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Hello Charles,</div>
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I also listened to the two Don Suhor CDs, and was stunned by the versatility. Funny that he took the same (shorter) form on Petite Fleur like Monty Sunshine had introduced, instead of the extra long notes Bechet always used on his own composition. It all really
gives the impression one could call Don for any given Jazz style in New Orleans at the time, whether traditional New Orleans, straight Dixie, Swing or Bebop. He just seems to have known all the different "dialects" or "languages". Very impressive. </div>
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Enjoyed listening to the records a lot.</div>
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Bert</div>
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quote Charles: </div>
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Early reviews of my late brother Don's Jazzology 2-CD set, "Don Suhor—New Orleans Clarinet and Sax Virtuoso," are out. Great comments from Peter Lay in London, Geraldine Wycoff in a N.O., and Scott Yanow in <i class="">Syncopated Times.</i> Some snippets...</div>
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“Highly Recommended! These CDs mean that Don Suhor’s talents will not go unsung.” --Peter Lay, <i class="">Just Jazz </i>magazine (July 2018)</div>
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“Don Suhor thoroughly embraced both traditional and modern jazz and often would infiltrate one of these kissin’ cousins within the other. He also brought an equal amount of fervor to the clarinet, his first instrument, and the saxophone. Don Suhor continually
demonstrates his love of all jazz and the wholeness that remains the music’s, as well as his, essence.”--Geraldine Wycoff, New Orleans <i class="">OffBeat</i> weekly (July 31, 2018)</div>
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“On both of his instruments, Suhor had a wide range and was able to high very high notes with ease, making the occasional leaps into the stratosphere a logical part of his open-mined style....Despite his lack of interest in being documented, the release of
this twofer lets one enjoy the musical legacy of Don Suhor, a talent who deserves to be remembered.”--Scott Yanow, <i class=""> Syncopated Times </i>(August 2018) </div>
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Smiles aplenty,</div>
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Charles</div>
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