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<p>Thank you Ken,for this very interesting contribution. <br>
</p>
<p>By these times, jazz, learnt in schols and universities, has no
longer strong coloured tones. Do African-american people remember
today how their fathers influenced jazz? <br>
</p>
<p>Alain de La Simone<br>
</p>
<p><br>
</p>
<br>
<div class="moz-cite-prefix">Le 15/09/2016 à 15:32, Ken Gates a
écrit :<br>
</div>
<blockquote
cite="mid:CAF-cBBKziaHuPRKF4CV11KTi+yVSaYRHgnz5jcR9KbUvY_m-Qg@mail.gmail.com"
type="cite">
<div dir="ltr">
<div class="gmail_default"
style="font-family:verdana,sans-serif"><a
moz-do-not-send="true"
href="http://www.barbershop.org/files/Roots%20of%20Barbershop%20Harmony.pdf">http://www.barbershop.org/files/Roots%20of%20Barbershop%20Harmony.pdf</a></div>
<div class="gmail_default"
style="font-family:verdana,sans-serif"><br>
</div>
<div class="gmail_default"
style="font-family:verdana,sans-serif">The link is to an
interesting article pertaining to the development of </div>
<div class="gmail_default"
style="font-family:verdana,sans-serif">barbershop harmonies
and the significant contribution of southern black</div>
<div class="gmail_default"
style="font-family:verdana,sans-serif">male voices in the late
1800s and early 1900s. Another aspect of how</div>
<div class="gmail_default"
style="font-family:verdana,sans-serif">ragtime, marches,
blues, and hymns and evolved into the ensemble</div>
<div class="gmail_default"
style="font-family:verdana,sans-serif">sound of early jazz.
Worth a read.</div>
<div class="gmail_default"
style="font-family:verdana,sans-serif"><br>
</div>
<div class="gmail_default"
style="font-family:verdana,sans-serif">Ken Gates</div>
</div>
<br>
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