[Dixielandjazz] Brooks Kerr
ROBERT R. CALDER
serapion at btinternet.com
Wed May 10 15:51:51 EDT 2017
report below from
http://www.musiciansfoundation.org/lives-changed/brooks-kerr/
THERE IS A LOT OF BROOKS KERR ON YOUTUBE -- and I think a tape he made of LUCKEY ROBERTS demonstrating JUNK MAN RAG
(NOT PAINFUL TO CHECK!!!!) but he seems not to have been having a wonderful time -- the date 2017 is on the page copied below but the report has no more precise date
Robert
_________________________________________
Brooks Kerr Home Lives Changed
Brooks Kerr Keeping Ellington’s Legacy Alive
The Musicians Foundation Helps the Steward of Duke Ellington’s Songs Play On
Brooks Kerr was born to play the piano. He began on the instrument at
age 2 and was quickly identified as a prodigy. Kerr’s first musical model was Fats Waller, and he gained early attention for his lively and
virtuosic renditions of Fats Waller’s music. But it was Duke Ellington
who ultimately shaped the direction of Kerr’s career.
Kerr first met Ellington at age 5; by his teen years they were
touring together across the country and abroad. John Wilson,
jazz critic of The New York Times, described the Julliard-trained Kerr as
possessing “an encyclopedic knowledge of Ellington’s music,”
a repertory that includes over a thousand compositions, many of them now standards
of the Great American Songbook. At the end of Ellington’s life,
Kerr sat in for his ailing mentor in concert – chosen steward for this remarkable canon of American music.
After Ellington’s death, Brooks Kerr collaborated with some of Duke’s sidemen.
Among the veterans who played in Kerr’s band were Sonny Greer,
Russell Procope, Ray Nance and Paul Gonsalves. Kerr recorded for the following Jazz record labels: Famous Door in 1974; Chiaroscuro in 1975
(a set of duets with Greer); and Blue Wail during 1981-82 (tributes to
Duke Ellington, Fats Waller and Irving Berlin.) Kerr sparked a
friendship with Irving Berlin through his resurrection of several
of the composer’s forgotten pieces. In fact, they grew so close Berlin referred to Kerr as a “son.”
Kerr’s sight deteriorated throughout his childhood, leaving him
legally blind by his mid- 20’s. Such was his love of music that he
dealt with this loss with equanimity. For Kerr, life “has always been about the music.”
Not only has this teacher and performer upheld the legacy of some of
America’s most important music, he’s also served as a loyal friend to
other musicians, always willing to help a fellow artist in need.
Then Brooks Kerr needed help himself.
Struck with kidney disease and in need of a transplant, Kerr found
himself unable to perform. Like so many musicians, this artist who had
devoted his entire life to bringing pleasure to others was left with no
means of financial support while enduring an unexpected medical crisis.
The Musicians Foundation has provided Kerr and his family assistance
to pay their bills while he undergoes treatment. Kerr’s family reports
that he is recovering well after his kidney transplant. With his
financial distress alleviated, he can now focus on what matters most:
getting well so that he can return to making the music that is part of
our shared and cherished heritage.
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