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<DIV>Perhaps a little off-topic for DJML, but might be of interest to some List
Mates.</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>Tony Bennett at 90: ‘I Just Love What I’m Doing’ </DIV>
<DIV> </DIV>
<DIV>by John Marchese</DIV>
<DIV>New York Times, December 18, 2016</DIV>
<DIV> </DIV>
<DIV>Early Thanksgiving morning, Tony Bennett woke up in a strange bed on the
wrong side of Central Park.</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>For years, he has lived with his third wife in a Trump building on Central
Park South, but the couple spent the night in a Madison Avenue hotel to avoid
the security gridlock surrounding the staging areas of the Macy’s Thanksgiving
Day Parade, which, like Mr. Bennett, turned 90 this year.</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>This day, roughly 70 years into a career that began as a singing waiter in
Astoria, Queens, Mr. Bennett would be riding on the penultimate parade float --
taking second billing only to Santa and his sleigh -- and singing “Santa Claus
Is Coming to Town” with Miss Piggy. While his live performance with a Muppet
would not be a career highlight, a stumble as the float lurched back into motion
and a steadying hug from the famous pig would go viral, and punctuate a year
when it already seemed like All Tony, All the Time.</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>Mr. Bennett began 2016 by winning his 19th Grammy. The Empire State
Building was lit in his honor, the switch thrown by his seemingly unlikely buddy
and recording partner Lady Gaga. HarperCollins released a new book of his
reminiscences of important people in his life. And on Tuesday, Dec. 20, NBC will
broadcast a two-hour prime-time special commemorating his birthday.</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>“I can’t believe that all this is happening,” Mr. Bennett said. “I’m
90.”</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>Since NBC broadcast the last Bob Hope special in 1996, when the comedian
was 93, prime-time network television has hardly been welcoming country for old
men. Doug Vaughan, the executive vice president for special programs and late
night at NBC, said, “Not that every 90-year-old doesn’t deserve marking that
milestone, but Tony is such an icon and such a beloved American legend” that
giving him a big block of prime time wasn’t a difficult decision. (It didn’t
hurt that his last NBC special, for his 80th birthday, won seven Emmy
Awards.)</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>“Tony Bennett Celebrates 90: The Best Is Yet to Come” is built around a
September concert at Radio City Music Hall that featured singers such as Stevie
Wonder, Michael Buble, Leslie Odom Jr. and Lady Gaga saluting him. Taped
performances came in from Billie Joel, Elton John and Bob Dylan. There are
interview segments with Mr. Bennett scattered in, and a show-within-a-show
comedy sketch starring Alec Baldwin, who reprises his “Saturday Night Live”
impersonation of a blithely clueless and hyper-ebullient Tony Bennett.</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>Mr. Baldwin said that the key to capturing Mr. Bennett, beyond the
caricature, was portraying “a guy for whom there are no bumps in the
road.”</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>“The thing about this guy,” Mr. Baldwin said, “is that he’s so positive --
if I were as talented as him, I’d be positive, too -- and so old-school, meaning
the lesson you get under everything Tony does is that performing should be fun.
”</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>Indeed, it seems quite fun to be Tony Bennett. In public, Mr. Bennett’s
vocabulary is dominated by three exclamations: Great, Wow and Fantastic, the
last of which he proclaims with a strong punch to the second syllable. And those
words seem fitting, given his thrill ride of a career.</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>Beginning with a No. 1 recording of “Because of You” in 1951, Mr. Bennett
crooned through a decade of hits with sometimes marginal material, culminating
in the international best seller “I Left My Heart in San Francisco” in 1962.
Threatened with sinking into casino-act irrelevance over the next two decades,
and at one point struggling with drug and alcohol problems, he sharpened his
artistic focus, concentrating on American Songbook standards. And aided by his
son Danny, who became his manager in 1979, Mr. Bennett climbed back into pop
culture consciousness through the ’80s and reached a new demographic-defying
pinnacle with a 1994 “MTV Unplugged” recording.</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>In his ninth decade alone, Mr. Bennett has sold 10 million recordings,
including two best-selling albums of duets with myriad other singers. Two years
ago, he became the oldest performer to have a No. 1 album, when he paired with
Lady Gaga on the standards-only recording “Cheek to Cheek.” He has pulled off
the neat trick of constant career rejuvenation while staying exactly the
same.</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>“I could have retired 16 years ago,” Mr. Bennett said one night last month,
“but I just love what I’m doing.”</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>Right then, he had sat down for dinner in the theater district at the
traditional early-bird hour of 5 p.m. In his case, the reservation was necessary
because he was booked at the nearby City Stages auditorium at 7 p.m., sitting
for a public interview about his new book, “Just Getting Started.” There’s also
a new album from Sony that collects the performances from his NBC special, with
a deluxe three-disc set available that contains a selection of rare recordings
from his archive.</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>“We’re sold out everywhere I’m playing,” Mr. Bennett said. “The audiences
are going crazy for the show. They know that I’m 90, and I come out and I’m in
top shape. After the third or fourth song, they start flippin’ out. I’m getting
five or six standing ovations a night. When they start acting like that, I just
go home very pleased.”</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>During dinner, Mr. Bennett repeated himself occasionally. “I forgot what I
was saying,” he admitted more than once, and apologized. Later, being
interviewed about his life in front of a large and appreciative crowd at City
Stages, he did not remember a primary anecdote that appears in his book about
how he had met his current wife, Susan Benedetto -- she took her husband’s birth
name -- a 50-year-old former high school teacher. (She was invited backstage
when she was 19 and president of the San Francisco Tony Bennett fan club. They
married in 2007.)</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>But while there are signs of age, Mr. Bennett also displays a voracious
curiosity. “I still insist that I can get better as I go along,” he said. He
recently started learning the basics of jazz piano with Bill Charlap, his
accompanist on the record “The Silver Lining,” a collection of Jerome Kern songs
that won him his latest Grammy. His got his first in 1962.</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>“It’s the same way with painting,” he said. “I paint every day. And just by
doing it every day, you get better.”</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>The recent recording with Mr. Charlap could be a case study to support Mr.
Bennett’s contention. Though his voice is less rounded and more reedy than when
he was in his 50s, Mr. Bennett’s performances on “The Silver Lining” stand up in
comparison to those he made with the jazz pianist Bill Evans four decades ago,
securing his status as a serious interpretive artist. “Tony is singing so deeply
and interiorly -- it’s almost in a private place, yet he has the courage to
completely share,” Mr. Charlap said.</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>Performing the 14 Jerome Kern songs, Mr. Bennett not only displays
technical mastery but also an uncanny sense of discretion.</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>“The more Tony goes on, the more he understands that what you leave out is
important,” said Scott Simon, the National Public Radio journalist and co-writer
of Mr. Bennett’s latest book. “He has all those stories about Fred Astaire
getting a dance routine as good as he could get it, and then taking out 15
minutes. He knows in his bones now what to leave out.”</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>Even after the blitz of performances and products tied to his extended
birthday celebration, Mr. Bennett plans to keep working. He has 30 dates on his
schedule for the first half of 2017 and is thinking of recording a new album
dedicated to the songs of the husband-and-wife songwriters Alan and Marilyn
Bergman. “I might do it with Gaga,” Mr. Bennett said, “or maybe just with Bill
Charlap.”</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>“Tony’s all about moving forward,” his son Danny said. “He tells me, ‘Hey,
as long as my voice doesn’t wobble and people like me, I’m going to keep singing
until I die.’”</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>On the morning he awoke in the hotel room on Madison Avenue, Mr. Bennett
bundled up for the Macy’s parade on what was predicted to be a raw and blustery
day, putting on a heavy gray wool suit and a blue overcoat. He’d shopped with
his wife for ear muffs, and she’d stuffed hand warmers into his coat
pockets.</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>Waiting in an S.U.V. to board the float, Mr. Bennett seemed tired and was
mostly quiet. What little he talked about was either far in the past --
anecdotes about Cary Grant, Dean Martin and Charlie Chaplin -- or completely in
the moment, as when he lowered the tinted side window to scan Central Park. “The
trees are beautiful,” he said.</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>Then a woman bustled up to his side of the S.U.V. and presented Mr. Bennett
a paper plate piled with cannoli. “They’re homemade just for you,” she told him.
“You’re even more handsome in person.”</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>“Wow,” Mr. Bennett said, “let me see that.” He bit into a vanilla
cannoli.</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>“Oh my God,” the woman shouted, “wait till I tell everybody that Tony
Bennett ate my cannoli!”</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>A little later, as the moment approached for him board the float, the sky
brightened.</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>Ms. Benedetto leaned over toward her husband and gestured to the sunshine.
“You lead a charmed life, sweetie,” she said. 30</DIV>
<DIV> </DIV>
<DIV> Mr. Bennett took her hand, closed his eyes and sank back in his seat
with a satisfied sigh.</DIV>
<DIV style="FONT-SIZE: 12pt; FONT-FAMILY: 'Calibri'; COLOR: #000000"><BR><BR>Bob
Ringwald piano, Solo, Duo, Trio, Quartet, Quintet <BR>Fulton Street Jazz Band
(Dixieland/Swing)<BR>916/ 806-9551<BR>Amateur (ham) Radio Station
K6YBV<BR><BR>"There is no distinctly Native American criminal class,
save Congress." -- Mark
Twain<BR></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></BODY></HTML>