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    <p>Thanks, Marek. The computer is onviously expressing an opinion on
      what I have to say.</p>
    <p>Steve<br>
    </p>
    <div class="moz-cite-prefix">On 28/10/2018 20:15, Marek Boym wrote:<br>
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cite="mid:CABGvO8Bp5ny31Q5a-LXQ6cMPjwUunoMbtKcSg1gYWSxrH4XtQw@mail.gmail.com">
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        <div>Dan includes rock, hymns and even some classical music. 
          Not all really "hot."</div>
        <div>Your email, by the way, again arrived in spam.</div>
        <div>Cheers<br>
        </div>
        <div><br>
          <div class="gmail_quote">
            <div dir="ltr">On Sun, 28 Oct 2018 at 19:11, Steve Voce &lt;<a
                href="mailto:stevevoce@virginmedia.com"
                moz-do-not-send="true">stevevoce@virginmedia.com</a>&gt;
              wrote:<br>
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                <p>It seems like a very laboured way of saying "hot".</p>
                <p>Steve Voce<br>
                </p>
                <div class="m_6488587732206539956moz-cite-prefix">On
                  28/10/2018 15:22, Dan Spink wrote:<br>
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                  <div dir="ltr">I have never authored an original email
                    to this list. I hope your readers find this
                    interesting. All of the years I've played piano in
                    different bands I've noticed that the music I truly
                    love can be easily categorized harmonically and
                    rhythmically--but I've never seen anyone comment on
                    this idea. Maybe the list mates have some opinions:
                    <div><br>
                    </div>
                    <div>The music I love I call "emotional" music which
                      I contrast with "intellectual" music. The first is
                      harmonically centered on triads and sevenths with
                      a clearly "felt" two-beat or four beat. This
                      includes Dixieland, folk, church hymns, Rock, and
                      even Classical. The opposite I see as dissonance
                      focus and a steady but not easily felt four beat.
                      I was playing in the Fifties when I sensed the
                      split in "Jazz". I do not wish to offend anyone,
                      but I do not like Bebop or what could be called
                      "Modern Jazz" with so many complex, dissonant
                      chords I can't tell them apart sometimes. </div>
                    <div><br>
                    </div>
                    <div>My bias may not be appreciated but I respect
                      musical skill in any genre.</div>
                    <div><br>
                    </div>
                    <div>Any comments from anyone?</div>
                    <div><br>
                    </div>
                    <div>Dan Spink</div>
                    <div> <br clear="all">
                      <div><br>
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                      -- <br>
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