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    <p>Jack Purvis was a wonderful player - a ringer for Louis, but also
      a developer of the style. He lived an amazing life, just
      unbelievable, but true. If you can find his lone CD it has a
      magnificent 60 page sleeve note, which is how much it took to
      recount his life. Failing that, I wrote a 1,000 word piece  on him
      in Jazz Journal last year. On one of his releases from gaol he
      committed a crime just to get back in because he so much missed
      playing in the very good prison band.</p>
    <p>Is there anyone else who doesn't think that Henry Red and Jabbo
      derived their styles totally from Louis's? Bix and a few of his
      followers were the only contemporaries who didn't owe Louis a
      substantial debt. Others, like the wonderful Billy Butterfield,
      could blend Louis's and Bix's styles together. There's as superb
      LP called 'Billy Plays Bix' where you can hear this.<br>
    </p>
    <p>Steve V</p>
    <p><br>
    </p>
    7 16:05, Marek Boym wrote:<br>
    <blockquote
cite="mid:CABGvO8D_yaHi0SKy5=wO9ojEPO=VeSO8oENGkMhQk4PmnKBuFQ@mail.gmail.com"
      type="cite">
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            <div>The "genealogical" theory is nonsense.<br>
            </div>
            I query bpth Jabbo Smith's and Red Allens being "Armstrong
            copyists."  Actually both sound quite different.<br>
          </div>
          And how does Bix fit in?<br>
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        Cheers<br>
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                <div class="gmail_extra"><br>
                  <div class="gmail_quote">On 13 April 2017 at 03:59,
                    Anton Crouch <span dir="ltr">&lt;<a
                        moz-do-not-send="true"
                        href="mailto:anton.crouch@optusnet.com.au"
                        target="_blank">anton.crouch@optusnet.com.au</a>&gt;</span>
                    wrote:<br>
                    <blockquote class="gmail_quote" style="margin:0 0 0
                      .8ex;border-left:1px #ccc solid;padding-left:1ex">The
                      extensive discussion in this thread reminds me of
                      the old 1950s "begat theory" of New Orleans
                      trumpet players. The theory was that Buddy Bolden
                      begat King Oliver, who begat Armstrong, who begat
                      Eldridge. Naive romantic mythology, assuming a
                      simple linear progression.<br>
                      <br>
                      What did Bolden sound like and what is the
                      evidence for a direct connection with Oliver? Dan
                      Hardie may have something to say about this :-)<br>
                      <br>
                      The "line" branches at Armstrong and we have to
                      take into account the "Armstrong copyists". Jabbo
                      Smith, Henry Allen, Jack Purvis and Valaida Snow.
                      And where does Bunk Johnson fit in? Johnson was
                      probably younger than he claimed and there is an
                      interesting interview with Rudi Blesh in which he
                      has to be prompted to claim to remember King
                      Oliver.<br>
                      <br>
                      Anton<br>
                      <br>
                      <br>
                      <br>
                      <br>
                      <br>
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