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<p>Paul's series, always in very good sound quality, are invaluable
in making thework of long-gone bands like the Merseysippi Jazz
Band, Freddy Randall, Alex Welsh and so on, available at a time
when demand for such music is failing fast in the general public.
Paul is a delightful fellow, very well up on jazz, and we often
talk on the phone,often, to my shame, for more than an hour at a
time.<br>
</p>
<div class="moz-cite-prefix">On 14/02/2019 15:22, Marek Boym wrote:<br>
</div>
<blockquote type="cite"
cite="mid:CABGvO8C-yqtoiPEjiSg7N_18XF13SZrH+3ZsWCEU2iQ1w2yyKA@mail.gmail.com">
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<div>Hello Charles and all,</div>
<div>I addition to the albums reviewed, Lake Records have an 8
CD series "British Traditional Jazz At a Tangent." I have
only volume 3, as all the others cut through my record
collection; bought it in Keswick in 2015, together with "The
Al Fairweather Collection 1953-1957" and some other, newer
albums. Paul Adams of the Lake Records had a stand in one of
the festival venues.</div>
<div>The 2015 Keswick Jazz Festival was a good one (I mentioned
it on the list upon my return home), and it's still going
strong!</div>
<div>Cheers<br>
</div>
</div>
<br>
<div class="gmail_quote">
<div dir="ltr" class="gmail_attr">On Thu, 14 Feb 2019 at 00:35,
Charles Suhor <<a href="mailto:csuhor@zebra.net"
moz-do-not-send="true">csuhor@zebra.net</a>> wrote:<br>
</div>
<blockquote class="gmail_quote" style="margin:0px 0px 0px
0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex">
<div style="overflow-wrap: break-word;">
<div>Many of you might know this, but just in case, here's
the Scott Yanow review of a 5-CD set on the trad revival
in the Feb. issue of Syncopated Times. If the graphic
doesn't get through, try the ST online site. <a
href="http://syncopatedtimes.com" target="_blank"
moz-do-not-send="true">http://syncopatedtimes.com</a></div>
<div><br>
</div>
<div>Charles</div>
<div><br>
</div>
<div>
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gmail-m_-3031008775696590223magazine-7-categories"
href="https://syncopatedtimes.com/individual-reviews/" alt="View all
posts in Individual Reviews"
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target="_blank" moz-do-not-send="true">INDIVIDUAL
REVIEWS </a></li>
</ul>
</div>
<h1 class="gmail-m_-3031008775696590223entry-title"
style="box-sizing:inherit;margin:5px
0px;font-size:36px;font-family:Oswald;line-height:1.2;color:rgb(0,0,0);clear:both;letter-spacing:0px">The
Great Revival 1949-58</h1>
<span class="gmail-m_-3031008775696590223author-links"
style="box-sizing:inherit"><span
class="gmail-m_-3031008775696590223item-metadata
gmail-m_-3031008775696590223posts-author"
style="box-sizing:inherit"><span
style="box-sizing:inherit">By</span> <a
href="https://syncopatedtimes.com/author/scott-yanow/"
style="box-sizing:inherit;background-color:transparent;color:rgb(64,64,64);text-decoration:none"
target="_blank" moz-do-not-send="true">Scott
Yanow </a></span><span
class="gmail-m_-3031008775696590223item-metadata
gmail-m_-3031008775696590223posts-date"
style="box-sizing:inherit;margin-left:10px">2
weeks ago </span></span></div>
</div>
</div>
</div>
<div style="overflow-wrap: break-word;">
<div>
<div class="gmail-m_-3031008775696590223entry-content"
style="box-sizing:inherit;padding:15px;margin:1.5em 0px
0px;color:rgb(42,42,42);font-family:"Source Sans
Pro",sans-serif;font-size:18px;background-color:rgb(255,255,255)">
<p style="box-sizing:inherit;margin:0px 0px 15px">Among
his many projects for his Lake label, years ago Paul
Adams acquired and reissued most of the British trad
jazz recordings that were originally put out by the
Esquire label including the five CDs in his <em
style="box-sizing:inherit">Delving Back</em> series
and the five CDs covered here in a series titled <em
style="box-sizing:inherit">The Great Revival:
Traditional Jazz 1949-58</em>.</p>
<p style="box-sizing:inherit;margin:0px 0px 15px">Each
of the latter features several bands from the prime
years of the British trad movement, providing early
glimpses at some major names along with sessions by
forgotten but worthy bands of the period. In exploring
the British trad boom of the 1950s, one is struck by
the sheer quantity of excellent (if sometimes
now-obscure) recordings, and the variety which ranges
from 1920s jazz and Chicago-style Dixieland dates to
small-group swing and sessions that are closer to the
music of Bunk Johnson and George Lewis.</p>
</div>
</div>
</div>
<div style="overflow-wrap: break-word;">
<div>
<div class="gmail-m_-3031008775696590223entry-content"
style="box-sizing:inherit;padding:15px;margin:1.5em 0px
0px;color:rgb(42,42,42);font-family:"Source Sans
Pro",sans-serif;font-size:18px;background-color:rgb(255,255,255)">
<p style="box-sizing:inherit;margin:0px 0px 15px">Vol. 1
in this series focuses on Bobby Mickleburgh’s Bobcats,
the Tony Short Trio, Cy Laurie, and the Christie
Brothers Stompers. Mickleburgh was an exuberant
trumpeter who leads a hard-driving sextet, pianist
Short performs two numbers with a trio that includes
clarinetist Pip Gaskell, the Johnny Dodds-inspired
clarinetist Laurie is featured with two different
groups (including rare titles from 1951 with a quartet
that includes trumpeter Les Jowett), and the Christie
Brothers Stompers (also from 1951) is represented by
eight somewhat ragged ensemble-oriented numbers with
the future star Ken Colyer on trumpet.</p>
<p style="box-sizing:inherit;margin:0px 0px 15px">Vol. 2
has a variety of exciting numbers from clarinetist
Brian Woolley’s Jazzmen, two more hot sessions from
Mickleburgh’s Bobcats, four selections by cornetist
Mick Gill’s Jazz Band, a version of “Eh La Bas” from
the Crane River Jazz Band (which includes Colyer and
clarinetist Monty Sunshine), and clarinetist Acker
Bilk’s first studio session as a leader, a primitive
set from 1955.</p>
<p style="box-sizing:inherit;margin:0px 0px 15px">Vol. 3
has two more sessions by Bobby Mickleburgh’s Bobcats
but one with the leader switching effectively to
trombone. Also included are dates that give listeners
early glimpses into the playing of clarinetist Sandy
Brown, trumpeter Kenny Ball (on two numbers led by
veteran trombonist George Chisholm), cornetist
Humphrey Lyttelton (“Panama” from 1949), and cornetist
Mike Daniels’ Delta Jazzmen.</p>
</div>
</div>
</div>
<div style="overflow-wrap: break-word;">
<div>
<div class="gmail-m_-3031008775696590223entry-content"
style="box-sizing:inherit;padding:15px;margin:1.5em 0px
0px;color:rgb(42,42,42);font-family:"Source Sans
Pro",sans-serif;font-size:18px;background-color:rgb(255,255,255)">
<p style="box-sizing:inherit;margin:0px 0px 15px">Vol. 4
starts out with a particularly well-conceived session
by trumpeter Les Jowett’s Jazz Seven that has
inventive frameworks and very individual soloists.
Also included are the first two studio sessions of the
still-active trombonist Chris Barber along with
spirited sets by the Second City Jazzmen and the
Merseysippi Jazz Band.</p>
<p style="box-sizing:inherit;margin:0px 0px 15px">Vol. 5
is one of the strongest CDs in the series with Kenny
Ball heard on his first studio recordings as a leader,
and early titles from singer George Melly, clarinetist
Terry Lightfoot, Acker Bilk, and Chris Barber.</p>
<p style="box-sizing:inherit;margin:0px 0px 15px">Because
the Lake label has stopped releasing new sets, now is
the time to fully explore that label’s impressive
output before <em style="box-sizing:inherit">The Great
Revival 1949-58</em>series and other CDs in their
catalog become scarce.</p>
<p style="box-sizing:inherit;margin:0px 0px 15px"><span
style="box-sizing:inherit;font-weight:700"><a
href="https://www.propermusic.com/shop/Fellside/view/19900-various-artists-the-great-revival-traditional-jazz-1951-1957"
style="box-sizing:inherit;background-color:transparent;color:rgb(64,64,64);text-decoration:none"
target="_blank" moz-do-not-send="true">The Great
Revival Vol. 1 (Lake 134, 23 selections, TT =
76:51)</a></span><br style="box-sizing:inherit">
<span style="box-sizing:inherit;font-weight:700"><a
href="https://www.propermusic.com/shop/Fellside/view/19880-various-artists-great-revival-vol-2-traditional-jazz-1949-58"
style="box-sizing:inherit;background-color:transparent;color:rgb(64,64,64);text-decoration:none"
target="_blank" moz-do-not-send="true">The Great
Revival Vol. 2 (Lake 135, 24 selections, TT =
78:59)</a></span><br style="box-sizing:inherit">
<span style="box-sizing:inherit;font-weight:700"><a
href="https://www.propermusic.com/shop/Fellside/view/19881-various-artists-great-revival-volume-3-traditional-jazz-1949-58"
style="box-sizing:inherit;background-color:transparent;color:rgb(64,64,64);text-decoration:none"
target="_blank" moz-do-not-send="true">The Great
Revival Vol. 3 (Lake 136, 20 selections, TT =
75:15)</a></span><br style="box-sizing:inherit">
<span style="box-sizing:inherit;font-weight:700"><a
href="https://www.propermusic.com/shop/Fellside/view/19882-various-artists-great-revival-volume-4-traditional-jazz-1949-58"
style="box-sizing:inherit;background-color:transparent;color:rgb(64,64,64);text-decoration:none"
target="_blank" moz-do-not-send="true">The Great
Revival Vol. 4 (Lake 137, 19 selections, TT =
76:48)</a></span><br style="box-sizing:inherit">
<a
href="https://www.propermusic.com/shop/Fellside/view/19879-various-artists-the-great-revival-vol-1-traditional-jazz-1949-58"
style="box-sizing:inherit;background-color:transparent;color:rgb(64,64,64);text-decoration:none"
target="_blank" moz-do-not-send="true"><span
style="box-sizing:inherit;font-weight:700">The
Great Revival Vol. 5 (Lake 158, 23 selections, TT
= 66:18)</span></a></p>
</div>
</div>
</div>
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