<html><head><meta http-equiv="Content-Type" content="text/html charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class="">If you have the same electronic access as I do, Google Doris Day and Juiie and the list will include an image with the entire movie. Not as much fun on the small screen, but it’s something. Maybe someone has info on a DVD version?<div class=""><br class=""></div><div class="">Charlie</div><div class=""><br class=""><div><blockquote type="cite" class=""><div class="">On Apr 10, 2017, at 10:19 AM, John Knurr <<a href="mailto:manofmusic4u@yahoo.com" class="">manofmusic4u@yahoo.com</a>> wrote:</div><br class="Apple-interchange-newline"><div class=""><div class=""><div style="background-color: rgb(255, 255, 255); font-family: verdana, helvetica, sans-serif; font-size: 13px;" class=""><div id="yui_3_16_0_ym19_1_1491835841490_20956" class=""><span id="yui_3_16_0_ym19_1_1491835841490_21520" class=""></span></div><div id="yui_3_16_0_ym19_1_1491835841490_20956" dir="ltr" class=""><span id="yui_3_16_0_ym19_1_1491835841490_21474" class="">I will never forget a movie Doris did called "Julie" - remember that it started like a typical Doris film but got darker and better as it went on and the ending is well worth it. Anybody know where I and find it on the net? John</span></div><div class="qtdSeparateBR" id="yui_3_16_0_ym19_1_1491835841490_20957"><br class=""><br class=""></div><div class="yahoo_quoted" id="yui_3_16_0_ym19_1_1491835841490_21046" style="display: block;"> <div style="font-family: verdana, helvetica, sans-serif; font-size: 13px;" id="yui_3_16_0_ym19_1_1491835841490_21045" class=""> <div style="font-family: HelveticaNeue, Helvetica Neue, Helvetica, Arial, Lucida Grande, sans-serif; font-size: 16px;" id="yui_3_16_0_ym19_1_1491835841490_21044" class=""> <div dir="ltr" id="yui_3_16_0_ym19_1_1491835841490_21043" class=""> <font size="2" face="Arial" id="yui_3_16_0_ym19_1_1491835841490_21049" class=""> <hr size="1" id="yui_3_16_0_ym19_1_1491835841490_21048" class=""> <b class=""><span style="font-weight:bold;" class="">From:</span></b> "<a href="mailto:dixielandjazz-request@ml.islandnet.com" class="">dixielandjazz-request@ml.islandnet.com</a>" <<a href="mailto:dixielandjazz-request@ml.islandnet.com" class="">dixielandjazz-request@ml.islandnet.com</a>><br class=""> <b class=""><span style="font-weight: bold;" class="">To:</span></b> <a href="mailto:manofmusic4u@yahoo.com" class="">manofmusic4u@yahoo.com</a> <br class=""> <b class=""><span style="font-weight: bold;" class="">Sent:</span></b> Tuesday, April 4, 2017 11:53 AM<br class=""> <b class=""><span style="font-weight: bold;" class="">Subject:</span></b> Dixielandjazz Digest, Vol 172, Issue 2<br class=""> </font> </div> <div class="y_msg_container" id="yui_3_16_0_ym19_1_1491835841490_22015"><br class=""><div dir="ltr" id="yui_3_16_0_ym19_1_1491835841490_22017" class="">Send Dixielandjazz mailing list submissions to<br class=""></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491835841490_22020" class=""> <a ymailto="mailto:dixielandjazz@ml.islandnet.com" href="mailto:dixielandjazz@ml.islandnet.com" id="yui_3_16_0_ym19_1_1491835841490_22019" class="">dixielandjazz@ml.islandnet.com</a><br class=""></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491835841490_22023" class=""><br class=""></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491835841490_22025" class="">To subscribe or unsubscribe via the World Wide Web, visit<br class=""></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491835841490_22028" class=""> <a href="http://ml.islandnet.com/mailman/listinfo/dixielandjazz" target="_blank" id="yui_3_16_0_ym19_1_1491835841490_22027" class="">http://ml.islandnet.com/mailman/listinfo/dixielandjazz</a><br class=""></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491835841490_22031" class="">or, via email, send a message with subject or body 'help' to<br class=""></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491835841490_22034" class=""> <a ymailto="mailto:dixielandjazz-request@ml.islandnet.com" href="mailto:dixielandjazz-request@ml.islandnet.com" id="yui_3_16_0_ym19_1_1491835841490_22033" class="">dixielandjazz-request@ml.islandnet.com</a><br class=""></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491835841490_22037" class=""><br class=""></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491835841490_22039" class="">You can reach the person managing the list at<br class=""></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491835841490_22042" class=""> <a ymailto="mailto:dixielandjazz-owner@ml.islandnet.com" href="mailto:dixielandjazz-owner@ml.islandnet.com" id="yui_3_16_0_ym19_1_1491835841490_22041" class="">dixielandjazz-owner@ml.islandnet.com</a><br class=""></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491835841490_22044" class=""><br class=""></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491835841490_22046" class="">When replying, please edit your Subject line so it is more specific<br class=""></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491835841490_22048" class="">than "Re: Contents of Dixielandjazz digest..."<br class=""></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491835841490_22050" class=""><br class=""></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491835841490_22052" class=""><br class=""></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491835841490_22054" class="">Today's Topics:<br class=""></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491835841490_22056" class=""><br class=""></div><div dir="ltr" class=""> 1. Wedcast of possible interest. (philwilking)<br class=""></div><div dir="ltr" class=""> 2. Trad Jazz Camp (philwilking)<br class=""></div><div dir="ltr" class=""> 3. Of melodies and such (Ken Gates)<br class=""></div><div dir="ltr" class=""> 4. Re: Of melodies and such (Robert Ringwald)<br class=""></div><div dir="ltr" class=""> 5. djmlBirthday Surprise for Ageless Doris Day: She?s Actually<br class=""></div><div dir="ltr" class=""> 95 (Robert Ringwald)<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">----------------------------------------------------------------------<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">Message: 1<br class=""></div><div dir="ltr" class="">Date: Mon, 3 Apr 2017 17:22:53 -0500<br class=""></div><div dir="ltr" class="">From: "philwilking" <<a ymailto="mailto:philwilking@cox.net" href="mailto:philwilking@cox.net" class="">philwilking@cox.net</a>><br class=""></div><div dir="ltr" class="">To: "DIXIELAND JAZZ Mailing List" <<a ymailto="mailto:dixielandjazz@ml.islandnet.com" href="mailto:dixielandjazz@ml.islandnet.com" class="">dixielandjazz@ml.islandnet.com</a>><br class=""></div><div dir="ltr" class="">Cc: Dixieland Jazz Mailing List <<a ymailto="mailto:dixielandjazz@ml.islandnet.com" href="mailto:dixielandjazz@ml.islandnet.com" class="">dixielandjazz@ml.islandnet.com</a>><br class=""></div><div dir="ltr" class="">Subject: [Dixielandjazz] Wedcast of possible interest.<br class=""></div><div dir="ltr" class="">Message-ID: <<a ymailto="mailto:35F8B31D24B24BD784FAA62A087FBB22@DroolingIdiot" href="mailto:35F8B31D24B24BD784FAA62A087FBB22@DroolingIdiot" class="">35F8B31D24B24BD784FAA62A087FBB22@DroolingIdiot</a>><br class=""></div><div dir="ltr" class="">Content-Type: text/plain; format=flowed; charset="iso-8859-1";<br class=""></div><div dir="ltr" class=""> reply-type=original<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">Go to <br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><a href="http://www.hnoc.org" class="">www.hnoc.org</a><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">for an announcement of a musical event to be webcast on this Wednesday.<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">Phil Wilking - K5MZF<br class=""></div><div dir="ltr" class=""><a href="http://www.nolabanjo.com" class="">www.nolabanjo.com</a><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">Those who would exchange freedom for<br class=""></div><div dir="ltr" class="">security deserve neither freedom nor security.<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">------------------------------<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">Message: 2<br class=""></div><div dir="ltr" class="">Date: Mon, 3 Apr 2017 17:25:07 -0500<br class=""></div><div dir="ltr" class="">From: "philwilking" <<a ymailto="mailto:philwilking@cox.net" href="mailto:philwilking@cox.net" class="">philwilking@cox.net</a>><br class=""></div><div dir="ltr" class="">To: "DIXIELAND JAZZ Mailing List" <<a ymailto="mailto:dixielandjazz@ml.islandnet.com" href="mailto:dixielandjazz@ml.islandnet.com" class="">dixielandjazz@ml.islandnet.com</a>><br class=""></div><div dir="ltr" class="">Cc: Dixieland Jazz Mailing List <<a ymailto="mailto:dixielandjazz@ml.islandnet.com" href="mailto:dixielandjazz@ml.islandnet.com" class="">dixielandjazz@ml.islandnet.com</a>><br class=""></div><div dir="ltr" class="">Subject: [Dixielandjazz] Trad Jazz Camp<br class=""></div><div dir="ltr" class="">Message-ID: <<a ymailto="mailto:FEC30E4B9DC44F1C8E5A531F0E7C4A09@DroolingIdiot" href="mailto:FEC30E4B9DC44F1C8E5A531F0E7C4A09@DroolingIdiot" class="">FEC30E4B9DC44F1C8E5A531F0E7C4A09@DroolingIdiot</a>><br class=""></div><div dir="ltr" class="">Content-Type: text/plain; format=flowed; charset="iso-8859-1";<br class=""></div><div dir="ltr" class=""> reply-type=original<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">The New Orleans Traditional Jazz Camp still has a few available slots.<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><a href="http://www.neworleanstradjazzcamp.com" class="">www.neworleanstradjazzcamp.com</a><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">Phil Wilking - K5MZF<br class=""></div><div dir="ltr" class=""><a href="http://www.nolabanjo.com" class="">www.nolabanjo.com</a><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">Those who would exchange freedom for<br class=""></div><div dir="ltr" class="">security deserve neither freedom nor security.<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">------------------------------<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">Message: 3<br class=""></div><div dir="ltr" class="">Date: Mon, 3 Apr 2017 22:15:50 -0700<br class=""></div><div dir="ltr" class="">From: Ken Gates <<a ymailto="mailto:kwg915@gmail.com" href="mailto:kwg915@gmail.com" class="">kwg915@gmail.com</a>><br class=""></div><div dir="ltr" class="">To: DJML <<a ymailto="mailto:dixielandjazz@ml.islandnet.com" href="mailto:dixielandjazz@ml.islandnet.com" class="">dixielandjazz@ml.islandnet.com</a>><br class=""></div><div dir="ltr" class="">Cc: Dixieland Jazz Mailing List <<a ymailto="mailto:dixielandjazz@ml.islandnet.com" href="mailto:dixielandjazz@ml.islandnet.com" class="">dixielandjazz@ml.islandnet.com</a>><br class=""></div><div dir="ltr" class="">Subject: [Dixielandjazz] Of melodies and such<br class=""></div><div dir="ltr" class="">Message-ID:<br class=""></div><div dir="ltr" class=""> <CAF-cBBK_mkyTSD_MVYxtTAGhkiX7420RXzv8Dr7zDCk9=<a ymailto="mailto:86UcA@mail.gmail.com" href="mailto:86UcA@mail.gmail.com" class="">86UcA@mail.gmail.com</a>><br class=""></div><div dir="ltr" class="">Content-Type: text/plain; charset="utf-8"<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">An observation for players and listeners.<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">I wandered in to a youtube clip of a 1927 composition--see link number one.<br class=""></div><div dir="ltr" class="">I found it be very well played indeed. The melody stated and the<br class=""></div><div dir="ltr" class="">embellishments<br class=""></div><div dir="ltr" class="">and variations passed around with great skill. I couldn't remember ever<br class=""></div><div dir="ltr" class="">hearing<br class=""></div><div dir="ltr" class="">that melody before. I did some research to learn more about it, I'd like<br class=""></div><div dir="ltr" class="">to play it.<br class=""></div><div dir="ltr" class="">(I'm an amateur wannabe, can't claim to be a musician). I thought I had<br class=""></div><div dir="ltr" class="">heard<br class=""></div><div dir="ltr" class="">a lot of tunes during my listening days but discovered that it has been<br class=""></div><div dir="ltr" class="">recorded by<br class=""></div><div dir="ltr" class="">many ---both jazz, swing, Motown, and Montavani (easy listening). Wow,<br class=""></div><div dir="ltr" class="">how<br class=""></div><div dir="ltr" class="">had I not remembered hearing it. Composed as a waltz, but played 4/4 by<br class=""></div><div dir="ltr" class="">OKOM.<br class=""></div><div dir="ltr" class="">You can find many versions on youtube, but don't search for it by the title<br class=""></div><div dir="ltr" class="">("Diane")<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><a href="https://www.youtube.com/watch?v=i3ThotQ3WiE" target="_blank" class="">https://www.youtube.com/watch?v=i3ThotQ3WiE</a><br class=""></div><div dir="ltr" class="">?<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">? Link 1<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><a href="https://www.youtube.com/watch?v=X8lP9zeRPjE" target="_blank" class="">https://www.youtube.com/watch?v=X8lP9zeRPjE</a><br class=""></div><div dir="ltr" class="">? Link 2?<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">? Here's my observation.<br class=""></div><div dir="ltr" class=""> To my ears, both of these clips are really good.<br class=""></div><div dir="ltr" class=""> Heitger, Barrett, Christopher (and excellent local players where<br class=""></div><div dir="ltr" class=""> it was filmed in Germany) version began with melody as composed<br class=""></div><div dir="ltr" class=""> (except for 4/4 instead of 3/4). Following the trombone, the trumpet,<br class=""></div><div dir="ltr" class=""> tenor sax, and piano played creative embellishments and variations<br class=""></div><div dir="ltr" class=""> and then some ensemble play to finish up. Wow---great music.<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""> After spending some time researching for other versions. I discovered<br class=""></div><div dir="ltr" class=""> that Eddie Condon many years ago had one with one his all-star<br class=""></div><div dir="ltr" class=""> configurations. Link 2, of course. Wow---great players playing well.<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""> However, the first chorus, well played of course, began with an altered<br class=""></div><div dir="ltr" class=""> variation of the melody. Had this my first listening experience with this<br class=""></div><div dir="ltr" class=""> tune I wouldn't have locked in that melody that rolled around in my head<br class=""></div><div dir="ltr" class=""> for days.<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""> My suggestion to performing musicians. There surely are folks like me<br class=""></div><div dir="ltr" class=""> who need to hear the melody stated clearly the first time around so as<br class=""></div><div dir="ltr" class=""> to better appreciate the inventive embellishments and variations that<br class=""></div><div dir="ltr" class=""> follow. Let the bebop and post bebop folks play around with chords<br class=""></div><div dir="ltr" class=""> and extensions of chords as the structure of the tune. They do it well.<br class=""></div><div dir="ltr" class=""> But OKOM, I think, is based on melody.<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""> ?Just my opinion.<br class=""></div><div dir="ltr" class=""> Ken Gates<br class=""></div><div dir="ltr" class="">-------------- next part --------------<br class=""></div><div dir="ltr" class="">An HTML attachment was scrubbed...<br class=""></div><div dir="ltr" class="">URL: <<a href="http://ml.islandnet.com/pipermail/dixielandjazz/attachments/20170403/8164f8a2/attachment-0001.html" target="_blank" class="">http://ml.islandnet.com/pipermail/dixielandjazz/attachments/20170403/8164f8a2/attachment-0001.html</a>><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">------------------------------<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">Message: 4<br class=""></div><div dir="ltr" class="">Date: Tue, 4 Apr 2017 07:56:20 -0700<br class=""></div><div dir="ltr" class="">From: "Robert Ringwald" <<a ymailto="mailto:rsr@ringwald.com" href="mailto:rsr@ringwald.com" class="">rsr@ringwald.com</a>><br class=""></div><div dir="ltr" class="">To: "DJML" <<a ymailto="mailto:dixielandjazz@ml.islandnet.com" href="mailto:dixielandjazz@ml.islandnet.com" class="">dixielandjazz@ml.islandnet.com</a>><br class=""></div><div dir="ltr" class="">Cc: Dixieland Jazz Mailing List <<a ymailto="mailto:dixielandjazz@ml.islandnet.com" href="mailto:dixielandjazz@ml.islandnet.com" class="">dixielandjazz@ml.islandnet.com</a>><br class=""></div><div dir="ltr" class="">Subject: Re: [Dixielandjazz] Of melodies and such<br class=""></div><div dir="ltr" class="">Message-ID: <<a ymailto="mailto:F4481B43D5E546ECB0F327A6DC6EFB9E@Boblap" href="mailto:F4481B43D5E546ECB0F327A6DC6EFB9E@Boblap" class="">F4481B43D5E546ECB0F327A6DC6EFB9E@Boblap</a>><br class=""></div><div dir="ltr" class="">Content-Type: text/plain; charset="utf-8"<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">Ken, <br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">I respectfully disagree. In the Condon version, the trombone, while taking a few liberties, still plays it close enough to the written lead to know what the tune is. <br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">As a professional musician however, I do understand that civilians do hear music differently than a professional. <br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">This fact was brought home to me by the following:<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">when I was a kid one of the first OKOM recordings I heard was a Ybjb recording. it was a 78 that my parents owned with Storyville Blues on one side and That?s a Plenty on the other. I appropriated the record and proceeded to wear it out.<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">As a novice lisener, I knew I liked the recording, but couldn?t really pick out the various instruments and understand what they were playing in the ensembles. In later years I heard the same recording. It was as if a curtain had been lifted between me and the band. I could hear and understand everything they were playing. <br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">The same thing happened with several other recordings from my childhood. <br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">That is one reason why Lawrence Welk became so popular with the general public. Mr. welk heard music the way civilians hear it. He would have the rehearsals taped and sent to his house. He would listen to them ande reject any arrangements that strayed too far from the melody. <br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">-Bob<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">From: Ken Gates <br class=""></div><div dir="ltr" class="">Sent: Monday, April 3, 2017 10:15 PM<br class=""></div><div dir="ltr" class="">To: Bob Ringwald <br class=""></div><div dir="ltr" class="">Cc: Dixieland Jazz Mailing List <br class=""></div><div dir="ltr" class="">Subject: [Dixielandjazz] Of melodies and such<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">An observation for players and listeners.<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">I wandered in to a youtube clip of a 1927 composition--see link number one.<br class=""></div><div dir="ltr" class="">I found it be very well played indeed. The melody stated and the embellishments<br class=""></div><div dir="ltr" class="">and variations passed around with great skill. I couldn't remember ever hearing<br class=""></div><div dir="ltr" class="">that melody before. I did some research to learn more about it, I'd like to play it.<br class=""></div><div dir="ltr" class="">(I'm an amateur wannabe, can't claim to be a musician). I thought I had heard<br class=""></div><div dir="ltr" class="">a lot of tunes during my listening days but discovered that it has been recorded by<br class=""></div><div dir="ltr" class="">many ---both jazz, swing, Motown, and Montavani (easy listening). Wow, how<br class=""></div><div dir="ltr" class="">had I not remembered hearing it. Composed as a waltz, but played 4/4 by OKOM.<br class=""></div><div dir="ltr" class="">You can find many versions on youtube, but don't search for it by the title ("Diane")<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><a href="https://www.youtube.com/watch?v=i3ThotQ3WiE" target="_blank" class="">https://www.youtube.com/watch?v=i3ThotQ3WiE </a>? ? Link 1<br class=""></div><div dir="ltr" class=""><a href="https://www.youtube.com/watch?v=X8lP9zeRPjE" target="_blank" class="">https://www.youtube.com/watch?v=X8lP9zeRPjE </a>? Link 2?<br class=""></div><div dir="ltr" class="">? Here's my observation.<br class=""></div><div dir="ltr" class="">To my ears, both of these clips are really good.<br class=""></div><div dir="ltr" class="">Heitger, Barrett, Christopher (and excellent local players where<br class=""></div><div dir="ltr" class="">it was filmed in Germany) version began with melody as composed<br class=""></div><div dir="ltr" class="">(except for 4/4 instead of 3/4). Following the trombone, the trumpet,<br class=""></div><div dir="ltr" class="">tenor sax, and piano played creative embellishments and variations<br class=""></div><div dir="ltr" class="">and then some ensemble play to finish up. Wow---great music.<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">After spending some time researching for other versions. I discovered<br class=""></div><div dir="ltr" class="">that Eddie Condon many years ago had one with one his all-star<br class=""></div><div dir="ltr" class="">configurations. Link 2, of course. Wow---great players playing well.<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">However, the first chorus, well played of course, began with an altered<br class=""></div><div dir="ltr" class="">variation of the melody. Had this my first listening experience with this<br class=""></div><div dir="ltr" class="">tune I wouldn't have locked in that melody that rolled around in my head<br class=""></div><div dir="ltr" class="">for days. <br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">My suggestion to performing musicians. There surely are folks like me<br class=""></div><div dir="ltr" class="">who need to hear the melody stated clearly the first time around so as<br class=""></div><div dir="ltr" class="">to better appreciate the inventive embellishments and variations that<br class=""></div><div dir="ltr" class="">follow. Let the bebop and post bebop folks play around with chords<br class=""></div><div dir="ltr" class="">and extensions of chords as the structure of the tune. They do it well.<br class=""></div><div dir="ltr" class="">But OKOM, I think, is based on melody.<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">?Just my opinion. <br class=""></div><div dir="ltr" class="">Ken Gates<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">--------------------------------------------------------------------------------<br class=""></div><div dir="ltr" class="">_______________________________________________<br class=""></div><div dir="ltr" class="">To unsubscribe or change your e-mail preferences for the Dixieland Jazz Mailing list, or to find the online archives, please visit:<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><a href="http://ml.islandnet.com/mailman/listinfo/dixielandjazz" target="_blank" class="">http://ml.islandnet.com/mailman/listinfo/dixielandjazz</a><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">Dixielandjazz mailing list<br class=""></div><div dir="ltr" class=""><a ymailto="mailto:Dixielandjazz@ml.islandnet.com" href="mailto:Dixielandjazz@ml.islandnet.com" class="">Dixielandjazz@ml.islandnet.com</a><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">--------------------------------------------------------------------------------<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">No virus found in this message.<br class=""></div><div dir="ltr" class="">Checked by AVG - <a href="http://www.avg.com" class="">www.avg.com</a><br class=""></div><div dir="ltr" class="">Version: 2016.0.8012 / Virus Database: 4769/14237 - Release Date: 04/04/17<br class=""></div><div dir="ltr" class="">-------------- next part --------------<br class=""></div><div dir="ltr" class="">An HTML attachment was scrubbed...<br class=""></div><div dir="ltr" class="">URL: <<a href="http://ml.islandnet.com/pipermail/dixielandjazz/attachments/20170404/1185f123/attachment-0001.html" target="_blank" class="">http://ml.islandnet.com/pipermail/dixielandjazz/attachments/20170404/1185f123/attachment-0001.html</a>><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">------------------------------<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">Message: 5<br class=""></div><div dir="ltr" class="">Date: Tue, 4 Apr 2017 08:09:14 -0700<br class=""></div><div dir="ltr" class="">From: "Robert Ringwald" <<a ymailto="mailto:rsr@ringwald.com" href="mailto:rsr@ringwald.com" class="">rsr@ringwald.com</a>><br class=""></div><div dir="ltr" class="">To: "DJML" <<a ymailto="mailto:dixielandjazz@ml.islandnet.com" href="mailto:dixielandjazz@ml.islandnet.com" class="">dixielandjazz@ml.islandnet.com</a>><br class=""></div><div dir="ltr" class="">Cc: Dixieland Jazz Mailing List <<a ymailto="mailto:dixielandjazz@ml.islandnet.com" href="mailto:dixielandjazz@ml.islandnet.com" class="">dixielandjazz@ml.islandnet.com</a>><br class=""></div><div dir="ltr" class="">Subject: [Dixielandjazz] djmlBirthday Surprise for Ageless Doris Day:<br class=""></div><div dir="ltr" class=""> She?s Actually 95<br class=""></div><div dir="ltr" class="">Message-ID: <<a ymailto="mailto:73E1F24DF6B449F5A0100C7266FA12EB@Boblap" href="mailto:73E1F24DF6B449F5A0100C7266FA12EB@Boblap" class="">73E1F24DF6B449F5A0100C7266FA12EB@Boblap</a>><br class=""></div><div dir="ltr" class="">Content-Type: text/plain; charset="utf-8"<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""> Doris Day <br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">Birthday Surprise for Ageless Doris Day: She?s Actually 95<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">by Lynn Elber<br class=""></div><div dir="ltr" class="">Associated Press, April 2, 2017<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">LOS ANGELES -- To Doris Day?s many admirers, the pert and fresh-faced charmer who starred in ?Pillow Talk? and ?Move Over Darling? is ageless.<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">But Day turns 95 on Monday -- which is a birthday surprise to even the star herself, who has long pegged her age to a 1924 birthdate that would make her 93. Media outlets have variously reported her as between 93 and 95.<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">A copy of Day?s birth certificate, obtained by The Associated Press from Ohio?s Office of Vital Statistics, settles the issue: Doris Mary Kappelhoff, her pre-fame name, was born on April 3, 1922, making her 95. Her parents were Alma and William Kappelhoff of Cincinnati.<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">?I?ve always said that age is just a number and I have never paid much attention to birthdays, but it?s great to finally know how old I really am!? Day said in a statement Sunday.<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">She?s in excellent company with other vibrant Hollywood standouts lucky enough to reach that milestone year, including Betty White, a close friend, and Carl Reiner.<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">?There has long been speculation and rumors about Doris? age and we get this question a lot, looks like we finally have the answer,? said Day?s spokesman, Charley Cullen Walters. ?The story I have heard the most is that at one point Doris was up for a role when quite young and her age may have been miswritten on the audition form. We don?t know if that?s correct, but if so it could?ve simply stuck for all these years.?<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">He said Day and White had long joked about White being two years older.<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">?Now we know that they are actually just a couple months apart, and turns out it?s an even bigger exciting landmark than we thought,? Walters said. White was born in January 1922.<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">On previous birthdays, Day has said she doesn?t care about her age but rather using the occasion to highlight her favorite cause: animals.<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">A longtime supporter of animal welfare, Day founded the nonprofit Doris Day Animal Foundation in 1978 to provide grants to projects that rescue, care for and protect animals. Among the wide-ranging recipients: a group that helps seniors and others with pet care needs; one that provides trained service dogs for veterans and others; Iowa Parrot Rescue, and Misfit Acres, a Minnesota horse sanctuary.<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">Day, who lives in Carmel, California, has effectively parlayed her fame for her mission. This year, she?s seeking to bring younger people on board with a social media campaign that asks people to post a photo or video of their pet with the hashtag #DorisBirthdayWish and the tag @ddaf_org for her foundation. The best of the submissions will be combined into a digital birthday card for her.<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">Famous friends and admirers are among those saluting Day online. Country music star Reba McEntire tweeted that she was donating to the foundation and invited her Twitter followers to do the same.<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">Day, who started out as a big band singer, made her film debut in 1948 with ?Romance on the High Seas? before starring in a string of smash-hit 1950s and ?60s rom-coms. She remained a pop star as well, with hits including ?Whatever Will Be Will Be (Que Sera)? and ?Secret Love.?<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">Pillow Talk? earned her an Academy Award nomination, and she won critical acclaim for dramatic turns in ?Midnight Lace? and ?Love Me or Leave Me.? But Oscar gold, including the lifetime achievement award that her career justifies, hasn?t come to her.<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">Yet Day, who once dismissed her ?goody two shoes? image as ?so boring,? isn?t necessarily predictable: Walters said she has been offered the honorary award several times and politely declined. She always concludes, he said, in a ?classic Doris tone -- ?Never say never!??<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">Photo of birth certificate:<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""> <a href="http://bigstory.ap.org/4e59795cb64440bfa2567554e1f5309" target="_blank" class="">http://bigstory.ap.org/4e59795cb64440bfa2567554e1f5309 </a>307<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">Bob Ringwald piano, Solo, Duo, Trio, Quartet, Quintet <br class=""></div><div dir="ltr" class="">Fulton Street Jazz Band (Dixieland/Swing)<br class=""></div><div dir="ltr" class="">916/ 806-9551<br class=""></div><div dir="ltr" class="">Amateur (ham) Radio Station K6YBV<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">When buying and selling are controlled by legislation, the first things to be bought and sold are legislators. <br class=""></div><div dir="ltr" class="">-P.J. O'Rourke<br class=""></div><div dir="ltr" class="">-------------- next part --------------<br class=""></div><div dir="ltr" class="">An HTML attachment was scrubbed...<br class=""></div><div dir="ltr" class="">URL: <<a href="http://ml.islandnet.com/pipermail/dixielandjazz/attachments/20170404/322d0df4/attachment-0001.html" target="_blank" class="">http://ml.islandnet.com/pipermail/dixielandjazz/attachments/20170404/322d0df4/attachment-0001.html</a>><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">------------------------------<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">_______________________________________________<br class=""></div><div dir="ltr" class="">To unsubscribe or change your e-mail preferences for the Dixieland Jazz Mailing list, or to find the online archives, please visit:<br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><a href="http://ml.islandnet.com/mailman/listinfo/dixielandjazz" target="_blank" class="">http://ml.islandnet.com/mailman/listinfo/dixielandjazz</a><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">Dixielandjazz mailing list<br class=""></div><div dir="ltr" class=""><a ymailto="mailto:Dixielandjazz@ml.islandnet.com" href="mailto:Dixielandjazz@ml.islandnet.com" class="">Dixielandjazz@ml.islandnet.com</a><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class=""><br class=""></div><div dir="ltr" class="">End of Dixielandjazz Digest, Vol 172, Issue 2<br class=""></div><div dir="ltr" class="">*********************************************<br class=""></div><br class=""><br class=""></div> </div> </div> </div></div></div>_______________________________________________<br class="">To unsubscribe or change your e-mail preferences for the Dixieland Jazz Mailing list, or to find the online archives, please visit:<br class=""><br class=""><a href="http://ml.islandnet.com/mailman/listinfo/dixielandjazz" class="">http://ml.islandnet.com/mailman/listinfo/dixielandjazz</a><br class=""><br class=""><br class=""><br class="">Dixielandjazz mailing list<br class="">Dixielandjazz@ml.islandnet.com<br class=""></div></blockquote></div><br class=""></div></body></html>