<html><head><meta http-equiv="Content-Type" content="text/html charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class="">Marsalis is clearly playing marvelous bebop. Sax man shows signs of Coltrane. The bassist is playing on 1 and 3 most of the way behind the fine violin and guitar, then moves in a brisk 4/4 with the horns. The drummer solos with clever rim and closed sock stuff, swing-style around-the-drums playing. And everyone is swinging and digging what everyone else is doing. Moral—good jazz performance is good jazz performance, and genre wars are wasteful. <div class=""><br class=""></div><div class="">Charles<br class=""><div class=""><br class=""><div><blockquote type="cite" class=""><div class="">On Nov 9, 2018, at 4:33 PM, Marek Boym <<a href="mailto:marekboym@gmail.com" class="">marekboym@gmail.com</a>> wrote:</div><br class="Apple-interchange-newline"><div class=""><div dir="ltr" class=""><div dir="ltr" class=""><div class="">Discovering new OKOM players is fun!</div><div class="">I have not heard of Mark O'Connor before. Marsalis, although not really a traditionalist, can play OKOM when inclined to do so.</div><div class="">Enjoy!</div><div class=""><a href="https://youtu.be/fwkvC2FT7Xs" class="">https://youtu.be/fwkvC2FT7Xs</a><br class=""></div></div></div>
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