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<p>Maryk, as I anticipated, gave a short reply sent to me alone that
avoided having to consider the work of Miles Davis. He said only
'Sure. Unswinging, lacking ideas, cool (as opposed to Bird's
heat).' <br>
</p>
<p>Lacking ideas? !!!<br>
</p>
<p>Did he expect Miles to match Parker? Nobody did.</p>
<p>Would he similarly have expected Johnny Dodds to match Louis in
the Hot Five? Nobody did.</p>
<p>Cheap stuff, then.<br>
</p>
<p>(I'm not breaking a confidence since Maryk's reason for replying
to only me was simply to comply with what Fuzzy had asked for in
postings).</p>
<p>Goodness knows how or why his bagatelle thinking deals with Von
Freeman!<br>
</p>
<br>
<div class="moz-cite-prefix">On 11/04/2017 23:03, Steve Voce wrote:<br>
</div>
<blockquote
cite="mid:9c41a573-087a-a84a-e413-4becc6373517@virginmedia.com"
type="cite">
<meta content="text/html; charset=windows-1252"
http-equiv="Content-Type">
<p>Could you just amplify a bit more, Maryk, your suggestion that
Miles Davis 'mars many Bird records'? I'm genuinely interested
to know the reason. I'm sure you wouldn't make such a sweeping
statement without having paid good attention to what Miles was
doing on the recordings, generally regarded as classics of the
genre. Or did you read it in a book? Could you tell us more too
about the 'quite a lot of bebop'? You don't say whether you like
it or hate it, and again I'd be interested to know more detail
of what you listened to.<br>
</p>
<p>Steve Voce<br>
</p>
<br>
<div class="moz-cite-prefix">On 11/04/2017 21:25, Marek Boym
wrote:<br>
</div>
<blockquote
cite="mid:CABGvO8ACYxe2h6t+Dn2n7VKi=gQFzP3ErX_+LAMytnY_SPX7Cg@mail.gmail.com"
type="cite">
<div dir="ltr">
<div>
<div>
<div>Definitely a trad lover, but, first and foremost, a
loyal subject of His (late) Majesty, the King of Swing.<br>
</div>
Also (don't tell anybody - I'll flatly deny it!) quite a
lot of bebop. And despite all the enthusiastic words
about Miles, to me he still mars many Bird records (that's
where I discovered - in the late fifties, when I used to
borrow records from the USIS library - that his playing
was boring). <br>
</div>
Sonny Stitt and Von Freeman are still among my favourite
saxophonists.<br>
</div>
Cheers<br>
</div>
<div class="gmail_extra"><br>
<div class="gmail_quote">On 11 April 2017 at 21:06, Charles
Suhor <span dir="ltr"><<a moz-do-not-send="true"
href="mailto:csuhor@zebra.net" target="_blank">csuhor@zebra.net</a>></span>
wrote:<br>
<blockquote class="gmail_quote" style="margin:0 0 0
.8ex;border-left:1px #ccc solid;padding-left:1ex">
<div style="word-wrap:break-word">Great anecdotes and
personal stories coming from this strand on Miles,
posted by perceptive fans and deeply involved writers
and players. More broadly, I’m encouraged to find that
fellow jazz “omnivores,” as one of you put it, are on
the list. It has sometimes seemed like a club for trad
lovers. Worthies all, for sure, but it’s refreshing to
see the expanded conversation.
<div><br>
</div>
<div>Charlie<br>
<div><br>
</div>
<div><br>
<div>
<blockquote type="cite">
<div>On Apr 11, 2017, at 10:25 AM, Steve Voce
<<a moz-do-not-send="true"
href="mailto:stevevoce@virginmedia.com"
target="_blank">stevevoce@virginmedia.com</a>>
wrote:</div>
<br
class="m_-7976373820494142715Apple-interchange-newline">
<div><span
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;float:none;display:inline!important">Much
of what Charlie Suhor and Jack Wiard wrote
resonates with me.</span><br
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
<br
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
<span
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;float:none;display:inline!important">I
continue to enjoy almost everything that
Miles played up until the '60s. (I'm in the
middle of writing a 2,000 word piece about
his wonderful 1961 Carnegie Hall concert) up
until and including 'In A Silent Way' and
'Bitches' Brew). He created gigantic
classics with the Gil Evans collaborations
'Miles Ahead' and 'Sketches Of Spain'. 'Kind
Of Blue', a masterpiece, remains the best
selling jazz album of all time, and
deservedly so. At least two excellent books
have been written devoted to that one album,
and I have another very good book on
'Bitches' Brew'.</span><br
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
<span
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;float:none;display:inline!important">So,
up to that point, 'Bitches' Brew', the man
was one of the all time greats, with various
elements of his work (improvisation,
composition, forward-looking awareness,
imagination, bandleading) ranking him with
earlier giants like Armstrong and Ellington.</span><br
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
<span
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;float:none;display:inline!important">Charles
Suhor spots the switch into rock, where
Miles would stick a few phrases into ten
minute pieces. Quite so. Miles listened
carefully to the bands who were playing the
most successful rock and drew elements from
them in what seems to me an unfortunately
cynical way in order to make a great deal of
money. Only last week I bought a much
acclaimed (by rock people) CD of his famous
Isle Of White performance and some stuff
from the 1969 Newport Jazz Festival. There
is virtually nothing, amid the overpowering
and unsubtle rock music, to please Miles's
admirers. (Duke suffered an almost
comparable descent with his latter-day
'Sacred' music.</span><br
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
<span
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;float:none;display:inline!important">I
was fortunate enough to meet both Miles and
Duke. I live in Liverpool, a couple of
hundred miles from London. When Miles first
came over the editor of the Melody Maker,
for which I then wrote, 'phoned and asked me
if I'd interview Miles when he came to
Liverpool. I agreed to.</span><br
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
<span
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;float:none;display:inline!important">It
was only after the call that I remembered
that the warning had gone round that Miles
was travelling with two body guards and
neither he nor they had any compunction
about thumping people. None of the Melody
Maker's other writers had wanted the job.</span><br
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
<span
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;float:none;display:inline!important"> Miles
was to play at Liverpool's Philharmonic Hall
- with a good band including Wynton Kelly
and Sonny Stitt).</span><br
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
<span
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;float:none;display:inline!important"> I
arrived 90 minutes early and went to the
Philharmonic pub over the road where,
nervous, I drank three pints of bitter to
bolster my courage.</span><br
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
<span
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;float:none;display:inline!important"> Then
into the hall and round to the Green Room,
where I knocked on the door, ready to flinch
if a bodyguard opened it.</span><br
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
<span
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;float:none;display:inline!important"> But
it was opened by Miles himself, who had one
hand behind his back.</span><br
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
<span
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;float:none;display:inline!important"> 'Oh
God,' I thought. 'He's going to knife me'.</span><br
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
<span
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;float:none;display:inline!important"> I
handed him my card and asked if we could
have a few words. He read the card and
brought his hand from behind his back. It
held a bottle of Scotch.</span><br
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
<span
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;float:none;display:inline!important"> 'Come
in, Steve, and have a drink,' he said,
handing me the bottle.</span><br
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
<span
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;float:none;display:inline!important"> I
did, and as I drank, I must have leaned back
too much, for I felt myself tread on
someone's foot. There followed a string of
invective which to this day holds me in awe.
The only repeatable bit was that I was a
white mother-...... I had stood on the foot
of a strung-out Sonny Stitt.</span><br
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
<span
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;float:none;display:inline!important">And
Duke? He gave me a drink from Billy
Strayhorn's bottle of gin. But that's
another even longer story.</span><br
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
<span
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;float:none;display:inline!important">Steve
Voce</span><br
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
<br
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
<br
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
<br
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
<br
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
<span
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;float:none;display:inline!important">On
Apr 10, 2017, at 10:07 PM, jack wiard <<a
moz-do-not-send="true"
href="mailto:jack_wiard@hotmail.com"
target="_blank">jack_wiard@hotmail.com</a>>
wrote:</span><br
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
<blockquote type="cite"
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
<blockquote type="cite">Hi Charles,<br>
My first hearing of Miles Davis was at the
Jazz Workshop in San Francisco in the
1960s. Not liking the music at all but
believing one should hear someone at least
three times before forming an opinion, I
heard M . Davis again a few years later at
the BOTH/AND CLUB in San Francisco. I had
a front row seat. Miles was introduced to
huge applause. The rhythm section set up
an up tempo c minor chord [nothing else,
just c minor]. Miles did a long solo,
then the rhythm [bass and [too loud]
drums only, then Miles again. Tonally,
one chord for the 25 minute length of
the song was very ,very boring. I might
add that during much of his solo, Davis
faced the wall, so he could hear himself
better. That meant the audience got to
look at his backside for 25 minutes. Of
course, I liked the tone and flawless
execution but for me, on this number, the
music element was not evident. At the end
of the performance, the name of the 'song'
was not announced, so even if one liked
the 'song', you would not know what to ask
for in the music store to buy it. The
applause was huge and there was not the
slightest hint of a smile. He then walked
off for a 30 minute break.<br>
But wait,theres' more. In the early
1970s, Davis appeared at the Sydney
[Australia] Entertainment Centre [sold out
12,000people] with a rock band. Davis
would just blurt out a few notes to
establish a rhythm pattern for the
guitars/drums to play and then he would
play for 1-2 minutes in a 10-12 minute
song. He played 2 x 46 minute sets.
Being a masochist, I stayed for all of it
but by the end of the 1st set, about one
third of the audience had left to go
home. Someone at the concert actually
yelled out 'PLAY SOME JAZZ'.<br>
Davis approached a microphone and said 'I
DON'T PLAY TO ORDERS'. That was the
only announcement he made all night. Wow,
such stage pressence [NOT].. And
that[hand on heart]is a true account of
my three encounters with Miles Davis.<br>
Cheers JACK WIARD<br>
From: Charles Suhor <<a
moz-do-not-send="true"
href="mailto:csuhor@zebra.net"
target="_blank">csuhor@zebra.net</a>><br>
Sent: Tuesday, 11 April 2017 10:22 AM<br>
To: <a moz-do-not-send="true"
href="mailto:jack_wiard@hotmail.com"
target="_blank">jack_wiard@hotmail.com</a><br>
Cc: Dixieland Jazz Mailing List<br>
Subject: Re: [Dixielandjazz] Roy Eldridge
followed Louis Armstrong?<br>
Apology accepted, with respect. Re Miles,
I lost interest in his playing with the
famed “Bitches’ Brew” rock/jazz synthesis,
though I believe his playing until then
was often brilliant, sometimes
transporting. I don’t relate at all to the
post-Coltrane improvisers for whom
formlessness is a stimulus. Random
invention is sometimes fun to watch on
site—they’re trying their luck in real
time. But without physical presence,
there’s not even the wonderment of
unfolding-in-the-moment. Why listen to
something that has become a non-event?
That’s my hobby horse, time to dismount.<br>
<br>
Charlie<br>
<br>
<br>
<br>
<blockquote type="cite">On Apr 10, 2017,
at 6:31 PM, Marek Boym <<a
moz-do-not-send="true"
href="mailto:marekboym@gmail.com"
target="_blank">marekboym@gmail.com</a>>
wrote:<br>
<br>
Sorry. I didn't mean to be offensive.<br>
I made the journey the other way round:
I started listening to everything when
in my teens. including rock and roll,
which in my native Poland (and later
here in Israel) was considered jazz, and
became greatly disappointed by
modernists, in particular by the then
greatest hero, Miles Davis, before I
ever heard Wild Bill Davison. I had
known the Brubecks ("Blue Rondo a la
Turk," for example) and the MJQ records
by heart before I ever heard ABOUT Wild
Bill. Gradually I lost all interest in
their cool, to my ear - lifeless -
music. By the mid 1960's I dropped
most "modern" jazz and concentrated on
jazz and swing. I cannot see the
connection between Miles Davis and jazz.
nothing wrong in liking Miles Davis -
it just does not sound like jazz. Eddie
Condon had something to say on the
subject: "A terrible thing has happened
to jazz: it became respectable." That
must be the reason while so many
musicians want their music classified as
jazz. I wish I could claim this is an
original idea, but the explanation comes
from Hughes Panassie's "The Unreal
Jazz."<br>
I apologize again,<br>
Marek<br>
<br>
<br>
<br>
On 11 April 2017 at 00:42, Charles Suhor
<<a moz-do-not-send="true"
href="mailto:csuhor@zebra.net"
target="_blank">csuhor@zebra.net</a>>
wrote:<br>
Marek, I came by my fandom honestly.
Born and raised in New Orleans; before
my teens, enchanted (still am) by Bunk,
Louis, Bechet, and others. Moved along,
without burning the bridges of my love
for early jazz, to enjoying and playing
drums in many styles. Gigged with big
band and modern jazz groups on some
weekends, on others with Armand Hug,
Chink Martin, Paul Crawford, etc. But
from inside your bubble, I’m not a jazz
fan. You’re entitled to your opinion,
man, but that’s an insult.<br>
<br>
Charlie<br>
<br>
<blockquote type="cite">On Apr 10, 2017,
at 3:20 PM, Marek Boym <<a
moz-do-not-send="true"
href="mailto:marekboym@gmail.com"
target="_blank">marekboym@gmail.com</a>>
wrote:<br>
<br>
some of us do not consider Miles Davis
followers jazz fans, which makes the
preceding part of this post
irrelevant.<br>
<br>
</blockquote>
<br>
</blockquote>
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<br
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<span
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;float:none;display:inline!important">---</span><br
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
<span
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;float:none;display:inline!important">This
email has been checked for viruses by Avast
antivirus software.</span><br
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<a moz-do-not-send="true"
href="https://www.avast.com/antivirus"
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px"
target="_blank">https://www.avast.com/<wbr>antivirus</a><br
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
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style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
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style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
<span
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;float:none;display:inline!important">______________________________<wbr>_________________</span><br
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<span
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;float:none;display:inline!important">To
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<a moz-do-not-send="true"
href="http://ml.islandnet.com/mailman/listinfo/dixielandjazz"
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px"
target="_blank">http://ml.islandnet.com/<wbr>mailman/listinfo/dixielandjazz</a><br
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<br
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<br
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
<span
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;float:none;display:inline!important">Dixielandjazz
mailing list</span><br
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<a moz-do-not-send="true"
href="mailto:Dixielandjazz@ml.islandnet.com"
style="font-family:TimesNewRomanPSMT;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px"
target="_blank">Dixielandjazz@ml.islandnet.com</a></div>
</blockquote>
</div>
<br>
</div>
</div>
</div>
<br>
______________________________<wbr>_________________<br>
To unsubscribe or change your e-mail preferences for the
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archives, please visit:<br>
<br>
<a moz-do-not-send="true"
href="http://ml.islandnet.com/mailman/listinfo/dixielandjazz"
rel="noreferrer" target="_blank">http://ml.islandnet.com/<wbr>mailman/listinfo/dixielandjazz</a><br>
<br>
<br>
<br>
Dixielandjazz mailing list<br>
<a moz-do-not-send="true"
href="mailto:Dixielandjazz@ml.islandnet.com">Dixielandjazz@ml.islandnet.com</a><br>
<br>
</blockquote>
</div>
<br>
</div>
<br>
<fieldset class="mimeAttachmentHeader"></fieldset>
<br>
<pre wrap="">_______________________________________________
To unsubscribe or change your e-mail preferences for the Dixieland Jazz Mailing list, or to find the online archives, please visit:
<a moz-do-not-send="true" class="moz-txt-link-freetext" href="http://ml.islandnet.com/mailman/listinfo/dixielandjazz">http://ml.islandnet.com/mailman/listinfo/dixielandjazz</a>
Dixielandjazz mailing list
<a moz-do-not-send="true" class="moz-txt-link-abbreviated" href="mailto:Dixielandjazz@ml.islandnet.com">Dixielandjazz@ml.islandnet.com</a>
</pre>
</blockquote>
<br>
<div id="DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2"><br>
<table style="border-top: 1px solid #D3D4DE;">
<tbody>
<tr>
<td style="width: 55px; padding-top: 13px;"><a
moz-do-not-send="true"
href="https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=emailclient"
target="_blank"><img moz-do-not-send="true"
src="https://ipmcdn.avast.com/images/icons/icon-envelope-tick-round-orange-animated-no-repeat-v1.gif"
style="width: 46px; height: 29px;" height="29"
width="46"></a></td>
<td style="width: 470px; padding-top: 12px; color:
#41424e; font-size: 13px; font-family: Arial, Helvetica,
sans-serif; line-height: 18px;">Virus-free. <a
moz-do-not-send="true"
href="https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=emailclient"
target="_blank" style="color: #4453ea;">www.avast.com</a>
</td>
</tr>
</tbody>
</table>
<a moz-do-not-send="true"
href="#DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2" width="1"
height="1"> </a></div>
<br>
<fieldset class="mimeAttachmentHeader"></fieldset>
<br>
<pre wrap="">_______________________________________________
To unsubscribe or change your e-mail preferences for the Dixieland Jazz Mailing list, or to find the online archives, please visit:
<a class="moz-txt-link-freetext" href="http://ml.islandnet.com/mailman/listinfo/dixielandjazz">http://ml.islandnet.com/mailman/listinfo/dixielandjazz</a>
Dixielandjazz mailing list
<a class="moz-txt-link-abbreviated" href="mailto:Dixielandjazz@ml.islandnet.com">Dixielandjazz@ml.islandnet.com</a>
</pre>
</blockquote>
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