[Dixielandjazz] Stan Greig

Steve Voce stevevoce at virginmedia.com
Mon Jul 10 04:18:30 EDT 2017


Stan was the pianist on 'Bad Penny Blues' which was recorded at an 
ordinary session for which he was paid in the normal manner. He always 
resented not having been paid royalties for the tune (which had its 
roots in Yank Lawson's I'm Praying Humble).


On 09/07/2017 22:51, Marek Boym wrote:
> "Rums" sounds good to me, even if I prefer malts (for American 
> listmates: "malt" means malt whisky).
> Cheers
>
> On 9 July 2017 at 23:24, Steve Voce <stevevoce at virginmedia.com 
> <mailto:stevevoce at virginmedia.com>> wrote:
>
>     Small point: Mick Pyne was with Humph for years after Stan was.
>     Mick came after Stan in the band. Stan also played rums in the
>     band at another time.
>
>     Steve Voce
>
>
>     On 09/07/2017 18:38, ROBERT R. CALDER wrote:
>>     Stan played piano for a long time with Humph's band -- after Mick
>>     Pyne, whose other instrument was cornet.
>>     Mick could have performed with the other people listed as earlier
>>     colleagues of Tony Fisher.
>>     I'm sure he did play with some of them. His ALONE TOGETHER is
>>     mighty impressive and emphatically OKOM.
>>
>>     Stan was of a generation which grew up with boogie woogie in
>>     earshot.
>>     He was drummer in Sandy Brown's initial Fairweather band.
>>     A master of tempo was what Wally Fawkes said of him when I heard
>>     the Fawkes-Greig unit at Kings Cross.
>>     Stan can be seen on YouTube as pianist in a touring Harlem Blues
>>     and Jazz band.
>>     His day job was as a piano tuner, I think in succession to his
>>     father but in London rather than Edinburgh.
>>
>>     I remember him as a member of Humph's band doing one of the
>>     Ellington-Blanton duets at an Edinburgh gig. Maybe it was
>>     "Pitter, Panther, Patter" and interesting though not an ideal
>>     performance. The interesting thing was a kind of blurriness of
>>     Stan's playing, not crisp articulation but a forward moving flow,
>>     which is what he brought to Humph's band. I'm sure the
>>     articulation would have been clearer on a newer piano requiring
>>     less internal attention of the sort Stan ate by providing. It was
>>     intriguing to hear the change from Pyne to Greig at a time when I
>>     was hearing more than at any other time Humph's band.
>>
>>     Humph was blessed in having those two to choose
>>     (and give money to, to cite the famous Ellington retort to Humph
>>     on the "gimmick" which enabled him to keep the band together. The
>>     original interview, which involved Humph and John Dankworth, was
>>     excerpted to include the quip during a BBC hour of John Dankworth
>>     from the archives, marking -- would you believe -- the putting up
>>     of a blue official plaque to mark the saxophonist/ composer etc's
>>     sometime whereabouts. There wasn't exactly a plethora of
>>     information about any other musicians, and the captioning as
>>     seems usual when the BBC deigns to do any jazz thing on TV seemed
>>     to have been contrived by fans of cliche serving an
>>     apprenticeship in children's broadcasting
>>
>>     But they did in the past broadcast back at the time a
>>     Dankworth-Clark gig from a tour Clark made.
>>     Complete with Clark re-telling the Dankworth joke about how a
>>     herd of cattle strayed into an ink factory, drank from a vat, and
>>     Moo-ed Indigo.
>>
>>     Less naughty than Rex Stewart's story of "Warm Valley",
>>
>>     ttfn,
>>     Robert R. Calder
>>
>>
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