<html><head><meta http-equiv="Content-Type" content="text/html; charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class="">You must surely be bored listening to the same thing all the time without any stimulation. I suppose you learn it by rote, like a kid with nursery rhythms?<div class="">Steve<br class=""><div><br class=""><blockquote type="cite" class=""><div class="">On 4 Jul 2019, at 22:19, Marek Boym <<a href="mailto:marekboym@gmail.com" class="">marekboym@gmail.com</a>> wrote:</div><br class="Apple-interchange-newline"><div class=""><div dir="ltr" class=""><div class="">Narrow minded? Perhaps. Who cares?</div><div class="">there is only one pair of ears I trust - mine. And they tell me that the so-called modern jazz is, with few exceptions, boring at best, or just noise. Took me a long time to separate wheat from chaff - there is no way I'm going back!</div><div class="">Cheers<br class=""></div><br class=""><div class="gmail_quote"><div dir="ltr" class="gmail_attr">On Thu, 4 Jul 2019 at 19:20, Steve Voce <<a href="mailto:stevevoce@virginmedia.com" class="">stevevoce@virginmedia.com</a>> wrote:<br class=""></div><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex">
<div bgcolor="#FFFFFF" class=""><p class="">That's narrow-minded, Marek. If you ut your prejudices aside, I'm
sure that these two guys will be able to play excellent
interpretations of Duke's music. They'll know their audience, and
have the technical abilities to adapt so that they'll remid you of
Johnny Hodges and the others! You might miss out on something and
regret it.</p><p class="">Steve<br class="">
</p>
<div class="gmail-m_-8242765752596181909moz-cite-prefix">On 04/07/2019 16:47, Marek Boym wrote:<br class="">
</div>
<blockquote type="cite" class="">
<div dir="ltr" class="">
<div dir="ltr" class="">
<div class="">Thank you, Steve.</div>
<div class="">I did "
clear between my ears out" long ago, stopped listening to
modern mayhemand moved to jazz instead.</div>
<div class="">The saxophonists background does not bode well - no OKOM
thereat all. You have saved me money.</div>
<div class="">Take care,</div>
<div class="">Marek<br class="">
</div>
<div class=""><br class="">
</div>
<div class=""><br class="">
</div>
<div class=""><br class="">
</div>
</div>
<br class="">
<div class="gmail_quote">
<div dir="ltr" class="gmail_attr">On Thu, 4 Jul 2019 at 18:04,
Steve Voce <<a href="mailto:stevevoce@virginmedia.com" target="_blank" class="">stevevoce@virginmedia.com</a>>
wrote:<br class="">
</div>
<blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex">
<div bgcolor="#FFFFFF" class=""><p class="">Do you the world of good, Marek, if they can clear
between your ears out!</p><p class="">Here's some info.</p><p class="">Steve<br class="">
</p><p class="">Edgardo "Dado" Moroni (born October 20, 1962) is an
Italian jazz pianist and composer.<br class="">
<br class="">
A self-taught musician, Dado, who was born in Genoa,
Italy, started playing piano at age four. By his
mid-teens he was playing professionally around Italy and
by age 17 had recorded his first album.<br class="">
<br class="">
Throughout the 1980s Dado worked mostly in Europe
playing at festivals and in clubs, including a long
stint as part of former Duke Ellington bassist Jimmy
Woode's trio at Widder Bar in Zurich. Dado moved to the
U.S. in 1991, becoming part of the New York jazz scene,
and appearing regularly both as a leader and sideman, in
some of the city's most prestigious clubs, including
Blue Note, Birdland, Village Vanguard as well as
recording several CDs.<br class="">
<br class="">
During his 35-year career Dado has played with legends
including Freddie Hubbard, Clark Terry, Zoot Sims, Harry
"Sweets" Edison, Ray Brown, Ron Carter, Oscar Peterson,
Ahmad Jamal, Hank Jones, Niels-Henning Ørsted Pedersen
and Alvin Queen. A highly respected musician, at age 25
he was granted the honor of serving as a juror at the
prestigious Thelonious Monk International Piano
Competition in 1987.[1]<br class="">
<br class="">
Based in Italy, Dado continues to perform worldwide. In
2007 he won the Italian Jazz Awards as Best Jazz Act. In
2009 Dado was named Best Italian Jazz Pianist in the Top
Jazz referendum sponsored by Musica Jazz magazine.[2] In
2010 he was appointed Professor of Jazz Piano at
Giuseppe Verdi Conservatory of Music in Turin, a
position he currently holds.<br class="">
<br class="">
Dado is married to Ada Tour.</p><p class="">As for Rosario, <br class="">
</p>
<div class="gmail-m_-8242765752596181909gmail-m_1843651054685537170tlid-copy-target gmail-m_-8242765752596181909gmail-m_1843651054685537170text-wrap">
<div class="gmail-m_-8242765752596181909gmail-m_1843651054685537170tlid-copy-target gmail-m_-8242765752596181909gmail-m_1843651054685537170result-shield-container"><span class="gmail-m_-8242765752596181909gmail-m_1843651054685537170translation gmail-m_-8242765752596181909gmail-m_1843651054685537170tlid-translation" lang="en">He
began studying the alto saxophone in the "Città di
Terracina" band and he graduated in 1987 from the
Licinio Refice Conservatory in Frosinone. In 1989 he
participated in the Berklee College of Music courses
organized as part of the Umbria Jazz festival. In
1990 he was inserted by Rai in the orchestra of
"Young talents of European jazz" organized for a
concert held in Rome, at the Auditorium del Foro
Italico, under the direction of James Newton. In the
following years he collaborated in the recording of
film soundtracks with internationally renowned
masters such as Ennio Morricone, Luis Bacalov,
Armando Trovajoli, Nicola Piovani, Riz Ortolani.<br class="">
<br class="">
In 1996 he won the "Massimo Urbani" award, while the
following year he won the "Europe Jazz Contest"
award, awarded in Belgium as the best soloist and
best group. In 2000 he won the Top Jazz in the new
talent category, for the annual referendum of the
specialized magazine "Musica Jazz".<br class="">
<br class="">
In 2005 he participated in the "Land of the sun"
project with Charlie Haden and Gonzalo Rubalcaba.<br class="">
<br class="">
In 2006 he leaves for a tour that touches the most
important cities of the People's Republic of China.<br class="">
<br class="">
His collaborations are innumerable. Among others we
remember those with Kenny Wheeler, Randy Brecker,
Bob Mintzer, Cedar Walton, Phil Woods, Cameron
Brown, Joe Locke, Donald Harrison and in Italy with
Enrico Rava, Maurizio Giammarco, Tullio de Piscopo,
Franco D'Andrea, Giovanni Tommaso , Enrico
Pieranunzi, Dado Moroni, Javier Girotto and Flavio
Boltro.<br class="">
<br class="">
He has played in several international festivals,
including the following: Alatri Jazz (Italy), Jazz
& Image, Tuscia in Jazz, Jazz in Liège, Gexto
Jazz Festival (Spain), Zagreb Jazz Festival, Umbria
Jazz, Bergamo Jazz Festival, JVC Jazz Festival
(Paris), Town Hall 2001 (New York), Nancy Jazz
Pulsation (France), North Sea Jazz Festival
(Netherlands), London Jazz Festival (Great Britain),
California, Mexico, Hong Kong, Marciac Jazz Festival
(France) , Ankara Jazz Festival, Smoke jazz Club
(New York), Jazz in Vienne (France).<br class="">
<br class="">
In September 2000 Giuliani signed a recording
contract with the French label "Dreyfus Jazz" with
which he recorded his last 4 records, namely:
"Luggage", released in April 2001, "Mr. Dodo",
published in October 2002, "More Than Ever",
released in October 2004, and "Anything Else", of
January 2007.<br class="">
<br class="">
On March 22, 2010, "Lennie's pennies" was released
for the "Dreyfus Jazz" label, which featured him
with Joe La Barbera on drums, Pierre de Bethmann on
piano and Darryl Hall on double bass.<br class="">
<br class="">
His latest work is "Images" released in 2013 for the
Dreyfus / BMG label.<br class="">
<br class="">
His sound and technique are influenced by artists
such as John Coltrane, Charlie Parker, Julian
"Cannonball" Adderley and Art Pepper, although the
saxophonist, inspired by these great masters, has
been able to develop a very personal style, and an
absolutely timbre. new. The great Italian composer
Gianni Ferrio called him the "millenote boy",
writing the liner notes of Rosario Giuliani's
"Tension" album, recorded in 1998 for Schema
Records, all dedicated to compositions for the
cinema of the maestro and others musicians,
reproposed in a jazz key.</span><span class="gmail-m_-8242765752596181909gmail-m_1843651054685537170tlid-translation-gender-indicator gmail-m_1843651054685537170translation-gender-indicator"></span></div>
</div>
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<div class="gmail-m_-8242765752596181909gmail-m_1843651054685537170moz-cite-prefix">On
04/07/2019 15:53, Marek Boym wrote:<br class="">
</div>
<blockquote type="cite" class="">
<div dir="ltr" class="">
<div class="">Does any of you know the pianist Moroni and the
saxophonist Giuliani? They are scheduled to play an
Ellington programme in February as part of our "Hot
Jazz" series.</div>
<div class="">Right now I'm listening to them playing "Lennie's
Pennies," and it seems that, while the pianist
sounds fine, the saxophonist is far from an OKOM'er.</div>
<div class="">Cheers<br class="">
</div>
</div>
<br class="">
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