[Dixielandjazz] Latin Influences on Early Jazz
Ken Mathieson
ken at kenmath.free-online.co.uk
Thu Oct 29 18:04:47 PDT 2015
Hi Folks,
Just a quickie with some responses to questions raised by listmates in
this interesting thread:
Charlie asked about choro on Youtube: there's stacks of it there
covering all the eras. Chiquinha Gonzalez for the 19th century
beginnings, Ernesto Nazareth for the early 20th century, Pixinguinha for
the 1920s to 40s,
Jacob do Bandolim for the 1950s & 60, Severino Araujo for big band
choro, Paulo Moura for contemporary recreations of choro from earlier
eras, and any number of recent choro players who have revived the
tradition and are writing new material.
Dave wondered about the pronunciation of Pixinguinha and was close with
his 2nd option: it should peesh-een-geenya (the "n" sounds are nasalised
and the "g" is hard). If anyone is looking for translations or
pronunciations, just let me know: I lived in Brasil and speak
Portuguese. I also played in a night club in Sao Paulo and learned the
hard way about the difference between "gringo samba" and the real thing.
Dave also gave a link to a choro blogspot at
http://choro-music.blogspot.com/ and that is a fantastic resource for
anyone interested in choro. It's also in English.
I mentioned Martinique beguines as being similar to New Orleans Creole
music: Youtube has some great tracks by Ernest Leardee. Look for the
items with artwork of palm trees in a yellow square. They all feature 2
clarinets plus rhythm and their improvisations remind me strongly of the
playing of Big Eye Louis Nelson and Alphonse Picou on the Kid Rena
sides. Try Ce Filon for starters, but they're all lovely tracks. If you
want to hear the beguine tradition at an earlier stage Youtube also has
tracks by Alexandre Stellio.
For anyone wanting to hear what drummers get up to in Scottish Country
Dance Bands try https://www.youtube.com/watch?v=S_TizUEE_aE and see if
you can see what Jake Hanna was getting at when he said he could hear
lots of this drumming in the playing of the early jazz drummers. It
pushes the music along and would swing if the heavy downbeats on piano
and bass were removed and replaced with a 4 feel.
Right, enough already, I'm off to listen to some jazz now!
Cheers,
Ken
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