Pierre
                                            de Bethmann on piano and
                                            Darryl Hall on double bass.<br class="">
                                            <br class="">
                                            His latest work is "Images"
                                            released in 2013 for the
                                            Dreyfus / BMG label.<br class="">
                                            <br class="">
                                            His sound and technique are
                                            influenced by artists such
                                            as John Coltrane, Charlie
                                            Parker, Julian "Cannonball"
                                            Adderley and Art Pepper,
                                            although the saxophonist,
                                            inspired by these great
                                            masters, has been able to
                                            develop a very personal
                                            style, and an absolutely
                                            timbre. new. The great
                                            Italian composer Gianni
                                            Ferrio called him the
                                            "millenote boy", writing the
                                            liner notes of Rosario
                                            Giuliani's "Tension" album,
                                            recorded in 1998 for Schema
                                            Records, all dedicated to
                                            compositions for the cinema
                                            of the maestro and others
                                            musicians, reproposed in a
                                            jazz key.</span><span class="gmail-m_-6530578060527563458gmail-m_1843651054685537170translation-gender-indicator gmail-m_4049704025675017739gmail-m_-6530578060527563458gmail-m_-8242765752596181909gmail-m_1843651054685537170tlid-translation-gender-indicator"></span></div>
                                      </div>
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                                        </a></div><p class=""><br class="">
                                      </p>
                                      <div class="gmail-m_4049704025675017739gmail-m_-6530578060527563458gmail-m_-8242765752596181909gmail-m_1843651054685537170moz-cite-prefix">On
                                        04/07/2019 15:53, Marek Boym
                                        wrote:<br class="">
                                      </div>
                                      <blockquote type="cite" class="">
                                        <div dir="ltr" class="">
                                          <div class="">Does any of you know the
                                            pianist Moroni and the
                                            saxophonist Giuliani?&nbsp; They
                                            are scheduled to play an
                                            Ellington programme in
                                            February as part of our "Hot
                                            Jazz" series.</div>
                                          <div class="">Right now I'm listening
                                            to them playing "Lennie's
                                            Pennies," and it seems that,
                                            while the pianist sounds
                                            fine, the saxophonist is far
                                            from an OKOM'er.</div>
                                          <div class="">Cheers<br class="">
                                          </div>
                                        </div>
                                        <br class="">
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