<html><head></head><body><div style="color:#000; background-color:#fff; font-family:verdana, helvetica, sans-serif;font-size:13px"><div dir="ltr" id="yui_3_16_0_ym19_1_1491578228035_26722"><span id="yui_3_16_0_ym19_1_1491578228035_26721">Spike Jones - Looking for an LP of Spike Jones called I believe "Music For Dancing" - Was out around 1960-62 - Straight jazz album - no City Slicker stuff. Thanks - John Knurr</span></div><div class="qtdSeparateBR" id="yui_3_16_0_ym19_1_1491578228035_26487"><br></div><div class="yahoo_quoted" id="yui_3_16_0_ym19_1_1491578228035_27023" style="display: block;"> <div style="font-family: verdana, helvetica, sans-serif; font-size: 13px;" id="yui_3_16_0_ym19_1_1491578228035_27022"> <div style="font-family: HelveticaNeue, Helvetica Neue, Helvetica, Arial, Lucida Grande, sans-serif; font-size: 16px;" id="yui_3_16_0_ym19_1_1491578228035_27021"> <div dir="ltr" id="yui_3_16_0_ym19_1_1491578228035_27020"> <font size="2" face="Arial" id="yui_3_16_0_ym19_1_1491578228035_27019"> <hr size="1" id="yui_3_16_0_ym19_1_1491578228035_27018"> <b><span style="font-weight:bold;">From:</span></b> "dixielandjazz-request@ml.islandnet.com" <dixielandjazz-request@ml.islandnet.com><br> <b><span style="font-weight: bold;">To:</span></b> manofmusic4u@yahoo.com <br> <b><span style="font-weight: bold;">Sent:</span></b> Thursday, April 6, 2017 11:49 AM<br> <b><span style="font-weight: bold;">Subject:</span></b> Dixielandjazz Digest, Vol 172, Issue 4<br> </font> </div> <div class="y_msg_container" id="yui_3_16_0_ym19_1_1491578228035_27456"><br><div dir="ltr" id="yui_3_16_0_ym19_1_1491578228035_27457">Send Dixielandjazz mailing list submissions to<br></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491578228035_27459"> <a ymailto="mailto:dixielandjazz@ml.islandnet.com" href="mailto:dixielandjazz@ml.islandnet.com" id="yui_3_16_0_ym19_1_1491578228035_27458">dixielandjazz@ml.islandnet.com</a><br></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491578228035_27460"><br></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491578228035_27461">To subscribe or unsubscribe via the World Wide Web, visit<br></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491578228035_27463"> <a href="http://ml.islandnet.com/mailman/listinfo/dixielandjazz" target="_blank" id="yui_3_16_0_ym19_1_1491578228035_27462">http://ml.islandnet.com/mailman/listinfo/dixielandjazz</a><br></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491578228035_27464">or, via email, send a message with subject or body 'help' to<br></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491578228035_27466"> <a ymailto="mailto:dixielandjazz-request@ml.islandnet.com" href="mailto:dixielandjazz-request@ml.islandnet.com" id="yui_3_16_0_ym19_1_1491578228035_27465">dixielandjazz-request@ml.islandnet.com</a><br></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491578228035_27467"><br></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491578228035_27468">You can reach the person managing the list at<br></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491578228035_27470"> <a ymailto="mailto:dixielandjazz-owner@ml.islandnet.com" href="mailto:dixielandjazz-owner@ml.islandnet.com" id="yui_3_16_0_ym19_1_1491578228035_27469">dixielandjazz-owner@ml.islandnet.com</a><br></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491578228035_27471"><br></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491578228035_27472">When replying, please edit your Subject line so it is more specific<br></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491578228035_27473">than "Re: Contents of Dixielandjazz digest..."<br></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491578228035_27474"><br></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491578228035_27475"><br></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491578228035_27476">Today's Topics:<br></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491578228035_27477"><br></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491578228035_27478"> 1. Re: Of melodies and such (tonypringle)<br></div><div dir="ltr" id="yui_3_16_0_ym19_1_1491578228035_27479"> 2. Re: Of melodies and such (Marek Boym)<br></div><div dir="ltr"> 3. John Defferary (Marek Boym)<br></div><div dir="ltr"> 4. Re: Of melodies and such (Charles Suhor)<br></div><div dir="ltr"> 5. Too Busy (Ron L'Herault)<br></div><div dir="ltr"> 6. Re: Of melodies and such (M J _Mike_ Logsdon)<br></div><div dir="ltr"> 7. Too Busy (Ron L'Herault)<br></div><div dir="ltr"><br></div><div dir="ltr"><br></div><div dir="ltr">----------------------------------------------------------------------<br></div><div dir="ltr"><br></div><div dir="ltr">Message: 1<br></div><div dir="ltr">Date: Wed, 5 Apr 2017 13:05:10 -0400<br></div><div dir="ltr">From: tonypringle <<a ymailto="mailto:tonypringle@comcast.net" href="mailto:tonypringle@comcast.net">tonypringle@comcast.net</a>><br></div><div dir="ltr">To: <a ymailto="mailto:dixielandjazz@ml.islandnet.com" href="mailto:dixielandjazz@ml.islandnet.com">dixielandjazz@ml.islandnet.com</a><br></div><div dir="ltr">Cc: Dixieland Jazz Mailing List <<a ymailto="mailto:dixielandjazz@ml.islandnet.com" href="mailto:dixielandjazz@ml.islandnet.com">dixielandjazz@ml.islandnet.com</a>><br></div><div dir="ltr">Subject: Re: [Dixielandjazz] Of melodies and such<br></div><div dir="ltr">Message-ID: <<a ymailto="mailto:2cbfe358-f59f-cd86-2cb4-4de8f5187ffb@comcast.net" href="mailto:2cbfe358-f59f-cd86-2cb4-4de8f5187ffb@comcast.net">2cbfe358-f59f-cd86-2cb4-4de8f5187ffb@comcast.net</a>><br></div><div dir="ltr">Content-Type: text/plain; charset=utf-8; format=flowed<br></div><div dir="ltr"><br></div><div dir="ltr">I have a memory of reading that Joe Oliver told Louis Armstrong to <br></div><div dir="ltr">always make sure you state the melody strongly and something about "if <br></div><div dir="ltr">you can't make the melody swing you can't play jazz".<br></div><div dir="ltr"><br></div><div dir="ltr">I like to refer to some of the melody later in a performance - it's a <br></div><div dir="ltr">way of reminding the audience of what tune they are listening to. On a <br></div><div dir="ltr">less serious note I have heard a couple of bands through the years were <br></div><div dir="ltr">having the melody restated would help some of the musicians to remember <br></div><div dir="ltr">what tune they are playing! :-)<br></div><div dir="ltr"><br></div><div dir="ltr">Cheers, Tony Pringle<br></div><div dir="ltr"><br></div><div dir="ltr"><br></div><div dir="ltr"><br></div><div dir="ltr">------------------------------<br></div><div dir="ltr"><br></div><div dir="ltr">Message: 2<br></div><div dir="ltr">Date: Thu, 6 Apr 2017 00:45:42 +0300<br></div><div dir="ltr">From: Marek Boym <<a ymailto="mailto:marekboym@gmail.com" href="mailto:marekboym@gmail.com">marekboym@gmail.com</a>><br></div><div dir="ltr">To: tonypringle <<a ymailto="mailto:tonypringle@comcast.net" href="mailto:tonypringle@comcast.net">tonypringle@comcast.net</a>><br></div><div dir="ltr">Cc: Dixieland Jazz Mailing List <<a ymailto="mailto:dixielandjazz@ml.islandnet.com" href="mailto:dixielandjazz@ml.islandnet.com">dixielandjazz@ml.islandnet.com</a>><br></div><div dir="ltr">Subject: Re: [Dixielandjazz] Of melodies and such<br></div><div dir="ltr">Message-ID:<br></div><div dir="ltr"> <CABGvO8BETybk_P-KL0uH7jhE01KB=CAoMPTxWng4hwWhd=<a ymailto="mailto:ncyw@mail.gmail.com" href="mailto:ncyw@mail.gmail.com">ncyw@mail.gmail.com</a>><br></div><div dir="ltr">Content-Type: text/plain; charset="utf-8"<br></div><div dir="ltr"><br></div><div dir="ltr">With your repertoire, it hardly matters - you play so many songs hardly<br></div><div dir="ltr">anybody else does that the melodies don't sound familiar anyway.<br></div><div dir="ltr">It is not a complaint - it is a compliment; this way, you always sound<br></div><div dir="ltr">interesting!<br></div><div dir="ltr">Cheers<br></div><div dir="ltr"><br></div><div dir="ltr">On 5 April 2017 at 20:05, tonypringle <<a ymailto="mailto:tonypringle@comcast.net" href="mailto:tonypringle@comcast.net">tonypringle@comcast.net</a>> wrote:<br></div><div dir="ltr"><br></div><div dir="ltr">> I have a memory of reading that Joe Oliver told Louis Armstrong to always<br></div><div dir="ltr">> make sure you state the melody strongly and something about "if you can't<br></div><div dir="ltr">> make the melody swing you can't play jazz".<br></div><div dir="ltr">><br></div><div dir="ltr">> I like to refer to some of the melody later in a performance - it's a way<br></div><div dir="ltr">> of reminding the audience of what tune they are listening to. On a less<br></div><div dir="ltr">> serious note I have heard a couple of bands through the years were having<br></div><div dir="ltr">> the melody restated would help some of the musicians to remember what tune<br></div><div dir="ltr">> they are playing! :-)<br></div><div dir="ltr">><br></div><div dir="ltr">> Cheers, Tony Pringle<br></div><div dir="ltr">><br></div><div dir="ltr">> _______________________________________________<br></div><div dir="ltr">> To unsubscribe or change your e-mail preferences for the Dixieland Jazz<br></div><div dir="ltr">> Mailing list, or to find the online archives, please visit:<br></div><div dir="ltr">><br></div><div dir="ltr">> <a href="http://ml.islandnet.com/mailman/listinfo/dixielandjazz" target="_blank">http://ml.islandnet.com/mailman/listinfo/dixielandjazz</a><br></div><div dir="ltr">><br></div><div dir="ltr">><br></div><div dir="ltr">><br></div><div dir="ltr">> Dixielandjazz mailing list<br></div><div dir="ltr">> <a ymailto="mailto:Dixielandjazz@ml.islandnet.com" href="mailto:Dixielandjazz@ml.islandnet.com">Dixielandjazz@ml.islandnet.com</a><br></div><div dir="ltr">><br></div><div dir="ltr">-------------- next part --------------<br></div><div dir="ltr">An HTML attachment was scrubbed...<br></div><div dir="ltr">URL: <<a href="http://ml.islandnet.com/pipermail/dixielandjazz/attachments/20170406/8d09fd3a/attachment-0001.html" target="_blank">http://ml.islandnet.com/pipermail/dixielandjazz/attachments/20170406/8d09fd3a/attachment-0001.html</a>><br></div><div dir="ltr"><br></div><div dir="ltr">------------------------------<br></div><div dir="ltr"><br></div><div dir="ltr">Message: 3<br></div><div dir="ltr">Date: Thu, 6 Apr 2017 01:39:02 +0300<br></div><div dir="ltr">From: Marek Boym <<a ymailto="mailto:marekboym@gmail.com" href="mailto:marekboym@gmail.com">marekboym@gmail.com</a>><br></div><div dir="ltr">To: <a ymailto="mailto:Dixielandjazz@ml.islandnet.com" href="mailto:Dixielandjazz@ml.islandnet.com">Dixielandjazz@ml.islandnet.com</a><br></div><div dir="ltr">Cc: Dixieland Jazz Mailing List <<a ymailto="mailto:dixielandjazz@ml.islandnet.com" href="mailto:dixielandjazz@ml.islandnet.com">dixielandjazz@ml.islandnet.com</a>><br></div><div dir="ltr">Subject: [Dixielandjazz] John Defferary<br></div><div dir="ltr">Message-ID:<br></div><div dir="ltr"> <CABGvO8Cz+<a ymailto="mailto:DDzkgk_VvQmJXkHYOpxUqaXBJipA9McaBoxJShxRA@mail.gmail.com" href="mailto:DDzkgk_VvQmJXkHYOpxUqaXBJipA9McaBoxJShxRA@mail.gmail.com">DDzkgk_VvQmJXkHYOpxUqaXBJipA9McaBoxJShxRA@mail.gmail.com</a>><br></div><div dir="ltr">Content-Type: text/plain; charset="utf-8"<br></div><div dir="ltr"><br></div><div dir="ltr">Underrated? You can say that again.<br></div><div dir="ltr">When it comes to British clarinet players, the first one that comes to mind<br></div><div dir="ltr">is Acker Bilk.<br></div><div dir="ltr">Then there are the jazz greats (but much less well known - Cy Laurie and<br></div><div dir="ltr">Sandy Brown. If hard pressed, one could come up with some other favourites<br></div><div dir="ltr">of mine - Wally Fawkes, Ian Christie and Ian Wheeler. But John Defferary?<br></div><div dir="ltr">Yet he couldd hold his own playing with such great New Orleans clarinet<br></div><div dir="ltr">players as Albert Nicholas and Herb Hall (as proven by GHB BCD-64, which<br></div><div dir="ltr">features Albert Nicholas with the John Defferary Jazztet and Herb Hall with<br></div><div dir="ltr">the Trevor Richards New Orleans Trio). Not a mean feat!<br></div><div dir="ltr">Cheers!<br></div><div dir="ltr">-------------- next part --------------<br></div><div dir="ltr">An HTML attachment was scrubbed...<br></div><div dir="ltr">URL: <<a href="http://ml.islandnet.com/pipermail/dixielandjazz/attachments/20170406/e594278e/attachment-0001.html" target="_blank">http://ml.islandnet.com/pipermail/dixielandjazz/attachments/20170406/e594278e/attachment-0001.html</a>><br></div><div dir="ltr"><br></div><div dir="ltr">------------------------------<br></div><div dir="ltr"><br></div><div dir="ltr">Message: 4<br></div><div dir="ltr">Date: Wed, 5 Apr 2017 20:34:26 -0500<br></div><div dir="ltr">From: Charles Suhor <<a ymailto="mailto:csuhor@zebra.net" href="mailto:csuhor@zebra.net">csuhor@zebra.net</a>><br></div><div dir="ltr">To: Marek Boym <<a ymailto="mailto:marekboym@gmail.com" href="mailto:marekboym@gmail.com">marekboym@gmail.com</a>><br></div><div dir="ltr">Cc: Dixieland Jazz Mailing List <<a ymailto="mailto:dixielandjazz@ml.islandnet.com" href="mailto:dixielandjazz@ml.islandnet.com">dixielandjazz@ml.islandnet.com</a>><br></div><div dir="ltr">Subject: Re: [Dixielandjazz] Of melodies and such<br></div><div dir="ltr">Message-ID: <<a ymailto="mailto:50630C13-44C8-4A9D-BE68-E586D3968AAB@zebra.net" href="mailto:50630C13-44C8-4A9D-BE68-E586D3968AAB@zebra.net">50630C13-44C8-4A9D-BE68-E586D3968AAB@zebra.net</a>><br></div><div dir="ltr">Content-Type: text/plain; charset="utf-8"<br></div><div dir="ltr"><br></div><div dir="ltr">I had to digest several aspects of this topic before responding. Yes, most lay audiences might get bored when successive soloists stray from the melody. And as a seasoned listener, if a song is unfamiliar I like to hear a pretty straightforward chorus of melody, embellished of course to enhance the feeling, in order to anchor the experience when improvised solos unfold. But beyond that, I?m happy if the soloists don?t cite the melody at all. As I see it, in jazz improvisation the solos are in themselves melodic inventions?great to witness, especially when an imaginative player integrates blue notes, intuitively makes skillful use of rhythmic manipulation of phrases, varies their length, doesn?t run cliches or fall into repetition of ideas, etc. <br></div><div dir="ltr"><br></div><div dir="ltr">Isn?t that a great part of the joy of jazz, and doesn?t it apply even when you walk into (or tune into) the middle of performance of soloists playing a tune, and you don?t even know the song in the first place? If the soloists are swinging and singing, that?s its own reward. God bless jazz!<br></div><div dir="ltr"><br></div><div dir="ltr">I?m sure that most of you have sought a middle ground at times between taking lyrical flight and keeping the audience in mind. Steve Barbone has written about this often. That?s yet another kind of creativity. Ain?t we got fun?<br></div><div dir="ltr"><br></div><div dir="ltr">An aside?I know that a more schooled musician than me (I?m a drummer, don?t know chords) will get much more out of, say, what a soloist is doing with harmonics as a pianist lays down chords. Too much of that, though, can bog down in analysis that saps the juice out of the experience, a flaw in much of contemporary jazz education, Im told. <br></div><div dir="ltr"><br></div><div dir="ltr">That?s a plenty.<br></div><div dir="ltr"><br></div><div dir="ltr">Charlie<br></div><div dir="ltr"><br></div><div dir="ltr"><br></div><div dir="ltr">> On Apr 5, 2017, at 4:45 PM, Marek Boym <<a ymailto="mailto:marekboym@gmail.com" href="mailto:marekboym@gmail.com">marekboym@gmail.com</a> <mailto:<a ymailto="mailto:marekboym@gmail.com" href="mailto:marekboym@gmail.com">marekboym@gmail.com</a>>> wrote:<br></div><div dir="ltr">> <br></div><div dir="ltr">> With your repertoire, it hardly matters - you play so many songs hardly anybody else does that the melodies don't sound familiar anyway.<br></div><div dir="ltr">> It is not a complaint - it is a compliment; this way, you always sound interesting!<br></div><div dir="ltr">> Cheers<br></div><div dir="ltr">> <br></div><div dir="ltr">> On 5 April 2017 at 20:05, tonypringle <<a ymailto="mailto:tonypringle@comcast.net" href="mailto:tonypringle@comcast.net">tonypringle@comcast.net</a> <mailto:<a ymailto="mailto:tonypringle@comcast.net" href="mailto:tonypringle@comcast.net">tonypringle@comcast.net</a>>> wrote:<br></div><div dir="ltr">> I have a memory of reading that Joe Oliver told Louis Armstrong to always make sure you state the melody strongly and something about "if you can't make the melody swing you can't play jazz".<br></div><div dir="ltr">> <br></div><div dir="ltr">> I like to refer to some of the melody later in a performance - it's a way of reminding the audience of what tune they are listening to. On a less serious note I have heard a couple of bands through the years were having the melody restated would help some of the musicians to remember what tune they are playing! :-)<br></div><div dir="ltr">> <br></div><div dir="ltr">> Cheers, Tony Pringle<br></div><div dir="ltr">> <br></div><div dir="ltr">> _______________________________________________<br></div><div dir="ltr">> To unsubscribe or change your e-mail preferences for the Dixieland Jazz Mailing list, or to find the online archives, please visit:<br></div><div dir="ltr">> <br></div><div dir="ltr">> <a href="http://ml.islandnet.com/mailman/listinfo/dixielandjazz" target="_blank">http://ml.islandnet.com/mailman/listinfo/dixielandjazz </a><<a href="http://ml.islandnet.com/mailman/listinfo/dixielandjazz" target="_blank">http://ml.islandnet.com/mailman/listinfo/dixielandjazz</a>><br></div><div dir="ltr">> <br></div><div dir="ltr">> <br></div><div dir="ltr">> <br></div><div dir="ltr">> Dixielandjazz mailing list<br></div><div dir="ltr">> <a ymailto="mailto:Dixielandjazz@ml.islandnet.com" href="mailto:Dixielandjazz@ml.islandnet.com">Dixielandjazz@ml.islandnet.com</a> <mailto:<a ymailto="mailto:Dixielandjazz@ml.islandnet.com" href="mailto:Dixielandjazz@ml.islandnet.com">Dixielandjazz@ml.islandnet.com</a>><br></div><div dir="ltr">> <br></div><div dir="ltr">> _______________________________________________<br></div><div dir="ltr">> To unsubscribe or change your e-mail preferences for the Dixieland Jazz Mailing list, or to find the online archives, please visit:<br></div><div dir="ltr">> <br></div><div dir="ltr">> <a href="http://ml.islandnet.com/mailman/listinfo/dixielandjazz" target="_blank">http://ml.islandnet.com/mailman/listinfo/dixielandjazz </a><<a href="http://ml.islandnet.com/mailman/listinfo/dixielandjazz" target="_blank">http://ml.islandnet.com/mailman/listinfo/dixielandjazz</a>><br></div><div dir="ltr">> <br></div><div dir="ltr">> <br></div><div dir="ltr">> <br></div><div dir="ltr">> Dixielandjazz mailing list<br></div><div dir="ltr">> <a ymailto="mailto:Dixielandjazz@ml.islandnet.com" href="mailto:Dixielandjazz@ml.islandnet.com">Dixielandjazz@ml.islandnet.com</a><br></div><div dir="ltr"><br></div><div dir="ltr">-------------- next part --------------<br></div><div dir="ltr">An HTML attachment was scrubbed...<br></div><div dir="ltr">URL: <<a href="http://ml.islandnet.com/pipermail/dixielandjazz/attachments/20170405/5d963334/attachment-0001.html" target="_blank">http://ml.islandnet.com/pipermail/dixielandjazz/attachments/20170405/5d963334/attachment-0001.html</a>><br></div><div dir="ltr"><br></div><div dir="ltr">------------------------------<br></div><div dir="ltr"><br></div><div dir="ltr">Message: 5<br></div><div dir="ltr">Date: Wed, 05 Apr 2017 22:04:01 -0400<br></div><div dir="ltr">From: "Ron L'Herault" <<a ymailto="mailto:lherault@verizon.net" href="mailto:lherault@verizon.net">lherault@verizon.net</a>><br></div><div dir="ltr">To: "'Dixieland Jazz Mailing List'" <<a ymailto="mailto:dixielandjazz@ml.islandnet.com" href="mailto:dixielandjazz@ml.islandnet.com">dixielandjazz@ml.islandnet.com</a>><br></div><div dir="ltr">Cc: Dixieland Jazz Mailing List <<a ymailto="mailto:dixielandjazz@ml.islandnet.com" href="mailto:dixielandjazz@ml.islandnet.com">dixielandjazz@ml.islandnet.com</a>><br></div><div dir="ltr">Subject: [Dixielandjazz] Too Busy<br></div><div dir="ltr">Message-ID: <000501d2ae7a$0f9a2890$2ece79b0$@net><br></div><div dir="ltr">Content-Type: text/plain; charset=us-ascii<br></div><div dir="ltr"><br></div><div dir="ltr">Anyone have a lead sheet for verse and chorus of "Too Busy" in Bb? I<br></div><div dir="ltr">suspect it is normally in Eb.<br></div><div dir="ltr"><br></div><div dir="ltr">Ron L <br></div><div dir="ltr"><br></div><div dir="ltr"><br></div><div dir="ltr"><br></div><div dir="ltr"><br></div><div dir="ltr">------------------------------<br></div><div dir="ltr"><br></div><div dir="ltr">Message: 6<br></div><div dir="ltr">Date: Wed, 5 Apr 2017 20:29:50 -0700 (GMT-07:00)<br></div><div dir="ltr">From: M J _Mike_ Logsdon <<a ymailto="mailto:mjl@ix.netcom.com" href="mailto:mjl@ix.netcom.com">mjl@ix.netcom.com</a>><br></div><div dir="ltr">To: DJML <<a ymailto="mailto:dixielandjazz@ml.islandnet.com" href="mailto:dixielandjazz@ml.islandnet.com">dixielandjazz@ml.islandnet.com</a>><br></div><div dir="ltr">Cc: Dixieland Jazz Mailing List <<a ymailto="mailto:dixielandjazz@ml.islandnet.com" href="mailto:dixielandjazz@ml.islandnet.com">dixielandjazz@ml.islandnet.com</a>><br></div><div dir="ltr">Subject: Re: [Dixielandjazz] Of melodies and such<br></div><div dir="ltr">Message-ID:<br></div><div dir="ltr"> <<a ymailto="mailto:3745516.19765.1491449391070@mswamui-thinleaf.atl.sa.earthlink.net" href="mailto:3745516.19765.1491449391070@mswamui-thinleaf.atl.sa.earthlink.net">3745516.19765.1491449391070@mswamui-thinleaf.atl.sa.earthlink.net</a>><br></div><div dir="ltr">Content-Type: text/plain; charset=UTF-8<br></div><div dir="ltr"><br></div><div dir="ltr">I don't have an exact quote ready (though the book is readily at hand), but this thread reminds me of Eddie's "We Called It Jazz" comment about when he first got started and his band would audition, they'd often hear the question, "After the first verse, what did you do with the melody?"<br></div><div dir="ltr"><br></div><div dir="ltr"><br></div><div dir="ltr"><br></div><div dir="ltr">------------------------------<br></div><div dir="ltr"><br></div><div dir="ltr">Message: 7<br></div><div dir="ltr">Date: Thu, 06 Apr 2017 09:13:57 -0400<br></div><div dir="ltr">From: "Ron L'Herault" <<a ymailto="mailto:lherault@verizon.net" href="mailto:lherault@verizon.net">lherault@verizon.net</a>><br></div><div dir="ltr">To: "'Dixieland Jazz Mailing List'" <<a ymailto="mailto:dixielandjazz@ml.islandnet.com" href="mailto:dixielandjazz@ml.islandnet.com">dixielandjazz@ml.islandnet.com</a>><br></div><div dir="ltr">Cc: Dixieland Jazz Mailing List <<a ymailto="mailto:dixielandjazz@ml.islandnet.com" href="mailto:dixielandjazz@ml.islandnet.com">dixielandjazz@ml.islandnet.com</a>><br></div><div dir="ltr">Subject: [Dixielandjazz] Too Busy<br></div><div dir="ltr">Message-ID: <002301d2aed7$a66d0550$f3470ff0$@net><br></div><div dir="ltr">Content-Type: text/plain; charset=us-ascii<br></div><div dir="ltr"><br></div><div dir="ltr">I 'm sending a big "Thank You" to the three members of the list who sent<br></div><div dir="ltr">lead sheets! <br></div><div dir="ltr"><br></div><div dir="ltr">Regards,<br></div><div dir="ltr"><br></div><div dir="ltr">Ron L<br></div><div dir="ltr"><br></div><div dir="ltr"><br></div><div dir="ltr"><br></div><div dir="ltr"><br></div><div dir="ltr">------------------------------<br></div><div dir="ltr"><br></div><div dir="ltr">_______________________________________________<br></div><div dir="ltr">To unsubscribe or change your e-mail preferences for the Dixieland Jazz Mailing list, or to find the online archives, please visit:<br></div><div dir="ltr"><br></div><div dir="ltr"><a href="http://ml.islandnet.com/mailman/listinfo/dixielandjazz" target="_blank">http://ml.islandnet.com/mailman/listinfo/dixielandjazz</a><br></div><div dir="ltr"><br></div><div dir="ltr"><br></div><div dir="ltr"><br></div><div dir="ltr">Dixielandjazz mailing list<br></div><div dir="ltr"><a ymailto="mailto:Dixielandjazz@ml.islandnet.com" href="mailto:Dixielandjazz@ml.islandnet.com">Dixielandjazz@ml.islandnet.com</a><br></div><div dir="ltr"><br></div><div dir="ltr"><br></div><div dir="ltr">End of Dixielandjazz Digest, Vol 172, Issue 4<br></div><div dir="ltr">*********************************************<br></div><br><br></div> </div> </div> </div></div></body></html>