<html><head><meta http-equiv="Content-Type" content="text/html charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class="">The Armstrong-Eldridge lineaged question us unprovable and unfalsifiable, if course, but my lying ears tell me that it’s pretty credible. As Robert noted, Jabbo Smith is another good candidate for a linear link, and many have nominated Henry “Red" Allen. It’s a no win/no lose argument, but as Thornton Wider said, I guess it don't do no harm. And I like to play the game.<div class=""><br class=""></div><div class="">Charlie<br class=""><div class=""><br class=""></div><div class=""><br class=""></div><div class=""><br class=""><div><blockquote type="cite" class=""><div class="">On Apr 9, 2017, at 2:02 PM, Marek Boym <<a href="mailto:marekboym@gmail.com" class="">marekboym@gmail.com</a>> wrote:</div><br class="Apple-interchange-newline"><div class=""><div dir="ltr" class=""><div class=""><div class=""><div class="">To the best of my memory, Eldridge said he was influenced by saxophonists more than by other trumpeters. But human mind wants some kind of linear development, so Eldridge has been - unjustly - described as "the link" between Armstrong and Dizzy.<br class=""></div>Although Miles Davis apparently said "no Louis, no me," I do not see any connection.<br class=""></div>"Other than Armstrong" - sure; theoretically - Gillespie. I cannot hear the connection here, either. But then, I cannot hear anything "jazzy" in Miles Davis' playing.<br class=""></div>Cheers<br class=""><div class=""><div class=""><div class="gmail_extra"><br class=""><div class="gmail_quote">On 9 April 2017 at 20:04, ROBERT R. CALDER <span dir="ltr" class=""><<a href="mailto:serapion@btinternet.com" target="_blank" class="">serapion@btinternet.com</a>></span> wrote:<br class=""><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><div class=""><div style="background-color: rgb(255, 255, 255); font-family: verdana, helvetica, sans-serif; font-size: 13px;" class=""><div id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_3440" dir="ltr" class=""><span id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_4319" class="">In a sequence of soloists somewhere, perhaps, but as I recall Roy was more indebted to the sort of playing which developed alongside Louis A, a flowing approach related to what Jabbo Smith was up to, and Roy's initial inspiration was such as to keep him a little distant from Louis. <br class=""></span></div><div dir="ltr" id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_4318" class=""><span class=""><br class=""></span></div><div dir="ltr" id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_4317" class=""><span id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_4316" class="">Roy was called LITTLE JAZZ for reasons which might be obvious from seeing him in a group photograph.</span></div><div dir="ltr" id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_4315" class=""><span class="">Tall he was not. <br class=""></span></div><div dir="ltr" id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_4314" class=""><span id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_4313" class="">Did the alleged Jazz nerd say that ??????? Roy was called Little Jazz because he "followed Louis"??? <br class=""></span></div><div dir="ltr" id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_4312" class=""><span class=""><br class=""></span></div><div dir="ltr" id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_4311" class=""><span id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_4310" class="">The earliest recorded solos of Dizzy Gillespie certainly sound like Roy Eldridge, Humphrey Lyttelton once attempted to underline that in a broadcast..... <br class=""></span></div><div dir="ltr" id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_4309" class=""><span class=""><br class=""></span></div><div dir="ltr" id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_4308" class=""><span id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_4307" class="">Well, all I can say is, photograph me with a trumpet and call me Miles Davis! <br class=""></span></div><div dir="ltr" id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_4306" class=""><span id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_4305" class="">I did once play baseball with Miles Davis, in Kentucky, but it wasn't the blues pianist Miles Davis, of whom there may be no surviving photograph though there are recordings, nor was it the trumpeter from St. Louis who stylistically derived (as John Postgate argued in an extended essay long ago) from an approach other than Armstrong. <br class=""></span></div><div id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_4320" class=""><span class=""><br class=""></span></div><div id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_4304" dir="ltr" class=""><span class="">not to mention my Buddy</span></div><div dir="ltr" class=""><span class="">Bolden <br class=""></span></div><div id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_4321" class=""><span class=""><br class=""></span></div><div id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_4322" class=""><span class=""><br class=""></span></div><div id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_4323" class=""><span class=""><br class=""></span></div><div id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_4326" class=""><span class=""><br class=""></span></div><div id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_4303" class=""><span class=""><br class=""></span></div><div id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_4324" class=""><span class=""></span></div><div class="m_3072929085891743917qtdSeparateBR"><br class=""><br class=""></div><div class="m_3072929085891743917yahoo_quoted" id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_3371" style="display:block"> <div style="font-family:verdana,helvetica,sans-serif;font-size:13px" id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_3370" class=""> <div style="font-family:HelveticaNeue,Helvetica Neue,Helvetica,Arial,Lucida Grande,Sans-Serif;font-size:16px" id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_3369" class=""> <div dir="ltr" id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_3368" class=""> <font id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_3378" size="2" face="Arial" class=""> <hr id="m_3072929085891743917yui_3_16_0_ym19_1_1491756764535_4325" size="1" class=""></font></div><br class=""></div> </div> </div></div></div><br class="">______________________________<wbr class="">_________________<br class="">
To unsubscribe or change your e-mail preferences for the Dixieland Jazz Mailing list, or to find the online archives, please visit:<br class="">
<br class="">
<a href="http://ml.islandnet.com/mailman/listinfo/dixielandjazz" rel="noreferrer" target="_blank" class="">http://ml.islandnet.com/<wbr class="">mailman/listinfo/dixielandjazz</a><br class="">
<br class="">
<br class="">
<br class="">
Dixielandjazz mailing list<br class="">
<a href="mailto:Dixielandjazz@ml.islandnet.com" class="">Dixielandjazz@ml.islandnet.com</a><br class="">
<br class=""></blockquote></div><br class=""></div></div></div></div>
_______________________________________________<br class="">To unsubscribe or change your e-mail preferences for the Dixieland Jazz Mailing list, or to find the online archives, please visit:<br class=""><br class=""><a href="http://ml.islandnet.com/mailman/listinfo/dixielandjazz" class="">http://ml.islandnet.com/mailman/listinfo/dixielandjazz</a><br class=""><br class=""><br class=""><br class="">Dixielandjazz mailing list<br class="">Dixielandjazz@ml.islandnet.com<br class=""></div></blockquote></div><br class=""></div></div></body></html>