<html><head><meta http-equiv="Content-Type" content="text/html charset=utf-8"><meta http-equiv="Content-Type" content="text/html charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class=""><div style="margin: 0px;" class="">Hi<span style="-webkit-text-stroke-width: initial;" class="">, Norm and DJML folks</span>—</div><div style="margin: 0px;" class=""><span style="-webkit-text-stroke-width: initial;" class=""><br class=""></span></div><div style="margin: 0px;" class=""><span style="-webkit-text-stroke-width: initial;" class="">How did Bill Evans come from New Jersey to study at Southeastern La. U. in Hammond? In my book "Jazz in New Orleans—The Postwar Years Through 1970" (</span>pp. 228-9), <span style="-webkit-text-stroke-width: initial;" class=""> I wrote from interviews with Ralph Pottle, Jr, and Ron Nethercutt and other sources that Pottle's father, head of the music department, was the primary recruiter and "a vigorous respected, open-minded leader." The school gave partial scholarships for the dance band, a rarity in the early 1950s (though Loyola also did). Two of the players in Evans' local trio, bassist Condit Atkin and drummer Frank Wrobel were also from New Jersey, so Potter, Sr., must have had strong connections there. Other fine modernists at Southeastern around that time were New Orleans trumpeters Mike Serpas and Herb Tassin; drummer Bobby DeSio, alto saxist Oscar Davis, and bassist Lou Chemay. Earlier, guitarist Mundell Lowe and bassist Red Mitchell were in Hammond. The book also reports on postwar jazz activity in N.O. and Baton Rouge universities as well as the underground modern jazz scene in N.O. and Biloxi. Earlier sections deal at length with postwar jazz by first generation and Dixieland players. </span></div><div style="margin: 0px; -webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; min-height: 16px;" class=""><br class=""></div><div style="margin: 0px; -webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial;" class="">Norm, I don't recall hearing the name of John Venetozzi as Evans' teacher. Is he alive and well in Pensacola? I have a folder for revisions to the book, which is definitely in mind but not highest on my bucket list of projects. I’ll get to it if I live to be 112, which I fully expect (at least, if Satan keeps his part of the deal). </div><div style="margin: 0px; -webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; min-height: 16px;" class=""><br class=""></div><div style="margin: 0px; -webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial;" class="">Charlie</div><div class=""><br class=""></div><div><blockquote type="cite" class=""><div class="">On Jul 26, 2017, at 11:47 AM, Norman Vickers <<a href="mailto:nvickers1@cox.net" class="">nvickers1@cox.net</a>> wrote:</div><br class="Apple-interchange-newline"><div class=""><div class="WordSection1" style="page: WordSection1; font-family: TimesNewRomanPSMT; font-size: 14px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255);"><div style="margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif;" class=""><span style="font-size: 11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125);" class="">To: Musicians and Jazzfans list, and DJML<o:p class=""></o:p></span></div><div style="margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif;" class=""><span style="font-size: 11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125);" class="">From: Norman Vickers,<span class="Apple-converted-space"> </span><a href="http://www.jazzpensacola.com/" style="color: purple; text-decoration: underline;" class="">www.jazzpensacola.com</a><o:p class=""></o:p></span></div><div style="margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif;" class=""><span style="font-size: 11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125);" class=""> </span></div><div style="margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif;" class=""><span style="font-size: 11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125);" class="">For Pensacola fans, Evans was a music student at Southeastern Louisiana State University in Hammond, and his teacher was John Venetozzi. Dr. Venetozzi was subsequently longtime chair of music department at Pensacola Junior College ( now Pensacola State College) and longtime conductor of Pensacola Symphony. It’s not clear to me how Evans, a New Jersey native, came to study music in Louisiana. Help me, jazz experts!<o:p class=""></o:p></span></div><div style="margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif;" class=""><span style="font-size: 11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125);" class=""> </span></div><div style="margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif;" class=""><span style="font-size: 11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125);" class="">Thanks.<o:p class=""></o:p></span></div><div style="margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif;" class=""><span style="font-size: 11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125);" class=""> </span></div></div></div></blockquote></div></body></html>