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    <p>Thank you Ken,for this very interesting contribution. <br>
    </p>
    <p>By these times, jazz, learnt in schols and universities, has no
      longer strong coloured tones. Do African-american people remember
      today  how their fathers influenced jazz? <br>
    </p>
    <p>Alain de La Simone<br>
    </p>
    <p><br>
    </p>
    <br>
    <div class="moz-cite-prefix">Le 15/09/2016 à 15:32, Ken Gates a
      écrit :<br>
    </div>
    <blockquote
cite="mid:CAF-cBBKziaHuPRKF4CV11KTi+yVSaYRHgnz5jcR9KbUvY_m-Qg@mail.gmail.com"
      type="cite">
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        <div class="gmail_default"
          style="font-family:verdana,sans-serif">​<a
            moz-do-not-send="true"
href="http://www.barbershop.org/files/Roots%20of%20Barbershop%20Harmony.pdf">http://www.barbershop.org/files/Roots%20of%20Barbershop%20Harmony.pdf</a></div>
        <div class="gmail_default"
          style="font-family:verdana,sans-serif"><br>
        </div>
        <div class="gmail_default"
          style="font-family:verdana,sans-serif">The link is to an
          interesting article pertaining to the development of </div>
        <div class="gmail_default"
          style="font-family:verdana,sans-serif">barbershop harmonies
          and the significant contribution of southern black</div>
        <div class="gmail_default"
          style="font-family:verdana,sans-serif">male voices in the late
          1800s and early 1900s.  Another aspect of how</div>
        <div class="gmail_default"
          style="font-family:verdana,sans-serif">ragtime, marches,
          blues, and hymns and evolved into the ensemble</div>
        <div class="gmail_default"
          style="font-family:verdana,sans-serif">sound of early jazz. 
          Worth a read.</div>
        <div class="gmail_default"
          style="font-family:verdana,sans-serif"><br>
        </div>
        <div class="gmail_default"
          style="font-family:verdana,sans-serif">Ken Gates</div>
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      <br>
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      <br>
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</pre>
    </blockquote>
    <br>
  
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